A LONG WAY AWAY. Passages (2010-2011) Staged cycle for Ensemble „Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves, and not anything else, and by the immobility of our conceptions of them.“ Marcel Proust

Premiere complete cycle: 26.1.2012, Sophiensaele Berlin, Festival Ultraschall ENSEMBLE ADAPTER, conductor: Manuel Nawri, stage direction/design: Anna Peschke I Verlassene Orte / Berlin (2010) for Emre After Walter Benjamin's „Berlin childhood around 1900“ for alto flute, bass clarinet, harp, prepared piano and percussion 10' II Passage: Unscheinbare Pforten / Paris (2011) for Christian Musical reactions to Walter Benjamin's „Zum Bilde Prousts“ for violin, harpsichord and percussion 3' III Laterna magica / Combray (2011) for Gunnhildur After an excerpt from Marcel Prousts „À la recherche du temps perdu“ for prepared harp solo, piano, percussion and humming tops 10' IV a long way away (2011) for Jascha After W.G. Sebald's „The Emigrants“ for flute(s), clarinet(s), violin, cello, contrabass, amplified harpsichord, piano, percussion and assistent 15' V Passage: Central Park / Manhattan or Landzunge / New Jersey (2011) for Lotte Musical reactions to Mirko Bonné's „Herbst in New York“ for piano with melodica, piccolo flute, alto (con sordino) and percussion 5' VI Luftmacumba / Rio (2011) for Mirko After Mirko Bonné's „Luftmacumba“ for percussion solo, bass flute, violin, cello, contrabass, harp, prepared piano and two assistents 11' VII landscapes / desert (2010) for Holli roadtrip in music - Mojave desert for clarinet, cello, harp, amplified harpsichord and percussion 12' mp3 "Verlassene Orte" (2010) excerpt 1 - Beginning  (Ensemble "Adapter"; Manuel Nawri)     mp3 "Verlassene Orte" (2010) excerpt 2  (Ensemble "Adapter"; Manuel Nawri)