„ … for I am never in the present. We always meet each other, ourselves while absent. If you speak of yourself, you speak of someone who is absent. Never will you be able to give him all the reality you want to give him. And the same is true of words: they always struggle with the absence of the word, with that which they cannot say. It is absence that renders words audible and visible, the large white interstices of silence between words without which words would be invisible.“
Edmond Jabès, in: The Writing of the Desert
(translated by C. A. Wollin)
Sarah Nemtsov (née Reuter) was born in Oldenburg, Germany in 1980. In 1987, she got her first music lessons, around the same time she began writing her first compositions. Between 1989 and 1993 she participated in numerous concerts and recordings of the REIL TRIO as a recorder player. At the age of 14 she started playing the oboe.
Since 1998 she studied composition at the Hanover Hochschule for Music and Theatre with Nigel Osborne as a „young student“. In 2000 she began with her regular studies at the same institution with Johannes Schoellhorn (composition) and Klaus Becker (oboe). Since 2003 she studied oboe with Burkhard Glaetzner (Berlin). After her graduation in both disciplines in 2005, she began with her post-graduate studies in composition with Walter Zimmermann at the Berlin University of theArts (Meisterschueler exam with distinction).
Sarah Nemtsov is the award winner of many competitions: 2016 she won the international RicordiLAB composition competition, in 2013 she was awarded the Busoni Composition Prize, 2012 the Deutsche Musikautorenpreis (German Music Authors Prize, GEMA), 2011 ZONTA Music Prize, or 2007 Hanns Eisler Prize.
She got fellowships from various foundations, such as the German National Merit Foundation, Aribert Reimann Foundation, Wilfried Steinbrenner Foundation, Berlin Senate, or Foundation Zurueckgeben, as well as a residence at Villa Serpentara (Italy) in 2011.
In 2014 she was teaching (composition/music theatre) at the Musikhochschule Cologne.
2014/2015 Sarah Nemtsov was composer in residence for Erfurts Neue Noten Spielzeit 2014/2015 (Philharmonic Orchestra Erfurt, GMD Joana Mallwitz) and her orchestra pieces were featured in three symphonic concerts.
Her chamber opera „Herzland“ (2005) premiered in Hanover in 2006; it was staged at the Bavarian state opera in 2011 (in co-production with Orchester Jakobsplatz Munich). Her opera „L’ABSENCE“ (2006-2008) after „Le Livre des Questions“ by Edmond Jabès had its premiere May 2012 at the Munich Biennale.
Her new and highly acclaimed opera – „Sacrifice“ (2016) – was premiered in March 2017 at Theatre Halle. The music theatre piece both comments on the state of contemporary opera, and draws a parallel with current affairs, and was described by Die ZEITas a work in which “sound becomes space becomes time becomes reality.”
Nemtsov’s music is played by renowned ensembles – such as Adapter, Neue Vocalsolisten Stuttgart, ensemble recherche, ensemble mosaik, Ensemble InterContemporain, Solistenstenensemble Kaleidoskop, Ensemblekollektiv Berlin, ensemble Lux:NM, Accroche Note, Trio accanto, Ensemble Garage, Ascolta, Vortex ensemble, Sonar Quartet, Asasello Quartet, MIVOS Quartet, Nomos Quartet, SCENATET, Trio Arbós, Neopercusión, Black page orchestra, Oh-Ton-Ensemble, or the International Ensemble Modern Academy.
Her compositions are featured in various international festivals – for example at the Donaueschingen Music Days (2011), ICSM World New Music festival in Stuttgart, International Summer Courses for contemporary music Darmstadt (2014), festival Musica in Strasbourg, ECLAT Stuttgart, Bregenzer Festspiele, Holland Festival, Festival Ultraschall Berlin, MaerzMusik and Klangwerkstatt in Berlin, SPOR (Denmark), Wien modern, ADevantgarde in Munich, Israel Festival or Klangspuren Schwaz. Several of her works are being published at Peer Music Classical Hamburg and at Ricordi Publishing house.
In 2015 Sarah Nemtsov founded a gallery and concert venue in Berlin together with her husband Jascha Nemtsov – „Raum für Kunst und Diskurs“. Besides as artistic director (and composer) she initiated the project „Mekomot“ 2015-2016 – a concert tour with contemporary music and old jewish liturgical chants through abandoned synagogues in Germany and Poland.
For Sarah Nemtsov, literature (Edmond Jabès, Jacques Derrida, Paul Celan, Walter Benjamin, Emily Dickinson, Virginia Woolf, W.G. Sebald, Mirko Bonné or Ron Winkler ) plays an important role as a source of inspiration; it serves her in terms of content as well as formally, in her compositional technique as a conceptual stimulation for her own constant innovation. Often in the combination and contrast of audio and visual moments, at the borders of music theater, she explores new forms of musical presence. Her most recent works are exploring simultaneous and chaotic forms, in search of an “urban sound in music”, a sensual complexity, also involving electronics (and her fascination for analog effects processors – as with her chamber music cycle „ZIMMER“ or „white wide eyes“).
As an oboist Sarah Nemtsov won first prices at several national oboe competitions like „Jugend musiziert – Bundeswettbewerb“ in 1999 (wood wind quintet) and in 2000 (oboe solo). She got a prize of the Hanover artist society and in 2001 a „Price of Niedersachsen“ with the Accopiato Quintet. In 2007, she got a special prize for the interpretation of her own composition „Interludien“. Sarah Nemtsov has performed as a soloist and in chamber ensembles, amongst others together with her husband, the pianist Jascha Nemtsov. Since 2007 she is concentrating on composition only.
Sarah at a concert 1989: Reil Trio, Ilse Reil and Sarah (Reuter/Nemtsov), recorder, Hermann Dick, harpsichord
Paintings on this website
With kindly permission by artist Elisabeth Naomi Reuter several of her paintings were used for this website.