2026

May 2026, Opera Dortmund
WP WIR (2021-2024) Opera in 5 Acts for 9 voices, choir, instrumental soloists, orchestra, ai, electronics and video – libretto by Sarah Nemtsov after the novel Мы by Evgenij Zamjatin

2025

24. May 2025, Konzerthaus Berlin
Im Andenken (2007) string quartet – Vogler Quartett

24. May 2025, Konzerthaus Wien [AT]
New Work (2024/25) for ensemble and six voices – PHACE Ensemble and Cantando Admont

26. April 2025, Music Current Festival, Dublin [IR]
Mountain & Maiden (2019) silent film by Shmuel Hoffman & Anton von Heiseler – composition by Sarah Nemtsov for keyboard solo with amplified piano and voice – Malgorzata Walentynovicz

6. February 2025, ECLAT Festival, Stuttgart
New Works (2024) for soloists and small chamber music constellations – Ensemble Musikfabrik, Yaron Deutsch

4. February 2025, Theater Heidelberg
Tikkun (2021) for 4 soloists, string orchestra and percussion – Nikel ensemble, Philharmonic Orchestra Heidelberg, Mino Marani – Heidelberger Künstlerinnenpreis

23. January – 1. February 2025, COMPOSER IN RESIDENCE, Boston University [USA]
Sarah Nemtsov at the BU’s Composer Forum (24.1.)
Portrait Concert (31.1.) with Ensemble Sound Icon and Jeffrey Means

19. January 2025, Ultraschall Festival Berlin
black trees (2020) for orchestra – DSO Deutsches Symphonie Orchester, Markus Poschner

2024

30. December 2024, 21h30, Teatro del Lavoro, Pinerolo [IT]
white eyes erased (2014/15) for Keyboard and Drumset – Hyper Duo

18. December 2024, Cologne
WP NUN V (2024) for ensemble (Picc, bass cl, vl, vlc, perc, keyboard) with electronics & to the beyond (2018) for 4 performers with objects and amplification – Ensemble handwerk

8. December 2024, Bremen
weggeschliffen (2018) string quartet with electronics – PULSE quartet

8. December 2024, 17h, Druckereihalle, Basel [CH]
7. December 2024, 20h, Kunstraum Walcheturm, Zurich [CH]

Seven Colours (2018) for Cello, e bass, prepared piano with sample keyboard and drum set – Ensemble Soyuz21

3. December 2024, 20h, unerhörte Musik, BKA Theater Berlin
Kadosh (2021) for violin solo with electronics – Dejana Sekulic

1. December 2024, Düsseldorf
Seven Colours (2018) for Cello, e bass, prepared piano with sample keyboard and drum set – Antiphon Orchestra, Nicolas Kuhn

1. December 2024, 20h, Luzern [CH]
29. November 2024, 20h, Künstlerhaus Boswil [CH]

Sechs Zeichen (2010) for cello and prepared piano – Duo Tus

28. November 2024, Grand Theatre Groningen [NL]
Seven Colours (2018) for Cello, e bass, prepared piano with sample keyboard and drum set – Ensemble Garage

28. November 2024, 20h, Muziekcentrum Bijloke, Gent [BE]
ira (2014) for Paetzold bass recorder solo – Tomma Wessel

28. November 2024, Theaterhaus, Stuttgart
Bugs (2021) study for hand and snare with electronics – Paul Ebert

23. November 2024, 20h, Pakt Bern [CH]
22. November 2024, 20h, Ackermannshof Basel [CH]

Sechs Zeichen (2010) for cello and prepared piano – Duo Tus

15. November 2024, Mannheim
WP Herbst (2023) for saxophone and soprano – Duo Stadler

8. November 2024, Seoul [KOR]
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola and percussion – ensemble mosaik

8. November 2024, Musikbrauerei, Berlin
implicated amplification (2014) for amplified bass clarinet solo with effect pedals – Rebecca Minten

4. November 2024, Melbourne [AUS]
Seven Thoughts (2018) for keyboard solo (with voice) – Ronen Apcar

2. November 2024, Konzerthaus Wien, Wien modern [AT]
Or bahir (2023) string quartet; Arditti Quartet – “50 Years Arditti Quartet”

31. October 2024, M33 Atelier, Straßburg [FR]
Bugs (2021) study for hand and snare with electronics – Paul Ebert

26. October 2024, Villingen-Schwenningen
Part V. from Orbits (2018) für 4 E-Gitrren und E-Bass – Interstring Project

23. October 2024, Croma Festival [PRT]
white eyes erased (2014/15) for Keyboard and Drumset – Mrika Sefa & Francisco Cipriano

20. October 2024, 19h30, Rupretchskirche Wien [AT]
Briefe.Puppen (2012/14) for e guitar and drum set – Alex Tentor and Luis Azcona

20. October 2024, Sendesaal Bremen
Seven Colours (2018) for cello, e bass, piano with sample keyboard and drumset – Ensemble New Babylon

20. October 2024, Sonoscopia, Porto [PRT]
white eyes erased (2014/15) for Keyboard and Drumset – Mrika Sefa & Francisco Cipriano

17. October 2024, 20h, Philharmonie de Paris [FR]
Or bahir (2023) string quartet; Arditti Quartet – “50 Years Arditti Quartet” – canceled

17. October 2024, 18h, Solitär, Mozarteum Salzburg [AT]
Sarah Nemtsov and Prof. Yvonne Wasserloos – discussion “Demokratie – Materialisierungin und durch Musik”

16. October 2024, 19h, Fronleichnamskapelle Olmütz [AT]
Sechs Zeichen (2010) for cello and prepared piano – Ensemble PHACE

13. October 2024, Basel [CH]
Part V. from Orbits (2018) for 4 e guitars and e bass – Interstring Project

12. October 2024, 16h, Stadtgalerie, Salzburg [AT]
pulsation (2020) for 3 Performers – Ensemble NAMES

5. October 2024, Tübingen
Part V. from Orbits (2018) for 4 e guitars and e bass – Interstring Project

29. September 2024, 17h, BR musica viva, Allerheiligenkirche Munich
Or bahir (2023) string quartet; Arditti Quartet – “50 Years Arditti Quartet”

28. September 2024, Vienna [AT]
WP at land (2022) for harpsichord solo with tape – accompanying a silent film by Maya Deren – Sonja Leipold

26. September 2024, 20h-22h, WDR 3 Konzert
broadcast Trilogy MA’ALOT (2020-2024) with CHESED (2022) for 6 instruments and electronics, KETER (2020) for 5 instruments and electronics ad MALCHUT [shir hama’alot] (2024) ffor large ensemble – Ensemble Musikfabrik and Friederike Scheunchen – Live recording from the world premiere June 29th 2024

22. September 2024, Festival Ensemble(s), Paris [FR]
Verlassene Orte / Berlin (2010) for quintett (fl, cl, harp, pno, perc.) – Ensemble Multilatérale

18. September 2024, Festival Ensemble(s), Paris [FR]
exercice (2005) for 2 flutes
MOOS (2020) for ensemble (13 instruments) and electronics – Ensemble 2e2m

12. September 2024, St. Gallen [CH]
Sechs Zeichen (2010) for cello and prepared piano – Karoline Öhmann and Tamriko Kordzaia

14. September 2024, Theater Vorpommern
Brief – Vokalise (2012) for voice solo with ukulele – Lisa Newill-Smith

12. September 2024, St. Gallen [CH]
Sechs Zeichen (2010) for cello and prepared piano – Karoline Öhmann und Tamriko Kordzaia

7. September 2024, Berlin
Zwanzig Skizzen (2005) for piano solo, excerpts – Fidan Aghayeva-Edler

25. August 2024, Bangkok [TH]
Kammer (2020) für Toypiano mit Minikeyboard und 2 Assistent*innen – Studio Musikfabrik

25. August 2024, Köln
heimwehgefiedert (2020) 8 songs for soprano, viola and piano – poems by Hilde Domin – Tehila Nini Goldstein, Julia Adler, Jascha Nemtsov

8. July 2024, 19h30, Mozarteum Salzburg [AT]
Verlassene Orte / Berlin (2010) for 5 instruments – Ensemble Multilatérale

3.-13. July 2024, ARCO Academy, Salzburg [AT]
tutor composition – cooperation Mozarteum, ensemble Multilatérale, Métaboles

29. June 2024, WDR Köln
WP Trilogy MA’ALOT (2020-2024) with CHESED (2022) for 6 instruments with electronics, KETER (2020) for 5 instruments and electronics and WP MALCHUT [shir hama’alot] (2024) for large ensemble – Ensemble Musikfabrik and Ilan Volkov

25. June 2024, Dinkelsbühl
Shadow Drums (2017) – Oscar Tudge, Percussion

20. June 2024, Akademie der Künste Berlin
Central Park / Manhattan (2011) u.a. – ensemble mosaik

20. June 2024, 18h, Karl Rahner Akademie Cologne
lecture and concert on CHESED (2022) and KETER (2020) – Ensemble Musikfabrik, Wiebke Spieker

13. June 2024, Musikhochschule Karlsruhe
WP Siblings (2023) for oboe solo and electronics – Juri Vallentin

11. June 2024, Guildhall School of music, London [UK]
Interludium (2007) for oboe solo and electronics – Stefani Trendafilova

8. June 2024, 19h, Werner-Otto-Saal, Konzerthaus Berlin
[you] and [as] (2018) for prepared piano, ensemble – Ursula Mamlok Preis ensemble Meitar

5. June 2024, Silent Green, Berlin
NUN IV (2022) for bass flute, synthesizer and electronics – ERMA Ensemble

1. June 2024, Musikhochschule Basel [CH]
starlings, sparrows (2022) for clarinet, cello, piano with synths – students

31. May 2024, 20h, Kunstuniversität Graz
Focus on Sarah Nemtsov – Portrait concert with “Seven Colours” (2018), “Bugs” (2021), “Kadosh” (2021), “Sechs Zeichen” (2010) and Mountain & Maiden” (2019) – ensemble PHACE

17. May 2024, 19h, Musikuni Klagenfurt
Schwelle (2020) – Students

12. May 2024, Cracow [PL]
NUN (2019) for ensemble – Spóldzielna Muzyczna contemporary ensemble

12. May 2024, Göttingen
drummed variations (2014) etc. – Sven Pollkötter

11. May 2024, 17h, Elbphilharmonie Hamburg
WP Or bahir (2023) for string quartet; Arditti Quartet – “50 Years Arditti Quartet”

10. May 2024, 16h30, Oper Dortmund
Open discussion

7. May 2024, 19h30, Berio-Saal, Konzerthaus Vienna [AT]
Sechs Zeichen (2010) for cello and prepared piano – ensemble PHACE

6. May 2024, 19h, BCV Concert Hall, Lausanne [CH]
à deux (2009) for prepared harp solo – Costanzo Estelle

2. May 2024, Erika-Frieser-Kammermusiktage, Mozarteum, Salzburg [AT]
deconstructions (2003) for violin and piano – Anneliese-Clara Gahl and Eung-Gu Kim

29. April 2024, 21h, Cigarra, Lisboa [PRT]
Seven Thoughts (2018) for keyboard solo (with voice) – Mrika Sefa

20. April 2024, Goethe Institute, Boston [US]
deconstructions (2003) for violin and piano – Lilit Hartunian und Yoko Hagino

18. April 2024, 20h, Schwere Reiter, Munich
Luftmacumba / Rio (2011) for percussion solo and ensemble – Der gelbe Klang and Emilio Pomàrico

14. April 2024, 18h, Studio Musikfabrik, Köln
Kammer (2020) for toy piano with mini keyboard and 2 assistants – Studio Musikfabrik

12. April 2024, 19h, Festival Archipel, Genève [CH]
implicated amplification (2014) bass clarinet with effect pedals – Laurent Bruttin

10. April 2024, 19h, Leipzig
implicated amplification (2014) for bass clarinet with effect pedals – Carlos Cordeiro

7. April 2024, 16h, McIntosh Theatre, Ann Arbor, University Michigan [US]
void-imaginings (2018) for 4 performers (perc) – Percussion Ensemble

6. April 2024, 19h, Ackermannshof, Basel [CH]
Trio (2004) for percussion – RePercussion Trio

26. März 2024, 23h, Musik der Gegenwart, rbb
broadcast skotom.orchesterstueck (2019) for ensemble with electronics – manufaktur für neue musik and Susanne Blumenthal

18. March 2024, 16h, Maerzmusik, Berlin
discussion/listening session Sarah Nemtsov & Ernst Surberg

17. March 2024, 19h, Kiel
SKOP (2016) for accordion solo with harmonica – Eva Zöllner

17. March 2024, 15h, liquid room (ictus), Brussels [BE]
implicated amplification (2014) for bass clarinet solo with effect pedals – Laurent Bruttin

16. March 2024, 20h, Maerzmusik, Berlin
Journal (2015) for quintet with electronics – Black Page Orchestra

16. March 2024, 18h, Maerzmusik, Berlin
Kammer (2020) for toypiano with mini keyboard and two assistants (minisynthesizers) – b-l duo

16. March 2024, 15h30, Fachhochschule Salzburg [AT]
silver linings (2024) for percussion solo with electronics – Max Gärtner

15. March 2024, Ljubljana [SVN]
WP silver linings (2024) for percussion solo with electronics – Max Gärtner

15. March 2024, Universität Mozarteum Salzburg [AT]
Zwanzig Skizzen (2005) for piano solo and hundertelf (2020)  – students piano class Prof. Eung-Gu Kim

8. March 2024, 19h30, Hong Kong University [HKG]
Zimmer IV (2019) for 4 performers – Ensemble Dal Niente

6. March 2024, 19h, Alte Schmiede, Wien [AT]
NUN IV (2021) for bass flute, synthesizer and electronics – ensemble mosaik

2.+3. March 2024, 20h, Gare du Nord, Basel [CH]
Seven Colours (2018) for 4 instruments and electronics – Ensemble Phoenix

2. March 2024, 19h, Liberale Jüdische Gemeinde Munich
Zwanzig Skizzen (2005) for piano solo (excerpts) – Jascha Nemtsov

1. March 2024, Elbphilharmonie Hamburg
drummed variations (2014) for No Drumset and Kaoss Pad – Jonathan Shapiro (Decoder Ensemble)

22. February 2024, Gießen
Tür (2020) for Pseudo Drumset solo – Jonathan Shapiro

20. February 2024, 20h, unerhörte Musik, BKA Theater, Berlin
watcher (2021) for tuba solo – Jack Adler-McKean

17. February 2024, 19h, Gera
Kammer (2020) for Toy piano with Mini keyboard and 2 assistants – Kollektiv Drei Orangen

15. February 2024, Ackerstadt Palast, Berlin
Kammer (2020) for Toy piano with Mini keyboard and 2 assistants – Kollektiv Drei Orangen

12. February 2024, 12h, Davison Room, Harvard University Music Building / Zoom [US]
lecture Sarah Nemtsov

10. February 2024, 18h, St. Petri Kirche Hamburg
Flüchtiger Schnee (2013) for soprano and prepared piano – Marcia Lemke-Kern and Eva Barta

7. February 2024, 21h, Radio SRF 2 Kultur [CH]
Radio broadcast TZIMTZUM (2020-2023) Tetralogy for 4 soloists, large orchestra and electronics – Nikel Ensemble (sax, e guitar, keyboard, drum set), WDR Orchestra, Peter Rundel

20. January 2024, 20h, Festival Ultraschall Berlin, Radialsystem Berlin
skotom.orchesterstueck (2019) for Ensemble with electronics – MAM.manufaktur für aktuelle Musik, Susanne Blumenthal

15. January 2024, 23h03, Musik der Gegenwart, rbb
broadcast dropped.drowned (2017) for orchestra; Deutsches Sinfonieorchester Berlin DSO, Johannes Kalitzke

15. January 2024, Universität Mozarteum Salzburg [AT]
Zwanzig Skizzen (2005) for piano solo – students piano class Prof. Eung-Gu Kim

13. January 2024, 20h, Ircam Centre Pompidou, Paris [FR]
WP Keter (2020) for bass clarinet, viola, cello, harp, piano and electronics – Ensemble Intercontemporain

2023

31. December 2023, Jerusalem Academy of Music and Dance [IL]
[if] (2023) for ensemble and [you] (2018) – Ensemble Meitar and Pierre André-Valade

30. December 2023, 20h30, Tel Aviv [IL]
WP [if] (2023) and [you] (2018) for ensemble – Ensemble Meitar and Pierre André-Valade

28. December 2023, 19h45, CEME Mastercourse Tel Aviv, Israel [IL] – Zoom
“On foggy and overgrown paths” – lecture Sarah Nemtsov

26. December 2023 – 1. January 2024, CEME Mastercourse Tel Aviv, Israel [IL]
tutor composition – via ZOOM

12. December2023, 19h, Grieg-Begegnungsstätte Leipzig
concert & talk – with Sarah Nemtsov and her music – Tehila Nini Goldstein, soprano and Jascha Nemtsov, piano

18. November 2023, 21h30, Festival Wien modern, Musikverein Gläserner Saal, Vienna [AT]
Kadosh (2021) for violin solo

18. November 2023, 14h, HEMU, Lausanne [CH]
deconstructions II (2003) for Corno Anglais and piano

17. November 2023, 20h04, WDR3
Radio broadcast TZIMTZUM (2020-2023) Tetralogy for 4 soloists, large orchestra and electronics – Nikel Ensemble (sax, e guitar, keyboard, drum set), WDR Orchestra, Peter Rundel

12. November 2023, 20h, Kunsthaus Bethanien, Klangwerkstatt Berlin
Wolfsgesänge (2019) for Cello solo with tape and video – Zoé Cartier (ensemble LUX:NM)

12. November 2023, 18h, ESSEN NOW!, Philharmonie Essen
WP TZIMTZUM (2020-2023) Tetralogy for 4 soloists, large orchestra and electronics: I Reshimot (2020) II Sh’vira (2020) III K’lipot (2022-23) IV Tikkun (2021)  – Nikel ensemble (sax, e guitar, keyboard, drum set), WDR orchestra, Peter Rundel

10. November 2023, 20h, Philharmonie Cologne
Tikkun (2021) and WP K’lipot (2023) for soloists, large orchestra and electronics – Nikel Ensemble, WDR Orchestra, Peter Rundel

6. November 2023, 19h30, Archa Theatre, Prag [CZ]
communication – lost – found (2006) for Ensemble – Berg Orchestra

4. November 2023, 20h, Salle de Conservatoire de Montréal [CA]
hundertelf (2020) for piano solo – Moritz Ernst

29. October 2023, Zeitlupe, Sprengelmuseum Hannover
Seven Thoughts (2018) for keyboard solo – Rei Nakamura

27. October 2023, Bludenzer Tage füt zeitgemäße Musik [AT]
Sh’vira (2020) for soprano saxophone, e guitar, keyboard and drum set – Nikel Ensemble

21. October 2023, Tel Aviv [IL] – cancelled
Legend of a Stream (2021) for ensemble with electronics and projection – Ensemble Meitar

20. October 2023, Festival Bazar Electrique, Theatre Dunois, Paris [FR]
Wolfsgesänge (2019) for cello solo with tape (and video) – Zoé Cartier

17. October 2023, 20h, Konzerthaus Berlin
Kreise (2007) for two pianos and percussion – Piano Percussion

28. September 2023, Villa Elisabeth Berlin
Orbit IV (2018) for 4 e guitars and e bass – The Interstring Project

24. September 2023, Kassel
Tür (2019) for pseudo drum set solo – Sven Polkötter

24. September 2023, 11h, Montreuil [FR]
Schwelle (2020) version for harp and Cello – l’instant donné

23. September 2023, 17h, Kulturgießerei, Saarburg
al ken nekaveh lecha (2021) for soprano and piano – Einat Aronstein and Roland Techet

10. September 2023, Bauhausmuseum, Kunstfest Weimar
Ver-Suche II (2007) for flute, cello and accordion

30. August 2023, Ostrava [CZ]
NUN II (2019) for piano solo with electronics (assistent) – Ensemble Garage: Malgorzata Walentynovicz and Annegret Mayer-Lindeberg

26. August 2023, 19h, Dara String Festival, Theater im Delphi, Berlin
WP NUN III (2021) for three violins and electronics – Biliana Voutchkova etc

20. August 2023, Time to Listen, Akademie der Künste Berlin
Mountain & Maiden (2019) Film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov for Keyboard solo with amplified piano and voice – Ernst Surberg

19. August 2023, 20h, ARD Radiofestival
Radio Broadcast OPHELIA (2020-2022) Opera in 12 images for 12 solo voices, choir, orchestra and electronics – libretto by Mirko Bonné – Live-Recording (Saarländischer Rundfunk) of the premiere at the Saarländisches Staatstheater (13.5.2023)

5.-19. August 2023, Darmstädter Ferienkurse für Neue Musik
tutor composition + harp composition workshop (with Gunnhildur Einarsdóttir) + opera & music theatre workshop (with Hans Thomalla)

13. August 2023, 15h, Akademie für Tonkunst, Darmstädter Ferienkurse für Neue Musik
à deux (2009) for prepared harp solo – Miriam Praschetta

9. August 2023, 14h, Akademie für Tonkunst, Darmstädter Ferienkurse für Neue Musik
watcher (2021) for Tuba solo and tape – Jack Adler-McKean

6.-17. July 2023, ARCO Academy Marseille [FR]
tutor composition

7. July 2023, 18h, Stiftung Insel Hombroich
Im Andenken (2007) string quartet – Fabrik Quartet

26. June 2023, 15h, Linz [AT]
Schwelle (2019) for Diskantzither and Cello – Jonathan Fiegl and Juan Cuamatzi

24. + 28. June 2023, Saarländisches Staatstheater Saarbrücken
OPHELIA (2020-2022) opera for 12 voices, choir, orchestra and electronics – libretto by Mirko Bonné (after Shakespeare) – direction: Eva-Maria Höckmayer, stage: Fabian Liszt, costumes: Julia Rösler, conductor: Stefan Neubert, Sound Design: Matthias Erb – with Valda Wilson, Liudmila Lokaichuk, Max Dollinger, Georg Bochow and many more, the Choir and Orchestra of the Saarländisches Staatstheater

22. June 2023, Mozarteum Salzburg [AT]
Zwanzig Skizzen (2005) for piano solo – students class Eung-Gu Kim

21. June 2023, 19h30, Domchorsaal, Salzburg [AT]
Wolfsgesänge (2019) for Cello solo with Tape and Video ad lib. – Cassandra Hutsteiner

20. June 2023, 20h, unerhörte Musik, BKA Theater, Berlin
drummed variation (2014) for No Drumset and Kaosspad – Federico Tramontana

15. June 2023, 20h, Gare du Nord, Basel [CH]
Central Park / Manhattan (2011) for piano with melodica, Piccolo, Viola and Percussion – United Instruments of Lucilin

27. May, 4., 11. June 2023, Saarländisches Staatstheater Saarbrücken
OPHELIA (2020-2022) opera for 12 voices, choir, orchestra and electronics – libretto by Mirko Bonné (after Shakespeare) – direction: Eva-Maria Höckmayer, stage: Fabian Liszt, costumes: Julia Rösler, conductor: Stefan Neubert, Sound Design: Matthias Erb – with Valda Wilson, Liudmila Lokaichuk, Max Dollinger, Georg Bochow and many more, the Choir and Orchestra of the Saarländisches Staatstheater

27. May 2023, 17h, Schloss Gartow
Sechs Zeichen (2010) for cello and prepared piano – Peter-Phillip and Hansjacob Staemmler

25. May 2023, Melbourne Recital Center [AUS]
void imaginings (2018) for 4 performer with 8 microphones and objects – WHACKollective percussion quartet

20. May 2023, 17h, Potsdam und 21. May 2023, 19h, Berlin
heimwehgefiedert (2020) 8 songs for (mezzo-)soprano, viola and piano – Tehila Nini Goldstein, Julia Rebekka Adler and Jascha Nemtsov

19. May 2023, 19h30, Theatre Saarbrücken
OPHELIA (2020-2022) opera for 12 voices, choir, orchestra and electronics – libretto by Mirko Bonné (after Shakespeare) – direction: Eva-Maria Höckmayer, stage: Fabian Liszt

17. May 2023, 19h30, Künstlerhaus, Salzburg [AT]
WOLVES (2012) for oboe and prepared piano – with reed-making stuff – öenm

13. May 2023, 19h30, Theatre Saarbrücken
WP OPHELIA (2020-2022) opera for 12 voices, choir, orchestra and electronics – libretto by Mirko Bonné (after Shakespeare) – direction: Eva-Maria Höckmayer, stage: Fabian Liszt

29. April 2023, Leipzig
watcher (2021) for tuba solo with tape – Jack Adler-McKean

25. April 2023, 20h, unerhörte Musik, BKA Theater, Berlin
deconstructions (2003) for violin and piano – Rachel Koblyakov

25. April 2023, 19h30, Philharmonie Luxemburg
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola and percussion – United Instruments of Lucilin

4. April 2023, Osterfestival Tirol [AT]
Kammer (2020) for toypiano with mini keyboard and 2 assistents – Ensemble WirkWerk

31. March 2023, Salzlager Hall, Osterfestival Tirol [AT]
Seven Colours (2018) for cello, e bass, prepared piano with sample keyboard and drumset – Ensemble PHACE

26. March 2023, 11h, Naxos Hallenkonzert, Frankfurt
Im Andenken (2007) string quartet – Fabrik Quartet

22. March 2023, Münchener Kammerspiele, Schauspielhaus, Munich
Herzland (2005) chamber opera for 2 voices and chamber orchestra – Christina Daletska, Peter Schöne, Jewish Chamber Orchestra Munich, Daniel Grossmann (cond)

11. March 2023, Elementi Conference, Krzysztof Penderecki’s Academy of Music Cracow [PL]
Kadosh (2021) for violin solo – Oriana Masternak

10. March 2023, 12h, online, Elementi Conference, Krakau [PL]
synthesizing space lecture Sarah Nemtsov

17. February 2023, 19h30, Solitär, Mozarteum, Salzburg [AT]
landscapes / desert (2010) for bass clarinet, cello, harpsichord, harp and percussion – öenm, Johannes Kalitzke

16. February 2023, 20h, Theatre 2.21, Lausanne [CH]
Moon at Noon (2009) song cycle (poems by Emily Dickinson) for soprano and ensemble

12. February 2023, 20h, Ghent [BE]
Schwelle (2019) Version for cello and harp – extended music collective

11. February 2023, 19h30, Sektor Heimat, Saarbrücken
portrait concert chamber music works “white eyes erased”, “WOLKE”, “Fenster. Shloshim” and “weggeschliffen”– members of the Saarländische Staatstheater

11. February 2023, 19h, Kokoteatteri, Helsinki [FIN]
at land (2022) for amplified harpsichord solo and silent film “at land” (1944) by Maya Deren – Marianna Henriksson – canceled

8. February 2023, 19h, Musiikkitalo, black box, Helsinki [FIN]
WP at land (2022) for amplified harpsichord solo and silent film “at land” (1944) by Maya Deren – Marianna Henriksson – canceled

4. February 2023, 20h Kracum Performance Hall, Chicago [US]
Zimmer IV (2019) for 4 performers – Ensemble Dal Niente

31. January 2023, Berio-Saal, Konzerthaus Vienna [AT]
Seven Colours (2018) for cello, e bass, prepared piano with sample keyboard and drumset – Ensemble PHACE

28. January 2023, 19h30 Musikakademie Basel [CH]
Poker, Roulette (2012) for 5 percussionists with objects – percussion class Christian Dierstein

28. January 2023, 19h30 Musikakademie Basel [CH]
Poker, Roulette (2012) for 5 percussionists with objects – class Christian Dierstein

24. January 2023, 20h, unerhörte Musik, BKA Theater Berlin
Unscheinbare Pforten / Paris (2011) for harpsichord, violin and percussion – the Vischer Project

20. Januar 2023, 20h, Ackermannshof Basel [CH]
Unscheinbare Pforten / Paris (2011) for harpsichord, violin and percussion – the Vischer Project

17. January  2023, 23h03, Musik der Gegenwart, rbb
broadcast dropped.drowned (2017) for orchestra with the Deutsches Sinfonieorchester Berlin and Johannes Kalitzke

2022

12. December 2022, Mozart-Saal, Konzerthaus Vienna [AT]
WP Sacrifice. Suite (2016/22) for large ensemble, excerpts from the opera “SACRIFICE” (2016) – Klangforum Wien

10. December 2022, 20h, ARTist’s, Graz [AT]
drummed variation (2014) for no drumset and kaoss pad – plus minus ensemble

3. December 2022, Bijloke Ghent [BE]
Mountain & Maiden (2019) a film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov for keyboard solo with amplified piano and voice – Malgorzata Walentynowicz

3. December 2022, Neue Musik Zentrale, Essen
Kammer (2020) for toypiano and casio with 2 assistents (mini synths) – Neus Estrellas, Daniela Petry, Tilman Schaal

2. December 2022, 19h, Konzertsaal, Staatliche Hochschule für Musik Stuttgart
skotom.orchesterstueck (2019) for 9 musicians with electronics

29. November 2022, Mozarteum Salzburg [AT]
hundertelf (2020) for piano solo – Eung-Gu Kim

26. November 2022, 20h, Funkhaus WDR Köln
Chesed (2022) for 6 instruments with electronics and objects – Ensemble Musikfabrik

25. November 2022, 11h, crossroad Festival, Mozarteum Salzburg [AT]
lecture Synths & Space Sarah Nemtsov

24. November 2022, 20h, crossroad Festival, Mozarteum Salzburg [AT]
Kammer (2020) for toypiano and casio with 2 assistents (mini synths) – NAMES ensemble

18., 22., 24. November 2022, 20h, Staatstheater Nürnberg
verflucht (2019) Monologue for soprano and ensemble – text by Gerhild Steinbuch (after Shakespeare) – in cooperation with the Hochschule für Musik Nürnberg – Ekaterina Maslakova, Soprano

20. November 2022, 11h und 19h30, Saarländisches Staatstheater, Großes Haus, Saarbrücken
scattered ways (2015) for orchestra – Saarländisches Staatsorchester, Yannis Pouspourikas

18. – 20. November 2022, w e i t ! neue Musik Weingarten
Portrait festival Sarah Nemtsov – with Ensemble Musikfabrik, Arditti Quartett, Ensemble Adapter, Christoph Grund, Münchener Kammerorchester

12. October 2022, 12h30, November Music, Hertogenbosch [NL]
drummed variation (2014) for no drumset and kaoss pad  – Matthias Engler and Gunnhildur Einarsdóttir (Ensemble Adapter)

9. October 2022, opening, unsound Festival, Krakau [PL]
En Face: Solitude (2018/2020) amplified percussion solo: Aleksander Wnuk

29. September 2022, 19h, Kunsthaus, Potsdam
SKOP (2016) for accordion solo with harmonica – Eva Zöllner

29. September 2022, 19h, Lüdenscheid
Nigun (1999) for Oboe solo – Luise Raum

28. September 2022, Bogota [CO]
white eyes erased (2014/2015) for Keyboard and Drumset – Ensemble Aventure

22. September 2022, Klangspuren Schwaz [AT]
Sh’virah (2020) for soprano saxophone, e guitar, keyboard and drumset – Nikel ensemble

19. September 2022, Festival Warsaw Autumn [PL]
MOOS (2020) for ensemble – Rüdiger Bohn (conductor)

31. August – 7. September 2022, Ruhrtriennale, Turbinenhalle Bochum
HAUS (2013-2022) from the cycle for ensemble – scenic version world premiere – project with Heinrich Horwitz (directing, choreography, stage), Rosa Wernecke (stage, video, light), Johanna Danhauser (dramaturgy), Valeria Kafelnikov, Jonathan Shapiro, Sebastian Berweck, Susanne Peters, Laurent Bruttin (instruments, performance), Paul Jeukendrup (sound) and others

28. August 2022, 11h, PFL Oldenburg
al ken nekaveh lecha (2021) for soprano and piano – Tehila Nini Goldstein, Jascha Nemtsov

25. August 2022, 28h, Lehmbruckmuseum, Duisburg
skotom.orchesterstueck (2019) for 9 musicians and electronics – ensemble consord

23. August 2022, 20h, Resonanzraum Hamburg
skotom.orchesterstueck (2019) for 9 musicians and electronics – ensemble consord

21. August 2022, 20h, Alte Feuerwache, Köln
skotom.orchesterstueck (2019) for 9 musicians and electronics – ensemble consord

20. August 2022, 19h30, Konzertsaal, Musikhochschule Münster
skotom.orchesterstueck (2019) for 9 musicians and electronics – ensemble consord

14. August 2022, Ruhrtriennale
MOOS (2020) for 13 musicians and electronics – Klangforum Wien

7. July 2022, Heroines of Sound, Berlin
En Face: Solitude (2018/2020) version for percussion solo with amplification – recording text: Jakob Diehl, percussion solo: Aleksander Wnuk

7. July 2022, 19h, Strange Autumn, Edinburgh College, Edinburgh [UK]
drumed variation (2014) for no drumset and kaoss pad – Serge Vuille and Mark Knoop

5. July 2022, 23h, Musik der Gegenwart, rbb kultur
radio feature Die Komponistin Sarah Nemtsov by Margarete Zander

26. June 2022, Alte Feuerwache, Cologne
Seven Colours (2018) for amplified cello, e bass, prepared piano with sampler and drum set – Ensemble Garage

10. June 2022, Holtschneider Performance Center, Chicago [US]
Zimmer IV
(2019) for four performers (bass flute, toypiano, mini moog and mini synthesizer) – ensemble dal niente

8. June 2022, Xornadas da Música Contemporánea, Santiago de Compostela [ESP]
Seven Thoughts (2018) for keyboard solo – Maria Dominguez Perez

3. June 2022, 20h30, Dampfzentrale, Bern [CH]
Sh’virah
(2020) for soprano sax, e guitar, keyboard and drum set – Nikel ensemble

3. June 2022, 20h, blurred edges Festival, Hamburg
d’une femme, of a woman
(2015) version for soprano and sampler with toy piano – Frauke Aulbert und Michiko Saiki

30. May 2022, Kleiner Saal, Elbphilharmonie
Wolfsgesänge (2019) for cello solo with tape and video (H. Horwitz, R. Wernecke) – Sonja Lena Schmid, cello

28. May 2022, 20h, Ackerstadtpalast, Berlin
d’une femme, of a woman
(2015) version for soprano and sampler with toy piano – Frauke Aulbert und Michiko Saiki

19. May 2022, 20h30, KM28 Berlin
NUN IV (2021) for bass flute, synthesizer and electronics – Bettina Junge and Ernst Surberg (ensemble mosaik)

16. May 2022, Studio Musikfabrik Köln
deconstructions (2003) for violin and piano – Hannah Weirich and Ulrich Löffler (Ensemble Musikfabrik)

12. May 2022, Mareterra Festival, Puglia [IT]
Kadosh (2021) for violin solo with effect pedals – Mayah Kadish

11. + 12. May 2022, 19h30, Philharmonic Concert, Konzertsaal Gera
WP black trees (2020) for orchestra; Philharmonic Orchestra Gera-Altenburg, Johannes Kalitzke (conductor)

11. May 2022, Festival Milano Musica [IT]
Orpheus falling (2014) for 8 instruments and objects – ensemble recherche

4. – 8. May 2022, Festival Les Amplitudes, La-Chaux-de-Fonds [CH]
Composer in Residence Sarah Nemtsov – portrait festival with 7 portrait concerts, installation, film screening, discussion and party – including several world premieres – with Ensemble Le Nec, Nikel ensemble, ensemble Adapter, Peter Rundel, Tehila Nini Goldstein, Jascha Nemtsov, Mahan Esfahani, Decoder ensemble, Heinrich Horwitz, Rosa Wernecke, Maia Brami, Finn-Ole Heinrich, Hyper Duo, Camerata Ataremac, Ensemble HKB Vertigo and many more

7. May 2022, Wittener Tage für Neue Kammermusik
WP starlings, sparrows (2022) for clarinet, cello and piano with synthesizer – Trio Catch

6. May 2022, Hygiene Museum Dresden
Seven Colours (2018) – Ensemble El Perro Andaluz

4. May 2022, 20h, Kleiner Sendesaal, NDR Hannover
Laterna magica / Combray (2011) for prepared harp, piano percussion and assistant (humming tops) – Ensemble Ur.werk, Sascha Davidovic

30. April 2022, Annet Hall, Tel Aviv [IL]
Mountain & Maiden (2019) A Film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov for keyboard solo with amplified piano and voice – Amit Dolberg

26. April 2022, 20h, Gare du Nord, Basel [CH]
Orbits (2018) for 4 e guitars, e bass and objects – “Interstring Project”

21. April 2022, 19h, Paris [F]
Orbits (2018) for 4 e guitars, e bass and objects – “Interstring Project”

8. April 2022, 20h, Musik der Zeit, WDR Köln
WP Reshimot (2020) for Ensemble Nikel and WDR orchestra, Titus Engel (conductor)

March 2022, Konzerthaus Wien [AT]
Seven Colours (2018) for amplified cello, e bass, prepared piano and sample keyboard, drum set – ensemble PHACE

6. March 2022, RBB Funkhaus, Berlin
5. March 2022, Halle 424, Hamburg
4. March 2022, Lüneburg
dismissed thoughts
(2009) woodwind quintet – ensemble reflektor

4. March 2022, Onassis Stegi, Athen [GR]
implicated amplification (2014) for bass clarinet solo with electronics – Spyros Tzekos

23. February 2022, Cologne
pulsation (2019) for three performers on a Bass Drum and electronics – ensemble hand werk

13. February 2022, Hgnm, Sprengelmuseum, Hanover
portrait concert – NUN II (2020) for piano solo with electronics and NUN IV (2021) for bass flute, synthesizer, electronics and video WP with Ernst Surberg and Bettina Junge (ensemble mosaik)

4. February 2022, 19h30, oenm Atelier Salburg [AT]
à deux (2009) for prepared harp solo – Katharina Teufel-Lieli

31. January 2022, 20h, Werner-Otto-Saal, Konzerthaus Berlin
beredtes Schweigen (2005) for ensemble – modern art ensemble

30. + 31. January 2022, Staatstheater Hannover
En face (2018) for large orchestra with percussion solo and actor; Staatsorchester Hanover, Alexander Wnuk, percussion solo, Felix Briegel, actor, Titus Engel, conductor

21. January 2022, Klub Katarakt Hamburg
Orbits (2018) for 4 electric guitars, e bass and objects – “Interstring Project”

21. January 2022, 19h30, Ultraschall Berlin Festival, Heimathafen Neukölln Berlin
[love] (2018) piano trio – Boulanger Trio

12. January 2022, 19h30, Elbphilharmonie, Hamburg
WP Tikkun (2021) for soloists, string orchestra and percussion – Nikel Ensemble (soloists), Ensemble Resonanz, Emilio Pomarico

12. January 2022, 19h, Katovice [PL]
Mountain & Maiden (2019) A Film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov for keyboard solo with amplified piano and voice – Malgorzata Walentynowicz

11. January 2022, 21h05, SWR2 JetztMusik
Broadcast Hoqueti (2011) for 6 voices with additional instruments – Neue Vocalsolisten Stuttgart

2021

22. December 2021, Tel Aviv [IL]
legend of a stream (2021) for amplified quintet and assistant (slide show), text by Saar Yachin – Ensemble Meitar and Ensemble Handwerk

3. December 2021, Zurich [CH]
dropped.drowned (2017) for large orchestra – Tonhalle Orchester Zürich, Pierre-André Valade

26. November 2021, 21h, Konzerthaus Berlin
scattered ways (2015) for orchestra – Konzerthausorchester Berlin, Emilio Pomárico

21. November 2021, 21h05-23h, Deutschlandfunk, Forum neuer Musik
Radio premiere Roses for my funeral (2018-2020) an evening with Decoder Ensemble, Heinrich Horwitz and Noam Brusilovsky

17. November 2021, 14:15-16h, E15, Hochschule für Musik, Theater und Medien Hannover
Presentation Sarah Nemtsov

9. November 2021, unerhörte Musik, BKA Theater, Berlin
SKOP (2016) for accordion solo with mouth organ – Eva Zöllner

7. November 2021, 20h, Gr. Sendestudio, ORF Vorarlberg, Dornbirn
Treppen im Meer (2006-2008/2012) for orchestra – Symphonieorchester Vorarlberg, Leonhard Garms

2. November 2021, 20h, Schwerer Reiter, München
Passacaglia (2015) for prepared piano solo – Brigitte Helbig

30. October 2021, Philharmony Cologne
WP Tikkun (2021) version for string orchestra and percussion – WDR Sinfonieorchester, Cristian Macelaru (series: Miniaturen der Zeit WDR)

30. October 2021, 20h, Tonhalle Zurich [CH]
Orpheus falling (2014) for 8 instruments with objects – Collegium Novum Zürich, Emilio Pomárico

30. Oktober 2021, Contempuls Festiva, Prague [CZ]
[as] (2018) and [you] (2018) from the cycle PHONEME for ensemble – Meitar Ensemble, Yuval Zorn

28. Oktober 2021, Annet Hall, Tel Aviv [IL]
[as] (2018) and [you] (2018) from the cycle PHONEME for ensemble – Meitar Ensemble, Yuval Zorn

27. October 2021, Medellin [COL]
SKOP (2016) for accordion solo with mouth organ – Eva Zöllner

21. October 2021, Musikverein Wien [AT]
skotom.orchesterstueck (2019) for ensemble with electronics – black page orchestra

13. October 2021, 20h, Philharmonie Köln
Scherzo (2020) for ensemble – Stargaze ensemble

2. October, 19h30, Hangar 21, Detmold
deconstructions II (2003) for English Horn and piano – Peter Veale and Benjamin Kobler (Ensemble Musikfabrik)

30. September 2021, Musikhuset Copenhagen [DK]
Soutine: Paysage de Céret (2007) for cello solo with sporadic accordion – Ekki Minna Duo

23. September 2021, Münster
An evening with the Decoder Ensemble, Heinrich Horwitz (stage, choreography), Rosa Wernecke (light) and Maximiliano Estudies (sound)

16. September 2021, 20h, Alte Feuerwache, Cologne
WP legend of a stream (2021) for amplified quintet and assistant (slide show), text by Saar Yachin – ensemble Meitar and ensemble Handwerk

16. September 2021, 19h30, Frankfurt
Seven Colours (2018) for amplified Cello, e bass, prepared piano with sample keyboard and drum set – Internationale Ensemble Modern Akademie IEMA

16. September 2021, 19h, Futurogical Congress, Transart Festival, Bozen [IT]
Mountain & Maiden (2019) A film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov for Keyboard solo with prepared piano and voice – Christoph Grund

12. September 2021, 11h, Innsbruck, Klangspuren Schwaz [AT]
weggeschliffen (2018) string quartet (with amplification and effects) – Quatuor Diotima

10. September 2021, 19h, The arts house, Singapore [SGP]
Seven Thoughts (2018) for keyboard solo – Lynette Yeo

31. August 2021, “Experimental Tuesdays”, Sinfonia Varsovia, Warschau [PL]
weggeschliffen (2018) Streichquartett – Quartet from Sinfonia Varsovia Orchestra

18. August 2021, 20h, Impuls Festival, Graz [AT]
white eyes erased (2014/2015) for keyboard and Drumset – black page orchestra

23. August 2021, 20h, Studio des Ensemble Musikfabrik, Köln
white wide erased (2014) for keyboard and drumset, WOLVES (2012) for oboe and prepared piano, deconstructions II (2003) for English Horn and piano – ensemble Musikfabrik (Dirk Rothbrust, Peter Veale, Benjamin Kobler)

31. July – 11. August 2021, Darmstadt Summer Course
Tutor for Composition – and additionally a workshop with Gunnhildur Einarsdóttir (“à deux” – composing for harp)

4. August 2021, 18h30, Hartmann-Gesellschaft, Munich
Fenster.Shloshim (2018) for flute, clarinet, harp and percussion – Ensemble Hartmann21

16. July 2021, 21h, Biennale Zagreb
Seven Thoughts (2018) for keyboard solo – Sebastian Berweck (Decoder Ensemble)

10. July 2021, tba
Transit (2013) for prepared piano – Syntagma Piano Duo

8. July 2021, 16h, Opera Halle and online
WP ARIA (2016/2021) for soprano and electroics as an AR experience – collaborative work with Sebastian Hannak (scenography) – Tehila Nini Goldstein, voice and mimics – Prefrontal Cortex Halle (AR)

4. July 2021, Bremen
Seven Colours (2018) for amplified cello, e bass, prepared piano with sample keyboard and drum set – Ensemble New Babylon

3. July 2021, Konzerthaus Berlin
Helm auf (2015) LiveMusikHörBuch for kids with Finn-Ole Heinrich and Ensemble Adapter

1. July 2021, 20:30, Fabrica del Vapore, Mailand [IT]
white eyes erased (2014/2015) for keyboard and drumset with projections – black page orchestra

1. July 2021, Heroines of Sound Festival, Berlin
Seven Colours (2018) for amplified cello, e bass, prepared piano with sample keyboard and drum set – Ensemble Garage

28. Juni 2021, online Premiere
white eyes erased (2014/15) for keyboard and drumset with projections – Benjamin Kobler and Dirk Rothbrust (ensemble musikfabrik)

14. Juni 2021, online Premiere
deconstructions II (2003) for English Horn and piano – Peter Veale und Benjamin Kobler (ensemble musikfabrik)

11. June 2021, 20h, Volksbühne Berlin (Stream)
WP Scherzo (2020) für Ensemble – Stargaze ensemble

30. May 2021, Musica electronika nova Festival, Wroclaw [PL]
WP En Face: Solitude (2018/2020) version for percussion solo with amplification – Aleksander Wnuk

21. May – 2. June 2021, ReMusik Composition Course, St Petersbourg [RU]
tutor composition

21. May 2021, 19h, Mariinsky Theatre Concert Hall, St Petersburg [RU]
weggeschliffen (2018) string quartet (with amplification and effects) – Quatuor Diotima – opening concert ReMusik Composition Course

21. May 2021, 18h + 20h, ZIMMT, Leipzig
d’une femme, of a woman
(2015) version for soprano and sampler with toypiano – text by Maia Brami; Frauke Aulbert and Michiko Saiki

18. May 2021, 19h30, Kleine Aula, Musikhochschule Trossingen
ORBITS
(2018) cycle for 5 e guitars and e bass; The Interstring Project

15. May 2021, 20h, Resis Festival, A Coruna [ES]
Seven Thoughts (2018) for speaking keyboardist solo – María Domínguez Perez (Pulso Ensemble)

8. May 2021, 21h, Tel Aviv [IL]
as
(2018) from the cycle Phoneme for chamber ensemble; Meitar Ensemble

2. May 2021, 19h, Salle de musique de chambre, Philharmonie Luxembourg [LU]
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola and percussion – Ensemble United Instruments of Lucilin

29. April 2021, 19h30, Live Stream Kilbourn Hall, Eastman School of Music, Rochester [US]
Seven Colours (2018) for amplified cello, e bass, prepared piano with sample keyboard and drum set – OSSIA Ensemble

28. April 2021, 19h30, Live Stream Kodak Hall, Eastman Theater, Rochester [US]
beredtes Schweigen (2005) for ensemble – Eastman Musica Nova Ensemble, Brad Lubman (conductor)

27. April 2021, Salzburg [AT] – canceled due to Corona
Portrait concert – Klangnetz Dresden in cooperation with Salzburg

24. April 2021, Konzertsaal, Hochschule für Musik, Dresden
Portrait concert and Workshop – Klangnetz Dresden in cooperation with Salzburg

19. April 2021, Festival Archipel, Genève [CH]
beyond its simple space (2018) for harpsichord solo and chamber orchestra with electronics and objects – Antoine Francoise (harpsichord), Lennart Dohms (conductor), Moment baroque, Nouvel ensemble contemporain

15. March 2021, 19h, Royal Danish Academy of Music, Stream, Copenhagen [DK]
Seven Colours (2018) for amplified cello, e bass, prepared piano with keyboard and drum set – K!art ensemble

7. March 2021, 19h, Conservatori de Felanitx [ES]
Passacaglia (2015) – Neus Estarellas Calderon, piano solo

3. March 2021, 20h, Werner-Otto-Saal, Konzerthaus Berlin canceled due to Corona
Beredtes Schweigen… (2005) for ensemble – modern art ensemble

23. February 2021, Roulette, Brooklyn, New York [US] – canceled
Seven Thoughts (2018) for keyboard solo – Julia den Boer

19. February 2021, 20h, Klanghaus, Ulm
Seven Thoughts (2018) for keyboard solo

13. February 2021, 19h, Pierre Boulez Saal Berlin canceled due to Corona
WP KETER (2020) for bass clarinet, viola, cello,  harp and piano with electronics – Ensemble Intercontemporain

7. February 2021, Musica nova Festival, Helsinki [US]
running. out of tune (2013) for 2 harpsichords (meantone and well-tempered), amplification and tape – Marianna Henriksson and Petteri Pitko

19. January 2021, 21h05, DLF
broadcast SKOP (2016) for accordion solo with harmonica – Eva Zöllner

17. January and 18. January 2021, 19h30, 3rd Philharmonic Concert, Liederhalle, Stuttgart canceled due to COVID-19
scattered ways (2015) for orchestra – Staatsorchester Stuttgart, Ltg: Ainars Rubikis

14. January 2021, 19h, Villa Seligmann Hannover [Stream]
WP heimwehgefiedert (2020) 8 songs with poems by Hilde Domin for soprano, viola and piano – Tehila Nini Goldstein, Julia Rebekka Adler and Jascha Nemtsov

2020

17. December 2020, online premiere [ES]
Seven Thoughts (2018) for keyboard solo – María Domínguez Perez

4. December 2020, 20h, Druckereihalle, Basel [CH]
Wolfsgesänge (2019) for cello solo and electronics – Ensemble Lemniscate

3. December 2020, 20h, Forum St. Peter Oldenburg
Zwanzig Skizzen (2005) – Jascha Nemtsov

29. November 2020, 19h30, Kammermusiksaal DLF, Cologne
Brief.Kasten (2014) – for viola and trombone – Ensemble Garage

16. November 2020, 23h05, Sveriges Radio [SE]
Sendung Scattered Ways (2015) – für Orchester – Basel Sinfonietta & Baldur Brönnimann

13. November 2020, 18h, Komponistenkolloquium (online), Carl-von-Ossietzky-Universität Oldenburg
Sarah Nemtsov on “music and colours”

9. November 2020, 16h, Halle 424, Hamburg canceled due to COVID-19
dismissed thoughts (2009) – ensemble reflektor

7. November 2020, 17h, Göteborg [SE]
Passacaglia (2015) – Moritz Ernst, piano solo

6. November 2020, Malmö [SE]
Passacaglia (2015) – Moritz Ernst, piano solo

29. October 2020, 19h, Villa Seligmann Hannover postponed to 2021 due to COVID-19
WP New Work (2020) with poems by Hilde Domin for soprano, viola and piano – Tehila Nini Goldstein, Julia Rebekka Adler and Jascha Nemtsov

28. October 2020, 19h30, Cabaret Voltaire, Zürich [CH]
Central Park / Manhattan (2011), a long way away (2011) and Luftmacumba / Rio (2011) for ensemble – Collegium novum Zürich and Johanna Malangré

28. October 2020, 20h, blurred edges, Hamburg canceled due to COVID-19
SKOP (2016) for accordion with mouth organ – Eva Zöllner

23. October 2020, 20h, Open Music, Graz [AT] canceled due to COVID-19
drummed variation (2014) for no drum set and kaoss pad – Serge Vuille (Ensemble Plus Minus)

17. October 2020, 19hCentre d’Art Tecla Sala, Barcelona [ESP]
Seven Thoughts (2018) for keyboard solo – Haize Lizarazu

14.-15. October 2020, 18h, Frequenz Festival Kiel
RED (2018-2019 coll. Horwitz/Schaal/Campesino/Sobremazas) music video – as part of the evening »Bonny Crudes Dance with an Amazone« by Carola Schaal and Heinrich Horwitz

12. October 2020, 23h05, SWR2
Broadcast Mountain & Maiden (2019) – “Extinction Events” Feature by Dirk Wieschollek

7. October 2020, 20h, Philharmonie Cologne postponed due to COVID-19
WP Scherzo (2020) for ensemble – Stargaze ensemble

6. October 2020, 20h, Schwerer Reiter, Munich
Transit (2013) – Brigitte Helbig, piano solo

6. October 2020, 22h05, Horizonte, BR Klassik
Radio-portrait about Sarah Nemtsov and Eres Holz by Nora Bauer

4. October 2020, 17h, Hörfest Neue Musik, Hangar 21, Detmold
Orpheus falling (2014) – Ensemble Horizonte

2. October 2020, Lübeck
WP Tür (2020) for pseudo drumset solo – Jonathan Shapiro

2. October 2020, 21h, Abendkonzert, SWR2
Broadcast dropped.drowned (2017) for orchestra and string quartet weggeschlifen (2018) – Ultraschall Festival Berlin 2020

30. September and 1. October 2020, 19h30, 1st Philharmonisches Konzert, Konzertsaal Gera postponed due to COVID-19
WP black trees (2020) for orchestra – Philharmonic Orchestra Gera Altenburg – BTHVN 2020

27. September 2020, 17h, Theater im Pumpenhaus, Münster
white eyes erased (2014/2015) for keyboard and drum set with projections – Hyper Duo

25. September 2020, 19h30, Hörfest Neue Musik, Detmold
white eyes erased (2014/2015) for keyboard and drum set with projections – Hyper Duo

24. September 2020, 19h, Pyramidale, Berlin
white eyes erased (2014/2015) for keyboard and drum set with projections – Hyper Duo

20. September 2020, 20h, Frankfurt
RED (2018-2019 coll. Horwitz/Schaal/Campesino/Sobremazas) music video with live cello – ensemble lovemusic – Lola Malique (cello)

20. September 2020, 20h, Gelsenkirchen
Ver-Suche II (2007) for flute cello and accordion – Trio Klangwerk am Bauhaus

11. September 2020, Kammermusiksaal Beethovenhaus, Bonn
hundertelf (2020) for piano solo – Susanne Kessel

11. September 2020, Tel Aviv [IL]
[you] (2018) for prepared piano solo – Amit Dolberg

11. September 2020, Hörsturmfestival, Ried [AT]
Sechs Zeichen (2010) for and prepared piano – Myriam Garcia Fidalgo and Frederick Neyrinck

9. September 2020, opening Berlin Art Week, Berlin
excerpts from NUN II (2019) for piano and electronics – Ernst Surberg and Bettina Junge (ensemble mosaik)

4. September 2020, 18h30, concepts of doing, Börnestr. 45, Berlin
NUN II (2019) for piano and electronics and Seven Thoughts (2018) for keyboard solo – Ernst Surberg (keyboard/piano)

30. August 2020, 19h, Musiksaal, Stadtcasino Basel [CH]
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola and percussion – Basel Sinfonietta (Baldur Brönnimann)

30. August 2020, 18h30, Randspiele Zepernick
Träne (2016) for soprano with 4 gongs

28. August 2020, 18h und 20h30,Opening concert of the Month of Contemporary Music, Musikbrauerei Berlin
Seven Colours (2018) for amplified cello, e bass, prepared piano with keyboard and drum set – Ensemble Zafraan

24. July – 2. August 2020, Darmstadt Summer Course – postponed to summer 2021 due to COVID-19
tutor composition + workshop with Gunnhildur Einarsdóttir (“à deux” – composing for harp)

21. June 2020, 18h, Stadthalle Kleve
WP hundertelf (2020) for piano solo – Susanne Kessel (project “250 piano pieces for Beethoven”)

8. June 2020, 12h-14h, UdK Berlin (virtual)
Guest lecture on electronic, live electronic and visual aspects in her compositions

4. June 2020 (- 4. July), 20h, online Eventfrog [CH]
white eyes erased (2014/2015) for keyboard and drum set – Hyper Duo

28. May 2020, 20h, WDR Cologne
WP Reshimot (2020) for the WDR Orchestra, Enno Poppe and Ensemble Nikel

19. May 2020, 20h, unerhörte Musik, BKA Berlin
Wolfsgesänge (2019) and RED (2018/2019) for cello solo with electronics and video – Sonja Lena Schmid (Decoder Ensemble)

13. May 2020, 19h30, Konzertsaal, Hochschule für Musik, Dresden postponed due to COVID-19
Portrait concert and workshop

9. May 2020, 20h, Philharmonie Luxembourg [LU] canceled due to COVID-19
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola and percussion – ensemble United Instruments of Lucilin

8. May 2020, 20h, Kunst Kultur Kirche, Frankfurt canceled due to COVID-19
Nigun (1999) for oboe solo – Nora-Gudrun Spitz-Zipper

7. May 2020, 19h, Auditorium Bnu, Strasbourg [FR] – canceled due to COVID-19
RED (2018-2019 coll. Horwitz/Schaal/Campesino/Sobremazas) Musikvideo mit live Cello) music video with live cello – ensemble lovemusic

23. April 2020, 18h…Oper Halle digital
Stream SACRIFICE (2016) Opera in 4 Acts with a libretto by Dirk Laucke – Premiere 2017, Opera Halle – stage direction: Florian Lutz, stage “Heterotopia”: Sebastian Hannak, singers from opera Halle and guests, Staatskapelle Halle, conductor: Michael Wendeberg

19. April 2020, 21h…In.Side
Online-publishing Seven Thouhts (2018) for keyboard solo – Haize Lizarazu

3. April 2020, Forum neuer Musik, Deutschlandfunk, Cologne postponed to fall 2021due to COVID-19
WP roses for my funeral (2018-2020) an evening with the Decoder ensemble, Jakob Diehl (actor), Heinrich Horwitz (stage/choreography), Rosa Wernecke (light design) and Maximilano Estudies (sound design)

28. March 2020, Knoxville Museum of Art, Big Ears Festival, Chicago [US] canceled due to COVID-19
Zimmer IV (2019) – Dal Niente Ensemble

26. March 2020, 19h30, Niddastr., Frankfurt canceled due to COVID-19
RED (2018-2019 coll. Horwitz/Schaal/Campesino/Sobremazas) Musikvideo mit live Cello) music video with live cello – ensemble lovemusic

17. March 2020, 20h, Schwerer Reiter, Munich canceled due to COVID-19
Transit (2013) – Brigitte Helbig, piano solo

11. March 2020, 21h04, RBB Kultur – Musik der Gegenwart
Broadcast Mountain & Maiden (2019) A Film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov

9.-13. March 2018, 13h55, Radio France
Broadcast Seven Colours (2018) 5 movements for 4 instruments and electronics – ensemble soundinitiative – “alla breve” with Anne Montaron

4. March 2020, 21h04, RBB Kultur – Musik der Gegenwart
Broadcast IRA (2013) and weggeschliffen (2018) string quartet – Jeremias Schwarzer and Minguet Quartett

1. March 2020, 20h, Ackermannshof, Basel [CH]
void-imaginings (2018) for 4 performers and amplification – Ensemble Inverspace

25. February 2020, 20h30, unerhörte Musik, BKA Berlin
Seven thoughts (2018) for keyboard solo (with voice) – Gabriella Smart and Johannes Sistermanns (duo version, external voice)

21. February 2020, 19h30, Richard-Jacoby-Saal, Hannover
Seven thoughts (2018) for keyboard solo (with voice) – Raquel Marcos

16. February 2020, 20h, Musikfabrik im WDR, Haus des Rundfunks, Köln
NUN (2019) for 10 musicians with electronics – Ensemble Musikfabrik and Peter Rundel

16. February 2020, 19h, Sendesaal Bremen
Poker, Roulette (2012) cycle for 1-5 percussionists – Ensemble New Babylon

11. February 2020, Lausanne [CH]
Seven thoughts (2018) for keyboard solo (with voice) – Gwen Rouger

10. February 2020, Mozart-Saal, Wien [AT]
WP MOOS (2019/20) for ensemble, and white wide eyes (2014) for 23 musicians – with Klangforum Wien

8. February 2020, OPENING Festival, Trier
implicated amplification (2015) for amplified bass clarinet with effect pedals – Heni Hyunjung Kim

6. February 2020, 20h, Haus des Rundfunks, Berlin
…beredtes Schweigen (2005) for ensemble – Landesjugendensemble Neue Musik Berlin and Jobst Liebrecht

4. February 2020, 20h30, unerhörte Musik, BKA Berlin
NUN II (2019) for piano and electronics – ensemble mosaik

1. February 2020, 20h04, RBB Kultur (Festival Ultraschall Berlin)
Broadcast dropped.drowned (2017) for large orchestra – Deutsches Symphonie-Orchester Berlin, Marc Albrecht

27. January 2020, 01h, Deutschlandfunk Kultur – Tonart Klassik
from Ultraschall Berlin Festival’s concerts

20. January 2020, 19h, Haute École de musique, Lausanne [CH]
void-imaginings (2018) for 4 performers and amplification – Ensemble Inverspace

19. January 2020, 15h30, Akademie der Künste, Hanseatenweg, Berlin
Perspektivwechsel – Discussion with Sarah Nemtsov, Rimini Protokoll/Helgard Haug and Leonie Reinecke

18. January 2020, 17h, Radialsystem, Ultraschall Festival Berlin
WP Mountain & Maiden (2019) A film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov (for keyboard solo with amplified piano and voice) – Christoph Grund

18. January 2020, 14h, Radialsystem, Ultraschall Festival Berlin
weggeschliffen (2018) string quartet with amplification and effects – Minguet Quartet and IRA (2013) for Paetzold bass recorder with Jeremias Schwarzer

15. January 2020, 20h, Haus des Rundfunks, opening concert Ultraschall Festival Berlin
dropped.drowned (2017) for large orchestra – DSO Deutsches Symphonie-Orchester Berlin, Marc Albrecht

2019

13. December 2019, 19h, Kunsthalle Erfurt
white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik

12. December 2019, Verband für aktuelle Musik Hamburg
lecture Sarah Nemtsov

10. December 2018, Paris
9. December 2018, Hamburg
8. December 2018, Berlin
beredtes Schweigen (2005) for 7 instruments – Ensemble Zafraan and Pierre-André Valade

28. November 2019, composer’s forum, Osnabrück
portrait concert with Ensemble Adapter

22. November 2019, 19h, “In Front Festival” Aachen
Wolves (2012) for oboe and prepared piano – Antje Thierbach and Amit Dolberg

19. November 2019, Trossingen
WP Wolfsgesänge (2019) (complete) for cello solo and electronics und RED (2018-2019 coll. Horwitz/Schaal/Campesino/Sobremazas) music video with optional live cello – Sonja Lena Schmid

19. November 2019, 20h, Electrosounds, Barcelona [ESP]
Interludium (2007) version for soprano saxofone and tape – Xelo Giner

16. November 2019, 20h, Speyer Hall, New York [US]
[love] (2018) piano trio – Wavefield Ensemble

15. November 2019, 14h30, Deutsche Oper Berlin
Symposium Neues Musiktheater Lecture and discussion with Chaya Czernowin, Sarah Nemtsov, Sydney Corbett, Daniel Ott and Andreas Göbel (Moderation)

9. November 2019, Meridian Festival, Bukarest [ROU]
RED (2018/2019) music video – sollaboration with Carola Schaal, Heinrich Horwitz, David Campesino and Javier Sobremazas

4. November 2019, 23h05, ORF (radio feature about Wien modern)
broadcast skotom.orchesterstueck (2019) – Black Page Orchestra

3. November 2019, 18h, Göteborg Konserthus [SE]
Seven Colours (2018) for ensemble – Gageego

2. November 2019, Festival Wien modern, Vienna [AT]
WP skotom.orchesterstueck (2019) – Black Page Orchestra

1.11.-13.12.2019, Center for Computer Research in Music and Acoustics CCRMA, Stanford [US]
Installation RED (2018/2019) music video – collaboration with Carola Schaal, Heinrich Horwitz, David Campesino and Javier Sobremazas

28. October 2019, 23h05, RBB “Musik der Gegenwart”
broadcast Laterna magica / Combray (2011) – Ensemble Adapter

15. October 2019, Studio Ernest Ansermet, Geneva [CH]
implicated amplification (2015) for amplified bass clarinet with effect pedals – Ensemble Contrechamps

7. October 2019, Tonkünstler, Munich
SKOP (2016) for accordion solo – Mateja Zenzerovic

2. October 2019, Oldenburg
Passacaglia (2015) for prepared piano and WP NUN II (2019) – Ernst Surberg

29. September 2019, Parkhaus, Hamburg
excerpts from Wolfsgesänge (2019) for cello solo and electronics – Sonja Lena Schmid

24., 26., 27. + 28. September 2019, Taschenopernfestival Salzburg [AT]
WP verflucht (2019) miniature opera – with the Oenm ensemble, Tehila Nini Goldstein (soprano), Peter Rundel (conductor), Gerhild Steinbuch (text) and Thierry Brühl (stage direction)

20. September 2019, Festival Musica, Strasbourg [FR]
Seven thoughts – her kind (2018) for keyboard solo (with voice) – Jean-Luc Plouvier (ensemble Ictus)

13. September 2019, 21h, Vostell Museum Cáceres [ESP]
Interludium (2007) version for soprano saxophone – Xelo Giner

6. September 2019, 21h, Biel [CH]
white eyes erased (2014/2015) for keyboard and drum set – Hyper Duo

1. September 2019, 20h, Radialsystem, Berlin
Zimmer I-III (2013) for ensemble and WP Zimmer IV (2019) – Ensemble Adapter, Offspring and International Contemporary Ensemble (ICE) – concert “global adapter”

12. August 2019, Medellin [CO]
SKOP (2016) for accordion solo – Eva Zöllner

15. July 2019, festival le bruit de la musique, St-Sylvain-sous-Toulx [FR]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo

1. July 2019, Tzlil Me’udcan, Tel Aviv [IL]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo

28. June 2019, Mainz
27. June 2019, Westerburg
23. June 2019, Kulturwerkstatt Kircheib
20. June 2019, Grenzau
SKOP (2016) for accordion solo with mouth organ and mirrors ad libitum – Eva Zöllner

14. June 2019, “Weltklang – Poesie der Nacht”, Poesiefestival, Akademie der Künste Berlin
Part V from Cards with Cummings (2014) for speaking percussionist – Michael Weilacher

8. June 2019, Kunstverein Marburg
SKOP (2016) for accordion solo with mouth organ and mirrors ad libitum – Eva Zöllner

8. June 2019, Festival “blurred edges”, Hamburg
WP RED (2018/2019) for music video and cello solo, as well as excerpts from Wolfsgesänge (2019) for cello solo and electronics- Sonja Lena Schmid – RED video collaboration with Heinrich Horwitz, Carola Schaal, David Campesino and Javier Sobremazas

6. June 2019, Festival “Schönes Wochenende”, Düsseldorf
WP RED (2018/2019) for music video and clarinet solo, Carola Schaal, performance (video) and clarinet – RED video collaboration with Heinrich Horwitz, David Campesino and Javier Sobremazas

5. June 2019, Wortklangraum Bonn
SKOP (2016) for accordion solo with mouth organ and mirrors ad libitum – Eva Zöllner

1. June 2019, Spectrum, New York [USA]
Seven thoughts – her kind (2018) for (speaking) keyboardist solo – Gwen Rouger

22. May 2019, 20h, Kesselhaus Kulturbrauerei, Berlin
WP NUN (2019) for ensemble mosaik

15. May 2019, 20h, Španski Borci Cultural Centre, Ljubljana [SVN]
white eyes erased (2014/2015) for keyboard and drumset – Black page orchestra

10. May 2019, 20h, Orpheo Berlin
Wolves (2012) for oboe and prepared piano – Antje Thierbach and Amit Dolberg

2. May 2019, 19h30, Aetheneum Library, La Jolla [CA]
Träne (2016) for soprano with 4 gongs – Kirsten Ashley Wiest

3. May 2019, Basel [CH]
30. April 2019, Forum für neue Musik, Lucerne [CH]

27. April 2019, Espace Noir, St Imiers [CH]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo

18. April 2019, Moscow [RUS]
beredtes Schweigen (2005) for ensemble

16. April 2019, 20h30, unerhörte Musik, Berlin
Passacaglia (2015) for prepared piano solo – Fidan Aghayeva-Edler

11. April 2019, 20h, Kontraklang, Heimathafen Berlin
WP Wolke (2019) for flute, clarinet, harp, percussion and light
HAUS (2017) for bass flute, bass clarinet, prepared harp, percussion and live video – Ensemble Adapter

5. + 7. April 2019, 20h/19h, Staatstheater Cottbus
WP En face (2018) for percussion solo, actor and large orchestra – Philharmonic Orchestra Cottbus, Alexander Wnuk, Jakob Diehl, conductor Felix Bender

31. March 2019, 20h, Alte Feuerwache, Cologne
void-imaginings (2018) for 4 performers, objects and electronics – ensemble Inverspace

31. March 2019, 14:30, Festival Archipel, Genève [CH]
Lobgesang (2009) for soprano recorder solo – Susanne Fröhlich

23. March 2019, 22h05, Deutschlandfunk – Atelier neuer Musik
“Reflexion des Todes – Light by Light” – Feature about Sarah Nemtsov’s new project with the Decoder Ensemble – by Leonie Reineke

12. March 2019, 20:30h, unerhörte Musik, Berlin
Shadow drums (2017) for solo percussionist – Jonathan Shapiro

8. March 2019, Baden [CH]
void-imaginings (2018) for 4 performers, objects and electronics – ensemble Inverspace

5. March 2019, Basel [CH]
beredtes Schweigen (2005) for 7 instruments – Ensemble Lemniscate

1. March 2019, 21h, Figura Festspiele, Fredriksberg [DK]
Lobgesang (2009) for soprano recorder solo – Susanne Fröhlich

19. February 2019, 20h, Centrala, Birmingham [UK]
drummed variation (2014) for no drum set and kaoss pad – Serge Vuille (ensemble Contrechamps)

15. February 2019, 20:30h, Elbphilharmonie, Unterdeck, Hamburg
light by light (2018/2019) an evening with the Decoder ensemble

14. February 2019, Basel [CH]
WP void-imaginings (2018) for 4 performers, objects and electronics – ensemble Inverspace

5. February 2019, Festival “Musica Nova”, Helsinki [FIN]
beyond its simple space (2018) for harpsichord solo and Baroque orchestra and electronics – Petteri Pitko, Finnish Baroque Orchestra

31. January 2019, 20h, Schwere Reiter Munich
Passacaglia (2015) for prepared piano solo – Brigitte Helbig

23. January 2019, 19h, Reaktorhalle Munich
WP Briefe. Briefe (2012/2016) for two amplified accordions and electronics – Ensemble Oktopus – Ltg: Konstantia Gourzi

19. January 2019, Hamburg
WP Shadow drums (2017) for solo percussionist – Jonathan Shapiro

17. January 2019, Museum of Contemporary Art, San Diego [CA]
Träne (2016) for soprano with 4 gongs – Kirsten Ashley Wiest

15. January 2019, 20:30h, unerhörte Musik, Berlin
SKOP (2016) for accordion solo with mouth organ and mirrors ad lib – Roman Yusipey

2018

11. December 2018, Stuttgart
PHONEME (2018) for 5 solo voices and ensemble – Neue Vocalsolisten Stuttgart and Ensemble Meitar – Project “Crossing Borders”

10. December 2018, 20h, Alte Oper Frankfurt
a long way away (2011) for ensemble – ensemble modern and Ilan Volkov

2. December 2018, Potsdam
Nigun (2003) for viola solo – Itamar Ringel

29. November 2018, Havanna [CUB]
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Ernst Surberg

14. November 2018, Bayerische Akademie der schönen Künste, Munich
WP Shadow drums (2017) for solo percussionist – Jonathan Shapiro

12. November 2018, 19h30, Wien modern, Wiener Konzerthaus, Beriosaal, Wien [AT]
JOURNAL (2015) for five instruments with electronics – Ensemble PHACE

10. November 2018, Oldenburg
WP Osse (2018) – Orchestra Liebfrauenschule, conductor: Mathias Kroll

9. November 2018, Festival de música contemporânea, Santiago, Chile [CHL]
JOURNAL (2015) for five instruments with electronics – Ensemble Lux:NM

7. November 2018, Odeon Kino, Cologne
white eyes erased (2014/2015) for keyboard and drum set – HandWerk

5. November 2018, 17h, UC San Diego [CA]
Träne (2016) for soprano with 4 gongs – Kirsten Ashley Wiest

5. November 2018, 19h, Centrum Judaicum, Berlin
Ashrei (2015) for voice and 6 instruments – opening of the “Jüdischer Zukunftskongress”

3. November 2018, Klangwerkstatt, Berlin
beredtes Schweigen (2005) for 7 instruments– Ensemble Lemniscate

28. October 2018, Tel Aviv [IL]
WP PHONEME (2018) for 5 solo voices and ensemble – Neue Vocalsolisten Stuttgart and Ensemble Meitar – Project “Crossing Borders”

24. October 2018, 20h, Mozarteum Salzburg [AT]
Orbits (2018) for 4 electric guitars, e bass and objects – “Open Source Guitars”

22. October 2018, 19h30, Kesselhaus Trossingen
Orbits (2018) for 4 electric guitars, e bass and objects – “Open Source Guitars”

21. October 2018, Donaueschingen Music Days
WP (whole cycle) Orbits (2018) for 4 electric guitars, e bass and objects – “Open Source Guitars”

19. October 2018, 20h, Paris [FR]
Seven Colours
(2018) for 4 instruments and electronics – ensemble Soundinitiative
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Gwen Rouger

18. October 2018, Tchaikovsky Concervatory, Great Hall, Moskow [RU]
Luftmacumba / Rio (2011) for percussion solo and ensemble – Studio for New Music Ensemble

16. October 2018, 20h, Porgy and Bess, Wien [AT]
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Alfredo Ovalles

17. October 2018, 20h, open music, Forum Stadtpark, Graz [AT]
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Alfredo Ovalles

16. October 2018, Basel [CH]
white eyes erased (2014/2015) for keyboard and drumset – HandWerk

5.-21. October 2018, Lviv, Ukraine [UKR]
VII COURSE. International master classes of New Music 2018 (2014/2015) composition teacher
concerts 20. October Lviv Philharmonic Society: Nigun (2000) for oboe solo and Briefe – Heloisa (2012) for shawms and accordion – ensemble nostri temporis
and SKOP (2016) for accordion solo with mouth organ and mirrors – Roman Yusipey
18. October: open lecture Sarah Nemtsov “empathy. 21st century. new music in context.”

4. October 2018, Ostrava, Tschechien [CZE]
white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik

2. October 2018, Unsafe+Sounds Festival, Wien [AT]
JOURNAL (2015) for five instruments with electronics – Black Page Orchestra

2. October 2018, Weißenfels
Nigun (2003) for viola solo – Ulrich von Wrochem

2. October 2018, 20h30, unerhörte Musik, BKA Theater, Berlin
deconstructions
(2003) for violin and piano – duo ubu: Anne Schinz and Gilles Grimaître

29. September 2018, 19h30, Berlin
Lobgesang
(2009) for soprano recorder solo – Sylvia Hinz

23. September 2018, 17h, Worpswede
weggeschliffen (2018) for string quartet – Nomos Quartett

17. September 2018, London [GB]
Central Park / Manhattan
(2011) for piano with melodica, piccolo, viola and percussion – riot ensemble

3. September 2018, ORF Zeitton, 23h03 and 13. September, 20h04, Hr2 Kultur
Broadcast of the opening concert of the Darmstadt Summer Course – dropped.drowned (2017) für großes Orchester – HR Sinfonieorchester, Ltg: Baldur Brönnimann

16. August 2018,  Gaâs [FR]
Zwanzig Skizzen (2005) for piano solo – Jascha Nemtsov

20. July 2018,  16-19h, Bundesallee, Raum 310, University of the Arts Berlin
lecture Sarah Nemtsov – “Immersion und Konzeptualisierung”

14. July 2018, 20h, Opening concert Darmstadt Summer Course
dropped.drowned
(2017) for large orchestra – HR Sinfonieorchester, conductor: Baldur Brönnimann

8. July 2018, Festival “Time of Music”, Viitasaari [FIN]
WP beyond its simple space (2018) for harpsichord solo and baroque orchestra – Petteri Pitko, Finnish Baroque Orchestra (FIBO)

30. June 2018, Passau
Lobgesang
(2009) for soprano recorder solo – Susanne Fröhlich

30. June 2018, Ihlow (Berlin)
Briefe – Heloisa
(2012) for oboe d’amore and accordion – with paper – Antje Thierbach and Susanne Stock

26. June 2018, 20h30, unerhörte Musik, BKA Theater, Berlin
Passacaglia
(2015) for prepared piano solo – Hayk Melykyan

26. June 2018, 20h30, Alte Feuerwache, Cologne
drummed variation (2014) for No Drum set and Kaoss pad –Ensemble Inverspace

25. June 2018, 20h, Freiburg
drummed variation (2014) for No Drum set and Kaoss pad –Ensemble Inverspace

24. June 2018, 19h, Wabe, Berlin
drummed variation (2014) for No Drum set and Kaoss pad –Ensemble Inverspace

19. June 2018, Musikhochschule Trossingen
Phaethon.Asteroid (2018) from the cycle Orbits for 4 electric guitars and e bass with objects – ensemble – Ensemble “Open Source Guitars”

10. June 2018, Reykjavik [IS]
Helm auf (2015) for 5 instruments, narrator and objeccts and electronics – Finn-Ole Heinrich and Ensemble Adapter

8. June 2018, 20h, BNU, Strasbourg [FR]
Zimmer II (2013) for amplified bass flute and amplified bass clarinet with laptops

29. May 2018, 20h, Dronningesalen, Kopenhagen, KLANG Festival [DNK]
Luftmacumba / Rio (2011) for percussion solo and ensemble – Athelas Sinfonietta Copenhagen, conductor: Pierre-André Valade

27. May 2018, 18h, Theater im ehemaligen IWF, Göttingen
weggeschliffen (2018) string quartet with electronics – Nomos Quartett

18. May 2018
WP Phaethon.Asteroid (2018) from the cycle Orbits (2018) for 4 electric guitars and e bass with objects – ensemble “Open Source Guitars”

16. May 2018, 12h, Festival ContComp, Haifa [IL]
Sarah Nemtsov – lecture on “Colours and New Music”

15. May 2018, Festival ContComp, Haifa [IL]
drummed variation (2014) for No Drum set and Kaoss pad – Oded Geizhals (No Drum set) and Sarah Nemtsov (Kaoss pad)

15. May 2018, 14h, Festival ContComp, Haifa [IL]
Sarah Nemtsov – lecture on her opera “Sacrifice”

13. May 2018, 17h, Festival ContComp, Haifa [IL]
Zwanzig Skizzen (2005) for piano solo – Jascha Nemtsov

15. May 2018, 20h, Fleetstreet Theater, Hamburg
Seven Thoughts – her kind (2018) for keyboard solo with voice – Gwen Rouger

6. May 2018, 20h, Deutschlandfunk – Die neue Platte
“Neue Musik von Sarah Nemtsov – Geschichtete Klänge” – Feature by Yvonne Petitpierre

4. May 2018, Oldenburg Composition Prize, Awards Ceremony, Oldenburg
WP Fenster. Shloshim (2018) for 4 instruments – ensemble Adapter

30. April 2018, 18h, WDR-Funkhaus Köln, Festival “Acht Brücken”
Journal
(2015) for five instruments with electronics – Ensemble Electronic:ID

28. April 2018, 19h, Hochschule, Luzern [CH]
Prospekt (2014) for singer and 10 instruments – Graham Valentine, Ensemble Helix

27. April 2018, Hanover
WP weggeschliffen (2018) for string quartet – Nomos String Quartet

26. April 2018, Freiburg
white eyes erased (2014/2015) for keyboard and drumset – ensemble Aventure

25. April 2018, Teheran [IRN]
Lobgesang
(2009) for soprano recorder solo – Sylvia Hinz (XelmYa)

21. April 2018, 20h, Goethe Institute, Cairo, Egypt [EGY]
white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik

19. April 2018, Oldenburg
white eyes erased (2014/2015) for keyboard and drumset – ensemble Aventure

19. April 2018, ExRotaprint, Berlin
HAUS (2017) for 4 instruments with amplification and live video – Ensemble Adapter

14. April 2018, BBC Radio 3 Open Ear at LSO St Luke’s, London [GB]
WP Seven Thoughts – her kind (2018) for keyboard solo with voice – Gwen Rouger

4. April 2018, 21h, Radio SRF 2 Kultur [CH]
Broadcast Scattered Ways (2015) for orchestra – Basel Sinfonietta, Leitung: Baldur Brönnimann

20. March 2018, University of Notre Dame, South Bend [USA]
Transit (2013) for prepared piano solo – Ricardo Descalzo

17. March 2018, Lübeck
white eyes erased (2014/2015) for keyboard and drumset – Ninon Gloger and Jonathan Shapiro

17. March 2018, 23h30, Radio France “création mondiale”
full broadcast Seven Colours (2018) for 4 instruments with electronics – ensemble soundinitiative – feature by Anne Montaron

14. March 2018, Le Bourg, Lausanne [CH]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo

15. March 2018, Roosevelt University, Chicago [USA]
Transit (2013) for prepared piano solo – Ricardo Descalzo

12.-16. March 2018, 13h55, Radio France “alla breve”
WP broadcast Seven Colours (2018) 5 movements for 4 instruments with electronics – ensemble soundinitiative – “alla breve” with Anne Montaron

10. March 2018, 19h, Depot.K, Freiburg
deconstructions (2003) for violin and piano – Duo Ubu

March-end of June (spring semester) 2018 DAAD guest lecturer at the University of Haifa, Music Department, Composition [IL]

27. February 2018, 20h30, unerhörte Musik, BKA Theater, Berlin
FAN (2017) for Double Bell Trompete, 3 fans, 2 effect pedals and amplification – Callum G’Froerer

21. February 2018, 19h, Bundeskunsthalle Bonn
Central Park/Manhattan (2011) for piano with melodica, piccolo, viola and percussion – Ensemble Electronic:ID

12. February 2018, 19h, Staatliche Hochschule für Musik Stuttgart
Träne (2016) for soprano with four gongs – Angelika Luz

28. January 2018, 19h, Musical Theater, Basel [CH]
Scattered Ways (2015) for orchestra – Basel Sinfonietta, conductor: Baldur Brönnimann

26. January 2018, Jahreskonferenz der Dramaturgischen Gesellschaft, Greifswald
“Die Zerklüftung der Welt – Terror in der Oper / „Sacrifice“ – open discussion – Sarah Nemtsov with Daniela Brendel and Dirk Laucke

16. January 2018, 23:03, Zeit-Ton, Radio ORF Ö1 [AT]
broadcast: Scattered Ways (2015) for orchestra – Tirolean Symphony Orchestra Innsbruck, Jonathan Stockhammer

12. January 2018, Fundació Miró, Barcelona [ES]
Transit (2013) for prepared piano solo – Ricardo Descalzo

2017

28. November 2017, Goethe-Institut, Madrid [ES]
26. November 2017, Ciclo de Música Actual, Badajoz [ES]
20. November 2017, Huddersfield Contemporary Music Festival [GB]
JOURNAL (2015) for 5 instruments with electronics – ensemble Lux:NM

19. November 2017, 20h, Musikbrauerei, IMPULS Festival für neue Musik Berlin
Ver-Suche
(2006) for flute, cello, vibraphone and harp – Zafraan ensemble

27. October 2017, 20h, Art Share LA, Los Angeles [US]
IRA (2013) for paetzold bass recorder – Sylvia Hinz

25. October 2017, 20h30, Constellation Chicago, Chicago [US]
drummed variation (2014) for no drumset and kaoss pad – Matthias Engler and Gunnhildur Einarsdóttir: Ensemble Adapter

22. October 2017, 17h30, Festival Transit, Leuven [BE]
WP HAUS (2017) for 4 instruments, electronics, video – Ensemble Adapter

17. October 2017, 20h30, unerhörte Musik, BKA-Theater, Berlin
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic

17. October 2017, 19h, Kulturforum St. Matthäus Berlin
inzwischen
(2005) for piano solo – Martin Edin (TrioKubiK)

14. October 2017, 20h, Flutgraben Berlin
WP FAN (2017) for double bell trumpet, 3 fans, 2 effect pedals and amplification – Callum G’Froerer

30. September 2017, BBC Radio 3 Open Ear at LSO St Luke’s, London [GB]
drummed variation (2014) for no drumset and kaoss pad – Serge Vuille and Joe Richards (Plus Minus ensemble)

24. September 2017, 19h, Staatstheater Cottbus
22. September 2017, 20h
WP dropped.drowned (2017) for large Orchestra – Philharmonic Orchestra Cottbus, conductor: Evan Christ

23. September 2017, 20h, Ackerstadtpalast Berlin
22. September 2017, 20h
WP dream of a cab (2017) for amplified voice, saxofone, accordion and tape – Claudia van Hasselt and ensemble Lux:NM – Project “Taximusic” by FrauVonDa

17. September 2017, 11h30, Berliner Dom
Interludium (2007) for oboe solo with electronics (tape) – Antje Thierbach

15. September 2017, 19h, Kunsthaus Dahlem Berlin
inzwischen
(2005) for piano solo – Martin Edin (TrioKubiK)

12. September 2017, 23:03, radio ORF Ö1 [AT]
Broadcast: Scattered Ways (2015) for Orchestra – Tirolean Symphony Orchestra Innsbruck, conductor: Jonathan Stockhammer

10. September 2017, 20h, Heimathafen Neukölln, Berlin, Konzertreihe Kontraklang
JOURNAL (2015) for 5 instruments with electronics – ensemble Lux:NM

10. September 2017, 11h, Klangspuren Schwaz, Innsbruck [AT]
communication – lost – found (2006) for Ensemble – Klangspuren Academy Ensemble, Ltg: Franck Ollu

7. September 2017, Klangspuren Schwaz [AT]
Scattered Ways (2015) for Orchestra – Tirolean Symphony Orchestra Innsbruck, conductor: Jonathan Stockhammer

19. August 2017, Musik 21 Festival Hannover
WP Fanfaaare (2017) for 2 trumpets, 2 fans and amplification – Ensemble Schwerpunkt

15. August 2017, 20h30, Davos Festival [CH]
Poker, Roulette (2012) for percussion solo – Fabian Ziegler

8. August 2017, 20h, Saarbrücken
Cache (2016) for piano – Martin Tchiba (wireless Projekt)

22. July 2017, Sirga Festival [ES]
Briefe.Puppen (2012/2014) for e guitar and percussion – Primoz Sukic and Ruben Orio Martinez

21. July 2017, 21:15, Auditorium Goethe-Institut Rom [IT]
white eyes erased (2014/2015) for Keyboard and drumset – ensemble mosaik

16. July 2017, Landesakademie Wolfenbüttel
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola con sordino and percussion

13. July 2017, Tzlil me’udcan festival, Tel Aviv [IL]
13. July 2017 20h concert : drummed variation (2014) for no drumset and kaoss pad – Plus Minus ensemble
13. July 2017
16h30 round table hear & now : “When politicly correct meets art: On sectorial (National, Race & Gender) considerations & their influence on the current contemporary music scene” with Bastian Zimmermann, Christoph Haffter, Oren Boneh, Sarah Nemtsov & Elena Schwarz
12. July 2017
16h30 round table hear & now : “What can music be about? New Music and discourse – about the personal experience in creating or writing about topics people are not interested in” with Bastian Zimmermann, Marco Momi, Dganit Elyakim, Hunjoo Jung  & Sarah Nemtsov

12. July 2017 14h30 presentation (Sarah Nemtsov)

10. July 2017, 21:04, Kulturradio vom RBB – Musik der Gegenwart
Feature Die Komponistin Sarah Nemtsov by Andreas Göbel

10. July 2017, 18h, Hochschule für Musik Hanns Eisler, Charlottenstr., Berlin
discussion Musikalischer Transfer und Kulturelle Identität with Prof. Stefan Drees

24. June 2017, 15h, Carl-Maria-von-Weber Museum Dresden
Tunes.Suite
(2013) for two viola da gambas – Alice and Alma Stoye

23. June 2017, 19:30, Oper Halle
22. June 2017, 19:30
18. June 2017, 21:00
SACRIFICE (2016) Opera in 4 Acts – for 5 singers, 3 actors, 5 instrumental soloists, orchestra, electronics, tape, video and a silent choir

11. June 2017, 16h, Schloss Hoyerswerda
9. June 2017, 19h30, Stadtbibliothek Leipzig
Tunes.Suite
(2013) for two viola da gambas – Alice and Alma Stoye

1. June 2017, Barcelona [ES]
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic

12. May 2017, 20h, KunstKulturKirche Frankfurt
Lobgesang (2009) for soprano recorder solo – Sabine Ambos

11. May 2017, 00h05, dradio Kultur
Broadcast Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok – Festival  ECLAT 2017

28. April 2017, 19h30, Kantonsbibliothek Baselland, ZeitRäume Basel [CH]
WP ThreeApproaches4Four (2017) for 2 horns and 2 trombones – Samuel Stoll, Adrian Städeli, Stephen Menotti, Jon Roskilly

27. April 2017, 00h05-1:00, dradio Kultur
new production Zimmer I-III (2013) for 8 musicians with electronics and 3 solo pieces (2014) – Ensemble Adapter, Sonar Quartett – Feature by Rainer Pöllmann

15. April 2017, 19h30, Köln
JOURNAL (2015) for 5 imstruments and electronics – Ensemble electronic ID

13. April 2017, 21h30, Chapman University, Los Angeles, CA [USA]
drummed variation (2014) for No Drumset and Kaoss Pad – Concert Series New Horizons – Ensemble Inverspace

12. April 2017, 20h, Radio SRF 2 Kultur
Feature about festival ECLAT 2017 – Or. Towards (2016) – Neue Vocalsolisten Stuttgart, Ensemble Ascolta

10. April 2017, 19h30, Mills Music Now, Concert Hall, Oakland, CA [USA]
drummed variation (2014) for No Drumset and Kaoss Pad – Ensemble Inverspace

6. April 2017, 71. Frühjahrstagung des INMM, Darmstadt
14h SOL (2010) for flute solo and à deux (2009) for prepared harp solo
15:30 Lecture (Sarah Nemtsov): Fluent Identities. Wurzeln, Be-/Ab-/Entgrenzung und (Dif-)Fusion in der Neuen Musik
19:30 Concert – Works by Sergej Newski, Joanna Bailie, Johannes Kreidler, Sarah Nemtsov – white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik

1. April 2017, 18:00, Theater an der Parkaue, Berlin
2. April 2017, 11:00
2. April 2017, 16:00
3. March 2017, 10:00
Helm auf (2015) – live radio play – Finn-Ole Heinrich (text), Ensemble Adapter

19. March 2017, Bielefeld
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic

14. March 2017, 00h05, Deutschlandradio Kultur
Broadcast white wide eyes (2014) for 23 instruments in 4 groups and electronics – Ensemblekollektiv Berlin

14. March 2017, Akademie der Künste, Berlin
Briefe – Heloisa (2012) for Baroque oboe and accordion with paper – Antje Thierbach and Susanne Stock

8. March 2017, 19h30, Immanuelkirche Königstein im Taunus
Lobgesang (2009) for soprano recorder solo – Sabine Ambos

11. March 2017, 19:30, Oper Halle
8. March 2017, 19:30
7. March 2017, 19:30
5. March 2017, 19:30 – Premiere
WP SACRIFICE (2016) Opera in 4 Acts – for 5 singers, 3 actors, 5 instrumental soloists, orchestra, electronics, tape, video and a silent choir
libretto: Dirk Laucke, stage direction: Florian Lutz, stage: Sebastian Hannak, costumes: Mechthild Feuerstein, dramaturgy: Michael von zur Mühlen, conductor: Michael Wendeberg;
with: Marie Friederike Schöder, Tehila Nini Goldstein (sopranos), singers and actors of the Opera Halle, Staatskapelle Halle, Ernst Surberg (keyboard and electronic devices), Seth Josel (e guitar), Matthias Erb (sound design) etc.

15. February 2017, 23:03, SWR2, ECLAT 2017
Broadcast Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok

4. February 2017, Schönes Wochenende Festival, Tonhalle Düsseldorf
WP Cache (2016) for piano – Martin Tchiba (wireless Project)
drummed variation (2014) for no drum set and kaoss pad – Ensemble Decoder

2. February 2017, 19:30, Festival ECLAT, Theaterhaus Stuttgart
Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok (conductor)

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