2017
28. November 2017, Goethe-Institut, Madrid [ES]
26. November 2017, Ciclo de Música Actual, Badajoz [ES]
20. November 2017, Huddersfield Contemporary Music Festival [GB]
JOURNAL (2015) for 5 instruments with electronics – ensemble Lux:NM
19. November 2017, 20h, Musikbrauerei, IMPULS Festival für neue Musik Berlin
Ver-Suche (2006) for flute, cello, vibraphone and harp – Zafraan ensemble
22. October 2017, 17h30, Festival Transit, Leuven [BE]
WP HAUS (2017) for 4 instruments, electronics, video – Ensemble Adapter
17. October 2017, 20h30, unerhörte Musik, BKA-Theater, Berlin
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic
17. October 2017, 19h, Kulturforum St. Matthäus Berlin
inzwischen (2005) for piano solo – Martin Edin (TrioKubiK)
14. October 2017, 20h, Flutgraben Berlin
WP FAN (2017) for double bell trumpet, 3 fans, 2 effect pedals and amplification – Callum G’Froerer
30. September 2017, BBC Radio 3 Open Ear at LSO St Luke’s, London [GB]
drummed variation (2014) for no drumset and kaoss pad – Serge Vuille and Joe Richards (Plus Minus ensemble)
24. September 2017, 19h, Staatstheater Cottbus
22. September 2017, 20h
WP dropped.drowned (2017) for large Orchestra – Philharmonic Orchestra Cottbus, conductor: Evan Christ
23. September 2017, 20h, Ackerstadtpalast Berlin
22. September 2017, 20h
WP dream of a cab (2017) for amplified voice, saxofone, accordion and tape – Claudia van Hasselt and ensemble Lux:NM – Project “Taximusic” by FrauVonDa
17. September 2017, 11h30, Berliner Dom
Interludium (2007) for oboe solo with electronics (tape) – Antje Thierbach
15. September 2017, 19h, Kunsthaus Dahlem Berlin
inzwischen (2005) for piano solo – Martin Edin (TrioKubiK)
12. September 2017, 23:03, radio ORF Ö1 [AT]
Broadcast: Scattered Ways (2015) for Orchestra – Tirolean Symphony Orchestra Innsbruck, conductor: Jonathan Stockhammer
10. September 2017, 20h, Heimathafen Neukölln, Berlin, Konzertreihe Kontraklang
JOURNAL (2015) for 5 instruments with electronics – ensemble Lux:NM
10. September 2017, 11h, Klangspuren Schwaz, Innsbruck [AT]
communication – lost – found (2006) for Ensemble – Klangspuren Academy Ensemble, Ltg: Franck Ollu
7. September 2017, Klangspuren Schwaz [AT]
Scattered Ways (2015) for Orchestra – Tirolean Symphony Orchestra Innsbruck, conductor: Jonathan Stockhammer
19. August 2017, Musik 21 Festival Hannover
WP Fanfaaare (2017) for 2 trumpets, 2 fans and amplification – Ensemble Schwerpunkt
15. August 2017, 20h30, Davos Festival [CH]
Poker, Roulette (2012) for percussion solo – Fabian Ziegler
8. August 2017, 20h, Saarbrücken
Cache (2016) for piano – Martin Tchiba (wireless Projekt)
22. July 2017, Sirga Festival [ES]
Briefe.Puppen (2012/2014) for e guitar and percussion – Primoz Sukic and Ruben Orio Martinez
21. July 2017, 21:15, Auditorium Goethe-Institut Rom [IT]
white eyes erased (2014/2015) for Keyboard and drumset – ensemble mosaik
16. July 2017, Landesakademie Wolfenbüttel
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola con sordino and percussion
13. July 2017, Tzlil me’udcan festival, Tel Aviv [IL]
13. July 2017 20h concert : drummed variation (2014) for no drumset and kaoss pad – Plus Minus ensemble
13. July 2017 16h30 round table hear & now : “When politicly correct meets art: On sectorial (National, Race & Gender) considerations & their influence on the current contemporary music scene” with Bastian Zimmermann, Christoph Haffter, Oren Boneh, Sarah Nemtsov & Elena Schwarz
12. July 2017 16h30 round table hear & now : “What can music be about? New Music and discourse – about the personal experience in creating or writing about topics people are not interested in” with Bastian Zimmermann, Marco Momi, Dganit Elyakim, Hunjoo Jung & Sarah Nemtsov
12. July 2017 14h30 presentation (Sarah Nemtsov)
10. July 2017, 21:04, Kulturradio vom RBB – Musik der Gegenwart
Feature Die Komponistin Sarah Nemtsov by Andreas Göbel
10. July 2017, 18h, Hochschule für Musik Hanns Eisler, Charlottenstr., Berlin
discussion Musikalischer Transfer und Kulturelle Identität with Prof. Stefan Drees
24. June 2017, 15h, Carl-Maria-von-Weber Museum Dresden
Tunes.Suite (2013) for two viola da gambas – Alice and Alma Stoye
23. June 2017, 19:30, Oper Halle
22. June 2017, 19:30
18. June 2017, 21:00
SACRIFICE (2016) Opera in 4 Acts – for 5 singers, 3 actors, 5 instrumental soloists, orchestra, electronics, tape, video and a silent choir
11. June 2017, 16h, Schloss Hoyerswerda
9. June 2017, 19h30, Stadtbibliothek Leipzig
Tunes.Suite (2013) for two viola da gambas – Alice and Alma Stoye
1. June 2017, Barcelona [ES]
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic
12. May 2017, 20h, KunstKulturKirche Frankfurt
Lobgesang (2009) for soprano recorder solo – Sabine Ambos
11. May 2017, 00h05, dradio Kultur
Broadcast Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok – Festival ECLAT 2017
28. April 2017, 19h30, Kantonsbibliothek Baselland, ZeitRäume Basel [CH]
WP ThreeApproaches4Four (2017) for 2 horns and 2 trombones – Samuel Stoll, Adrian Städeli, Stephen Menotti, Jon Roskilly
27. April 2017, 00h05-1:00, dradio Kultur
new production Zimmer I-III (2013) for 8 musicians with electronics and 3 solo pieces (2014) – Ensemble Adapter, Sonar Quartett – Feature by Rainer Pöllmann
15. April 2017, 19h30, Köln
JOURNAL (2015) for 5 imstruments and electronics – Ensemble electronic ID
13. April 2017, 21h30, Chapman University, Los Angeles, CA [USA]
drummed variation (2014) for No Drumset and Kaoss Pad – Concert Series New Horizons – Ensemble Inverspace
12. April 2017, 20h, Radio SRF 2 Kultur
Feature about festival ECLAT 2017 – Or. Towards (2016) – Neue Vocalsolisten Stuttgart, Ensemble Ascolta
10. April 2017, 19h30, Mills Music Now, Concert Hall, Oakland, CA [USA]
drummed variation (2014) for No Drumset and Kaoss Pad – Ensemble Inverspace
6. April 2017, 71. Frühjahrstagung des INMM, Darmstadt
14h SOL (2010) for flute solo and à deux (2009) for prepared harp solo
15:30 Lecture (Sarah Nemtsov): Fluent Identities. Wurzeln, Be-/Ab-/Entgrenzung und (Dif-)Fusion in der Neuen Musik
19:30 Concert – Works by Sergej Newski, Joanna Bailie, Johannes Kreidler, Sarah Nemtsov – white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik
1. April 2017, 18:00, Theater an der Parkaue, Berlin
2. April 2017, 11:00
2. April 2017, 16:00
3. March 2017, 10:00
Helm auf (2015) – live radio play – Finn-Ole Heinrich (text), Ensemble Adapter
19. March 2017, Bielefeld
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic
14. March 2017, 00h05, Deutschlandradio Kultur
Broadcast white wide eyes (2014) for 23 instruments in 4 groups and electronics – Ensemblekollektiv Berlin
14. March 2017, Akademie der Künste, Berlin
Briefe – Heloisa (2012) for Baroque oboe and accordion with paper – Antje Thierbach and Susanne Stock
8. March 2017, 19h30, Immanuelkirche Königstein im Taunus
Lobgesang (2009) for soprano recorder solo – Sabine Ambos
11. March 2017, 19:30, Oper Halle
8. March 2017, 19:30
7. March 2017, 19:30
5. March 2017, 19:30 – Premiere
WP SACRIFICE (2016) Opera in 4 Acts – for 5 singers, 3 actors, 5 instrumental soloists, orchestra, electronics, tape, video and a silent choir
libretto: Dirk Laucke, stage direction: Florian Lutz, stage: Sebastian Hannak, costumes: Mechthild Feuerstein, dramaturgy: Michael von zur Mühlen, conductor: Michael Wendeberg;
with: Marie Friederike Schöder, Tehila Nini Goldstein (sopranos), singers and actors of the Opera Halle, Staatskapelle Halle, Ernst Surberg (keyboard and electronic devices), Seth Josel (e guitar), Matthias Erb (sound design) etc.
15. February 2017, 23:03, SWR2, ECLAT 2017
Broadcast Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok
4. February 2017, Schönes Wochenende Festival, Tonhalle Düsseldorf
WP Cache (2016) for piano – Martin Tchiba (wireless Project)
drummed variation (2014) for no drum set and kaoss pad – Ensemble Decoder
2. February 2017, 19:30, Festival ECLAT, Theaterhaus Stuttgart
Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok (conductor)
2016
8. December 2016, 21:45, Prachtwerk, KIM Kollektiv, Berlin
white eyes erased (2014/2015) for keyboard and drum set – ensemble mosaik
3. December 2016, 22:05, Deutschlandfunk
Atelier neue Musik – Ensemble LUX:NM (radio feature by Gisela Nauck) – Journal (2015)
24. November 2016, Hanover
WP SKOP (2016) for amplified accordion solo, with mouth organ and mirrors ad libitum – Mateja Zenzerovic
13. November 2016, 20h, Klangwerkstatt Berlin
JOURNAL (2015) for 5 instruments with electronics – Lux:NM
6. November 2016, 19h, Old Synagogue Görlitz
Ashrei (2015) for baritone and ensemble – Orte – Mekomot – concert tour – old jewish liturgical songs and contemporary music in abandoned synagogues in Germany – (with compositions by Amir Shpilman, Bnaya Halperin-Kaddari, Eres Holz und Amit Gilutz) – Assaf Levitin, Roy Amotz, Seth Josel, Antje Thierbach, Damir Bacikin, Susanne Kabalan, Michael Weilacher – director: Sarah Nemtsov, dramaturgy: Asmus Trautsch
15. October 2016, 19h30, Circle1, Berlin
Briefe – Heloisa (2012) for baroque oboe and accordion with paper – Antje Thierbach and Susanne Stock
6. October 2016, 19h30, Oper Halle
Laucke and Nemtsov: lecture, concert and discussion with Dirk Laucke, Sarah Nemtsov, Michael von zur Mühlen – Nigun II (2003) for viola solo (Oliver Tepe)
2.-3. October 2016, 20h-8h, Oper Halle
Moon at Noon (2009) for soprano and 6 instruments, „Laterna magica“ (2011) for prepared harp solo, prepared piano, percussion and humming tops, Nigun II (2003) for viola solo – members of The Staatskapelle Halle, conductor: Michael Wendeberg
29. September 2016, Geneve [CH]
Cards with Cummings (2014) for talking percussionist – Ensemble Vortex
15. September 2016, Klangspuren Schwaz [AT]
JOURNAL (2014) for five instruments and electronics – Black Page Orchestra
11. September 2016, 17h, Bonn
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola con sordino and percussion – Ensemble Horizonte
20. August 2016, Sillenstede
Lobgesang (2009) for soprano recorder solo – Sylvia Hinz
11. August 2016, Darmstadt Summer Courses
Briefe.Puppen (2012/2014) for e guitar and percussion – Primoz Sukic and Ruben Orio Martinez
27. July 2016, 20h, Raum für Kunst und Diskurs, Berlin
WOLVES (2012) for oboe and prepared piano – Antje Thierbach and Clemens Hund-Göschel
7.-15. July 2016, Tzlil meudcan Festival, Tel Aviv [IL]
white eyes erased (2014/2015) for keyboard and drum set – ensemble mosaik
10. July 2016, Synagogue Worms
Ashrei (2015) for baritone and ensemble – Orte – Mekomot – concert tour – old jewish liturgical songs and contemporary music in abandoned synagogues in Germany – (with compositions by Amir Shpilman, Bnaya Halperin-Kaddari, Eres Holz und Amit Gilutz) – Assaf Levitin, Roy Amotz, Seth Josel, Antje Thierbach, Damir Bacikin, Susanne Kabalan, Michael Weilacher – director: Sarah Nemtsov, dramaturgy: Asmus Trautsch
1. July 2016, 20h, Musikstudio Orpheo, Berlin
Briefe – Heloisa (2012) für Barock-Oboe und Akkordeon mit Papier – Antje Thierbach und Susanne Stock
24. June 2016, Theater im revier Gelsenkirchen
18. June 2016, Theater Solingen
ALT (2015) – pocket opera after James Joyce – Kristof Georgen (director/stage) – with Bernhard Landauer, Thomas Hupfer and Ensemble Garage – Taschenopernfestival
21. June 2015, 20h30, unerhörte Musik, BKA-Theater, Berlin
WOLVES (2012) for oboe and prepared piano – Antje Thierbach and Clemens Hund-Göschel
20. June 2016, 20h10, radio Deutschlandfunk – „Musikszene“
broadcast Auf Spuren jüdischer Identität in die Zukunft – das Projekt Mekomot – Feature by Magdalene Melchers
7. June 2016, Ec Chaim Synagogue Lublin [PL]
6. June 2016, Old Synagogue Kaszimierz Dolny [PL]
5. June 2016, Renaissance Synagogue Zamosc [PL]
2. June 2016, Nozyk Synagogue Warschau [PL]
Ashrei (2015) for baritone and ensemble – Orte – Mekomot – concert tour – old jewish liturgical songs and contemporary music in abandoned synagogues in Germany – (with compositions by Amir Shpilman, Bnaya Halperin-Kaddari, Eres Holz und Amit Gilutz) – Assaf Levitin, Roy Amotz, Seth Josel, Antje Thierbach, Damir Bacikin, Susanne Kabalan, Michael Weilacher – director: Sarah Nemtsov, dramaturgy: Asmus Trautsch
29. May 2016, 20h, Kharkiv, Ukraine
Nigun (2000) for oboe solo – Ensemble Aventure
28. May 2016, Old Synagogue Ichenhausen
27. May 2016, Old Synagogue Binswangen
25. May 2016, Old Synagogue Kippenheim
24. May 2016, Synagogue Hainsfarth
Ashrei (2015) for baritone and ensemble – Orte – Mekomot – concert tour – old jewish liturgical songs and contemporary music in abandoned synagogues in Germany – (with compositions by Amir Shpilman, Bnaya Halperin-Kaddari, Eres Holz und Amit Gilutz) – Assaf Levitin, Roy Amotz, Seth Josel, Antje Thierbach, Damir Bacikin, Susanne Kabalan, Michael Weilacher – director: Sarah Nemtsov, dramaturgy: Asmus Trautsch
24. May 2016, 12h-13h30, INTERACCIONES XXI, Goethe Institute, Madrid [ES]
Lunch Debate with Sarah Nemtsov, Joan Magrané and Ramón Humet + members of Trio Arbós, Neopercusión and Neue Vocalsolisten Stuttgart, as well as Luis Suñén
23. May 2016, 19h30, INTERACCIONES XXI – Neue Stimmen, Museo Nacional Centro de Arte Reina Sofía, Madrid [ES]
WP Or. Towards (2016) ffor 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Trio Arbòs and Ensemble Neopercusión Madrid, conductor: Nacho de Paz
23. May 2016, 12h-13h30, Museo Nacional Centro de Arte Reina Sofía, Madrid [ES]
master class with Sarah Nemtsov
22. May 2016, Cologne
ALT (2015) – pocket opera after James Joyce – Kristof Georgen (director/stage) – with Bernhard Landauer, Thomas Hupfer and Ensemble Garage – Taschenopernfestival
18. May 2016, 21.30, Det hvide rum, Copenhagen [DK]
Briefe.Puppen (2012/2014) for e-guitar and percussion – ensemble SCENATET
12. May 2016, 20h, deSingel Kunstcampus, Antwerp [BE]
Briefe.Puppen (2012/2014) for e-guitar and percussion – Primoz Sukic and Ruben Orio Martinez
3. May 2016, 19h, Alte Synagoge Erfurt
Ashrei (2015) for baritone and ensemble – Orte – Mekomot – concert tour – old jewish liturgical songs and contemporary music in abandoned synagogues in Germany – (with compositions by Amir Shpilman, Bnaya Halperin-Kaddari, Eres Holz und Amit Gilutz) – Assaf Levitin, Roy Amotz, Seth Josel, Antje Thierbach, Damir Bacikin, Susanne Kabalan, Michael Weilacher – director: Sarah Nemtsov, dramaturgy: Asmus Trautsch
24. April 2016, 21h05, Deutschlandfunk – „Konzertdokument der Woche“
broadcast Ashrei and animal cent – concert 7. April Forum neuer Musik DLF – feature by Egbert Hiller – Frank Kämpfer
19. April 2015, 20h30, unerhörte Musik, BKA-Theater, Berlin
IRA (2013) for Paetzold-recorder solo – Sylvia Hinz
17. April 2016, 20h, Berlin
WP Beredtes Schweigen (2005) – modern art ensemble
14. April 2016, Geneve [CH]
Briefe.Puppen (2012) für E-Gitarre und Schlagzeug – Ensemble Vortex
10. April 2014, 17h, Forum neuer Musik, Deutschlandfunk, Köln
Jüdische Identitäten – open discussion with Chaya Czernowin, Sarah Nemtsov, Barbara Eckle and Frank Kämpfer
9. April 2014, 22h05, Deutschlandfunk – „Atelier Neuer Musik“
Wildwuchernde Inspiration – Die Komponistin Sarah Nemtsov – Radio broadcast – Feature (2014) by Matthias R. Entreß
7. April 2016, Forum Neue Musik, Deutschlandfunk, Cologne
Ashrei (2015) for baritone and ensemble – Orte – Mekomot – concert tour – old jewish liturgical songs and contemporary music in abandoned synagogues in Germany – (with compositions by Amir Shpilman, Bnaya Halperin-Kaddari, Eres Holz und Amit Gilutz) – Assaf Levitin, Roy Amotz, Seth Josel, Antje Thierbach, Damir Bacikin, Susanne Kabalan, Michael Weilacher – director: Sarah Nemtsov, dramaturgy: Asmus Trautsch
3. April 2016, 19h, Old Synagogue Essen
Ashrei (2015) for baritone and ensemble – Orte – Mekomot – concert tour – old jewish liturgical songs and contemporary music in abandoned synagogues in Germany – (with compositions by Amir Shpilman, Bnaya Halperin-Kaddari, Eres Holz und Amit Gilutz) – Assaf Levitin, Roy Amotz, Seth Josel, Antje Thierbach, Damir Bacikin, Susanne Kabalan, Michael Weilacher – director: Sarah Nemtsov, dramaturgy: Asmus Trautsch
2. April 2016, 19h, Emmauskirche Frankfurt
Lobgesang (2009) recorder solo – Sabine Ambos
31. March 2016, 19h30, Raum für Kunst und Diskurs, Berlin
Ashrei (2015) for baritone and ensemble – Orte – Mekomot – concert tour – old jewish liturgical songs and contemporary music in abandoned synagogues in Germany – (with compositions by Amir Shpilman, Bnaya Halperin-Kaddari, Eres Holz und Amit Gilutz) – Assaf Levitin, Roy Amotz, Seth Josel, Antje Thierbach, Damir Bacikin, Susanne Kabalan, Michael Weilacher – director: Sarah Nemtsov, dramaturgy: Asmus Trautsch
2. March 2016, 21h04, radio RBB
broadcast Briefe – Heloisa (2012) for accordion solo – Margit Kern – live recording Ultraschall Berlin
2. February 2016, 20h30, unerhörte Musik, BKA-Theater, Berlin
Twenty Sketches (2005) for piano solo – Fidan Aghayeva-Edler
1. February 2016, 20h, Bavarian Broadcast
broadcast Laterna magica / Combray (2011) for prepared harp solo, piano, percussion and humming tops, members of Orchester Jakobsplatz Munich
1. February 2016, 1h05, dradio
broadcast Briefe – Heloisa/Solo (2012) for accordion solo – Margit Kern – live recording Ultraschall Berlin
30. January 2016, 16h30, Tonhalle Düsseldorf
Four Rooms (2015) – Solistenensemble Kaleidoskop
23. January 2016, 15h, Radialsystem, Ultraschall Berlin
Briefe – Heloisa/Solo (2012) WP of the version for accordion solo – Margit Kern
17. Januar 2016, Gdansk [PL]
Zimmer I (2013) for amplified harp solo and kaoss pad – Ensemble Adapter (Gunnhildur Einarsdóttir and Matthias Engler)
10. and 12. January 2016, Musikhochschule Stuttgart
dance project with Briefe.Remix.Puls (2013) tape composition