2020
28. May 2020, Cologne
WP New Work (2020) for the WDR Orchestra and Ensemble Nikel
3. April 2020, Forum neuer Musik, Deutschlandfunk, Cologne
WP roses for my funeral (2018-2020) an evening with the Decoder ensemble, Jakob Diehl and Heinrich Horwitz
25. February 2020, 20h30, unerhörte Musik, BKA Berlin
Seven thoughts – her kind (2018) for keyboard solo (with voice) – Gabriella Smart and Johannes Sistermanns (duo version)
16. February 2020, 20h, Musikfabrik im WDR, Haus des Rundfunks, Köln
NUN (2019) for 10 musicians with electronics – Ensemble Musikfabrik
10. February 2020, Mozart-Saal, Wien [AT]
WP New Work (2020) for Klangforum Wien, and performance of white wide eyes (2014)
18. January 2020, 17h, Radialsystem, Ultraschall Festival Berlin
WP New Work (2019) for piano solo with electronics and video – Christoph Grund
18. January 2020, 14h, Radialsystem, Ultraschall Festival Berlin
weggeschliffen (2018) string quartet with amplification and effects – Minguet Quartet
15. Januar 2020, 20h, Haus des Rundfunks, opening concert Ultraschall Festival Berlin
dropped.drowned (2017) for large orchestra – DSO Deutsches Symphonie-Orchester Berlin, Marc Albrecht
2019
28. November 2019, composer’s forum, Osnabrück
with the Ensemble Adapter
19. November 2019, Trossingen
WP Wolfsgesänge (2019) (complete) for cello solo and electronics – Sonja Lena Schmid
3. November 2019, 18h, Göteborg Konserthus [SE]
Seven Colours (2018) for ensemble – Gageego
2. November 2019, Festival Wien modern, Vienna [AT]
WP New Work (2019) – Black Page Orchestra
15. October 2019, Studio Ernest Ansermet, Geneva [CH]
implicated amplification (2015) for amplified bass clarinet with effect pedals – Ensemble Contrechamps
2. October 2019, Oldenburg
Passacaglia (2015) for prepared piano – Ernst Surberg
29. September 2019, Parkhaus, Hamburg
excerpts from Wolfsgesänge (2019) for cello solo and electronics – Sonja Lena Schmid
24., 26., 27. + 28. September 2019, Taschenopernfestival Salzburg [AT]
WP verflucht (2019) miniature opera – with the Oenm ensemble, Tehila Nini Goldstein (soprano), Peter Rundel (conductor), Gerhild Steinbuch (text) and Thierry Brühl (stage direction)
20. September 2019, Festival Musica, Strasbourg [FR]
Seven thoughts – her kind (2018) for keyboard solo (with voice) – Jean-Luc Plouvier (ensemble Ictus)
1. September 2019, 20h, Radialsystem, Berlin
Zimmer I-III (2013) for ensemble and WP Zimmer IV (2019) – Ensemble Adapter, Offspring and International Contemporary Ensemble (ICE) – concert “global adapter”
12. August 2019, Medellin [CO]
SKOP (2016) for accordion solo – Eva Zöllner
15. July 2019, festival le bruit de la musique, St-Sylvain-sous-Toulx [FR]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo
1. July 2019, Tzlil Me’udcan, Tel Aviv [IL]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo
28. June 2019, Mainz
27. June 2019, Westerburg
23. June 2019, Kulturwerkstatt Kircheib
20. June 2019, Grenzau
SKOP (2016) for accordion solo with mouth organ and mirrors ad libitum – Eva Zöllner
14. June 2019, “Weltklang – Poesie der Nacht”, Poesiefestival, Akademie der Künste Berlin
Part V from Cards with Cummings (2014) for speaking percussionist – Michael Weilacher
8. June 2019, Kunstverein Marburg
SKOP (2016) for accordion solo with mouth organ and mirrors ad libitum – Eva Zöllner
8. June 2019, Festival “blurred edges”, Hamburg
WP RED (2018/2019) for music video and cello solo, as well as excerpts from Wolfsgesänge (2019) for cello solo and electronics- Sonja Lena Schmid – RED video collaboration with Heinrich Horwitz, Carola Schaal, David Campesino and Javier Sobremazas
6. June 2019, Festival “Schönes Wochenende”, Düsseldorf
WP RED (2018/2019) for music video and clarinet solo, Carola Schaal, performance (video) and clarinet – RED video collaboration with Heinrich Horwitz, David Campesino and Javier Sobremazas
5. June 2019, Wortklangraum Bonn
SKOP (2016) for accordion solo with mouth organ and mirrors ad libitum – Eva Zöllner
1. June 2019, Spectrum, New York [USA]
Seven thoughts – her kind (2018) for (speaking) keyboardist solo – Gwen Rouger
22. May 2019, 20h, Kesselhaus Kulturbrauerei, Berlin
WP NUN (2019) for ensemble mosaik
15. May 2019, 20h, Španski Borci Cultural Centre, Ljubljana [SVN]
white eyes erased (2014/2015) for keyboard and drumset – Black page orchestra
10. May 2019, 20h, Orpheo Berlin
Wolves (2012) for oboe and prepared piano – Antje Thierbach and Amit Dolberg
2. May 2019, 19h30, Aetheneum Library, La Jolla [CA]
Träne (2016) for soprano with 4 gongs – Kirsten Ashley Wiest
3. May 2019, Basel [CH]
30. April 2019, Forum für neue Musik, Lucerne [CH]
27. April 2019, Espace Noir, St Imiers [CH]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo
18. April 2019, Moscow [RUS]
…beredtes Schweigen (2005) for ensemble
16. April 2019, 20h30, unerhörte Musik, Berlin
Passacaglia (2015) for prepared piano solo – Fidan Aghayeva-Edler
11. April 2019, 20h, Kontraklang, Heimathafen Berlin
WP Wolke (2019) for flute, clarinet, harp, percussion and light
HAUS (2017) for bass flute, bass clarinet, prepared harp, percussion and live video – Ensemble Adapter
5. + 7. April 2019, 20h/19h, Staatstheater Cottbus
WP En face (2018) for percussion solo, actor and large orchestra – Philharmonic Orchestra Cottbus, Alexander Wnuk, Jakob Diehl, conductor Felix Bender
31. March 2019, 20h, Alte Feuerwache, Cologne
void-imaginings (2018) for 4 performers, objects and electronics – ensemble Inverspace
31. March 2019, 14:30, Festival Archipel, Genève [CH]
Lobgesang (2009) for soprano recorder solo – Susanne Fröhlich
23. March 2019, 22h05, Deutschlandfunk – Atelier neuer Musik
“Reflexion des Todes – Light by Light” – Feature about Sarah Nemtsov’s new project with the Decoder Ensemble – by Leonie Reineke
12. March 2019, 20:30h, unerhörte Musik, Berlin
Shadow drums (2017) for solo percussionist – Jonathan Shapiro
8. March 2019, Baden [CH]
void-imaginings (2018) for 4 performers, objects and electronics – ensemble Inverspace
5. March 2019, Basel [CH]
…beredtes Schweigen (2005) for 7 instruments – Ensemble Lemniscate
1. March 2019, 21h, Figura Festspiele, Fredriksberg [DK]
Lobgesang (2009) for soprano recorder solo – Susanne Fröhlich
19. February 2019, 20h, Centrala, Birmingham [UK]
drummed variation (2014) for no drum set and kaoss pad – Serge Vuille (ensemble Contrechamps)
15. February 2019, 20:30h, Elbphilharmonie, Unterdeck, Hamburg
light by light (2018/2019) an evening with the Decoder ensemble
14. February 2019, Basel [CH]
WP void-imaginings (2018) for 4 performers, objects and electronics – ensemble Inverspace
5. February 2019, Festival “Musica Nova”, Helsinki [FIN]
beyond its simple space (2018) for harpsichord solo and Baroque orchestra and electronics – Petteri Pitko, Finnish Baroque Orchestra
31. January 2019, 20h, Schwere Reiter Munich
Passacaglia (2015) for prepared piano solo – Brigitte Helbig
23. January 2019, 19h, Reaktorhalle Munich
WP Briefe. Briefe (2012/2016) for two amplified accordions and electronics – Ensemble Oktopus – Ltg: Konstantia Gourzi
19. January 2019, Hamburg
WP Shadow drums (2017) for solo percussionist – Jonathan Shapiro
17. January 2019, Museum of Contemporary Art, San Diego [CA]
Träne (2016) for soprano with 4 gongs – Kirsten Ashley Wiest
15. January 2019, 20:30h, unerhörte Musik, Berlin
SKOP (2016) for accordion solo with mouth organ and mirrors ad lib – Roman Yusipey
2018
11. December 2018, Stuttgart
PHONEME (2018) for 5 solo voices and ensemble – Neue Vocalsolisten Stuttgart and Ensemble Meitar – Project “Crossing Borders”
10. December 2018, 20h, Alte Oper Frankfurt
a long way away (2011) for ensemble – ensemble modern and Ilan Volkov
2. December 2018, Potsdam
Nigun (2003) for viola solo – Itamar Ringel
29. November 2018, Havanna [CUB]
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Ernst Surberg
14. November 2018, Bayerische Akademie der schönen Künste, Munich
WP Shadow drums (2017) for solo percussionist – Jonathan Shapiro
12. November 2018, 19h30, Wien modern, Wiener Konzerthaus, Beriosaal, Wien [AT]
JOURNAL (2015) for five instruments with electronics – Ensemble PHACE
10. November 2018, Oldenburg
WP Osse (2018) – Orchestra Liebfrauenschule, conductor: Mathias Kroll
9. November 2018, Festival de música contemporânea, Santiago, Chile [CHL]
JOURNAL (2015) for five instruments with electronics – Ensemble Lux:NM
7. November 2018, Odeon Kino, Cologne
white eyes erased (2014/2015) for keyboard and drum set – HandWerk
5. November 2018, 17h, UC San Diego [CA]
Träne (2016) for soprano with 4 gongs – Kirsten Ashley Wiest
5. November 2018, 19h, Centrum Judaicum, Berlin
Ashrei (2015) for voice and 6 instruments – opening of the “Jüdischer Zukunftskongress”
3. November 2018, Klangwerkstatt, Berlin
…beredtes Schweigen (2005) for 7 instruments– Ensemble Lemniscate
28. October 2018, Tel Aviv [IL]
WP PHONEME (2018) for 5 solo voices and ensemble – Neue Vocalsolisten Stuttgart and Ensemble Meitar – Project “Crossing Borders”
24. October 2018, 20h, Mozarteum Salzburg [AT]
Orbits (2018) for 4 electric guitars, e bass and objects – “Open Source Guitars”
22. October 2018, 19h30, Kesselhaus Trossingen
Orbits (2018) for 4 electric guitars, e bass and objects – “Open Source Guitars”
21. October 2018, Donaueschingen Music Days
WP (whole cycle) Orbits (2018) for 4 electric guitars, e bass and objects – “Open Source Guitars”
19. October 2018, 20h, Paris [FR]
Seven Colours (2018) for 4 instruments and electronics – ensemble Soundinitiative
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Gwen Rouger
18. October 2018, Tchaikovsky Concervatory, Great Hall, Moskow [RU]
Luftmacumba / Rio (2011) for percussion solo and ensemble – Studio for New Music Ensemble
16. October 2018, 20h, Porgy and Bess, Wien [AT]
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Alfredo Ovalles
17. October 2018, 20h, open music, Forum Stadtpark, Graz [AT]
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Alfredo Ovalles
16. October 2018, Basel [CH]
white eyes erased (2014/2015) for keyboard and drumset – HandWerk
5.-21. October 2018, Lviv, Ukraine [UKR]
VII COURSE. International master classes of New Music 2018 (2014/2015) composition teacher
concerts 20. October Lviv Philharmonic Society: Nigun (2000) for oboe solo and Briefe – Heloisa (2012) for shawms and accordion – ensemble nostri temporis
and SKOP (2016) for accordion solo with mouth organ and mirrors – Roman Yusipey
18. October: open lecture Sarah Nemtsov “empathy. 21st century. new music in context.”
4. October 2018, Ostrava, Tschechien [CZE]
white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik
2. October 2018, Unsafe+Sounds Festival, Wien [AT]
JOURNAL (2015) for five instruments with electronics – Black Page Orchestra
2. October 2018, Weißenfels
Nigun (2003) for viola solo – Ulrich von Wrochem
2. October 2018, 20h30, unerhörte Musik, BKA Theater, Berlin
deconstructions (2003) for violin and piano – duo ubu: Anne Schinz and Gilles Grimaître
29. September 2018, 19h30, Berlin
Lobgesang (2009) for soprano recorder solo – Sylvia Hinz
23. September 2018, 17h, Worpswede
weggeschliffen (2018) for string quartet – Nomos Quartett
17. September 2018, London [GB]
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola and percussion – riot ensemble
3. September 2018, ORF Zeitton, 23h03 and 13. September, 20h04, Hr2 Kultur
Broadcast of the opening concert of the Darmstadt Summer Course – dropped.drowned (2017) für großes Orchester – HR Sinfonieorchester, Ltg: Baldur Brönnimann
16. August 2018, Gaâs [FR]
Zwanzig Skizzen (2005) for piano solo – Jascha Nemtsov
20. July 2018, 16-19h, Bundesallee, Raum 310, University of the Arts Berlin
lecture Sarah Nemtsov – “Immersion und Konzeptualisierung”
14. July 2018, 20h, Opening concert Darmstadt Summer Course
dropped.drowned (2017) for large orchestra – HR Sinfonieorchester, conductor: Baldur Brönnimann
8. July 2018, Festival “Time of Music”, Viitasaari [FIN]
WP beyond its simple space (2018) for harpsichord solo and baroque orchestra – Petteri Pitko, Finnish Baroque Orchestra (FIBO)
30. June 2018, Passau
Lobgesang (2009) for soprano recorder solo – Susanne Fröhlich
30. June 2018, Ihlow (Berlin)
Briefe – Heloisa (2012) for oboe d’amore and accordion – with paper – Antje Thierbach and Susanne Stock
26. June 2018, 20h30, unerhörte Musik, BKA Theater, Berlin
Passacaglia (2015) for prepared piano solo – Hayk Melykyan
26. June 2018, 20h30, Alte Feuerwache, Cologne
drummed variation (2014) for No Drum set and Kaoss pad –Ensemble Inverspace
25. June 2018, 20h, Freiburg
drummed variation (2014) for No Drum set and Kaoss pad –Ensemble Inverspace
24. June 2018, 19h, Wabe, Berlin
drummed variation (2014) for No Drum set and Kaoss pad –Ensemble Inverspace
19. June 2018, Musikhochschule Trossingen
Phaethon.Asteroid (2018) from the cycle Orbits for 4 electric guitars and e bass with objects – ensemble – Ensemble “Open Source Guitars”
10. June 2018, Reykjavik [IS]
Helm auf (2015) for 5 instruments, narrator and objeccts and electronics – Finn-Ole Heinrich and Ensemble Adapter
8. June 2018, 20h, BNU, Strasbourg [FR]
Zimmer II (2013) for amplified bass flute and amplified bass clarinet with laptops
29. May 2018, 20h, Dronningesalen, Kopenhagen, KLANG Festival [DNK]
Luftmacumba / Rio (2011) for percussion solo and ensemble – Athelas Sinfonietta Copenhagen, conductor: Pierre-André Valade
27. May 2018, 18h, Theater im ehemaligen IWF, Göttingen
weggeschliffen (2018) string quartet with electronics – Nomos Quartett
18. May 2018
WP Phaethon.Asteroid (2018) from the cycle Orbits (2018) for 4 electric guitars and e bass with objects – ensemble “Open Source Guitars”
16. May 2018, 12h, Festival ContComp, Haifa [IL]
Sarah Nemtsov – lecture on “Colours and New Music”
15. May 2018, Festival ContComp, Haifa [IL]
drummed variation (2014) for No Drum set and Kaoss pad – Oded Geizhals (No Drum set) and Sarah Nemtsov (Kaoss pad)
15. May 2018, 14h, Festival ContComp, Haifa [IL]
Sarah Nemtsov – lecture on her opera “Sacrifice”
13. May 2018, 17h, Festival ContComp, Haifa [IL]
Zwanzig Skizzen (2005) for piano solo – Jascha Nemtsov
15. May 2018, 20h, Fleetstreet Theater, Hamburg
Seven Thoughts – her kind (2018) for keyboard solo with voice – Gwen Rouger
6. May 2018, 20h, Deutschlandfunk – Die neue Platte
“Neue Musik von Sarah Nemtsov – Geschichtete Klänge” – Feature by Yvonne Petitpierre
4. May 2018, Oldenburg Composition Prize, Awards Ceremony, Oldenburg
WP Fenster. Shloshim (2018) for 4 instruments – ensemble Adapter
30. April 2018, 18h, WDR-Funkhaus Köln, Festival “Acht Brücken”
Journal (2015) for five instruments with electronics – Ensemble Electronic:ID
28. April 2018, 19h, Hochschule, Luzern [CH]
Prospekt (2014) for singer and 10 instruments – Graham Valentine, Ensemble Helix
27. April 2018, Hanover
WP weggeschliffen (2018) for string quartet – Nomos String Quartet
26. April 2018, Freiburg
white eyes erased (2014/2015) for keyboard and drumset – ensemble Aventure
25. April 2018, Teheran [IRN]
Lobgesang (2009) for soprano recorder solo – Sylvia Hinz (XelmYa)
21. April 2018, 20h, Goethe Institute, Cairo, Egypt [EGY]
white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik
19. April 2018, Oldenburg
white eyes erased (2014/2015) for keyboard and drumset – ensemble Aventure
19. April 2018, ExRotaprint, Berlin
HAUS (2017) for 4 instruments with amplification and live video – Ensemble Adapter
14. April 2018, BBC Radio 3 Open Ear at LSO St Luke’s, London [GB]
WP Seven Thoughts – her kind (2018) for keyboard solo with voice – Gwen Rouger
4. April 2018, 21h, Radio SRF 2 Kultur [CH]
Broadcast Scattered Ways (2015) for orchestra – Basel Sinfonietta, Leitung: Baldur Brönnimann
20. March 2018, University of Notre Dame, South Bend [USA]
Transit (2013) for prepared piano solo – Ricardo Descalzo
17. March 2018, Lübeck
white eyes erased (2014/2015) for keyboard and drumset – Ninon Gloger and Jonathan Shapiro
17. March 2018, 23h30, Radio France “création mondiale”
full broadcast Seven Colours (2018) for 4 instruments with electronics – ensemble soundinitiative – feature by Anne Montaron
14. March 2018, Le Bourg, Lausanne [CH]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo
15. March 2018, Roosevelt University, Chicago [USA]
Transit (2013) for prepared piano solo – Ricardo Descalzo
12.-16. March 2018, 13h55, Radio France “alla breve”
WP broadcast Seven Colours (2018) 5 movements for 4 instruments with electronics – ensemble soundinitiative – “alla breve” with Anne Montaron
10. March 2018, 19h, Depot.K, Freiburg
deconstructions (2003) for violin and piano – Duo Ubu
March-end of June (spring semester) 2018 DAAD guest lecturer at the University of Haifa, Music Department, Composition [IL]
27. February 2018, 20h30, unerhörte Musik, BKA Theater, Berlin
FAN (2017) for Double Bell Trompete, 3 fans, 2 effect pedals and amplification – Callum G’Froerer
21. February 2018, 19h, Bundeskunsthalle Bonn
Central Park/Manhattan (2011) for piano with melodica, piccolo, viola and percussion – Ensemble Electronic:ID
12. February 2018, 19h, Staatliche Hochschule für Musik Stuttgart
Träne (2016) for soprano with four gongs – Angelika Luz
28. January 2018, 19h, Musical Theater, Basel [CH]
Scattered Ways (2015) for orchestra – Basel Sinfonietta, conductor: Baldur Brönnimann
26. January 2018, Jahreskonferenz der Dramaturgischen Gesellschaft, Greifswald
“Die Zerklüftung der Welt – Terror in der Oper / „Sacrifice“ – open discussion – Sarah Nemtsov with Daniela Brendel and Dirk Laucke
16. January 2018, 23:03, Zeit-Ton, Radio ORF Ö1 [AT]
broadcast: Scattered Ways (2015) for orchestra – Tirolean Symphony Orchestra Innsbruck, Jonathan Stockhammer
12. January 2018, Fundació Miró, Barcelona [ES]
Transit (2013) for prepared piano solo – Ricardo Descalzo
2017
28. November 2017, Goethe-Institut, Madrid [ES]
26. November 2017, Ciclo de Música Actual, Badajoz [ES]
20. November 2017, Huddersfield Contemporary Music Festival [GB]
JOURNAL (2015) for 5 instruments with electronics – ensemble Lux:NM
19. November 2017, 20h, Musikbrauerei, IMPULS Festival für neue Musik Berlin
Ver-Suche (2006) for flute, cello, vibraphone and harp – Zafraan ensemble
27. October 2017, 20h, Art Share LA, Los Angeles [US]
IRA (2013) for paetzold bass recorder – Sylvia Hinz
25. October 2017, 20h30, Constellation Chicago, Chicago [US]
drummed variation (2014) for no drumset and kaoss pad – Matthias Engler and Gunnhildur Einarsdóttir: Ensemble Adapter
22. October 2017, 17h30, Festival Transit, Leuven [BE]
WP HAUS (2017) for 4 instruments, electronics, video – Ensemble Adapter
17. October 2017, 20h30, unerhörte Musik, BKA-Theater, Berlin
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic
17. October 2017, 19h, Kulturforum St. Matthäus Berlin
inzwischen (2005) for piano solo – Martin Edin (TrioKubiK)
14. October 2017, 20h, Flutgraben Berlin
WP FAN (2017) for double bell trumpet, 3 fans, 2 effect pedals and amplification – Callum G’Froerer
30. September 2017, BBC Radio 3 Open Ear at LSO St Luke’s, London [GB]
drummed variation (2014) for no drumset and kaoss pad – Serge Vuille and Joe Richards (Plus Minus ensemble)
24. September 2017, 19h, Staatstheater Cottbus
22. September 2017, 20h
WP dropped.drowned (2017) for large Orchestra – Philharmonic Orchestra Cottbus, conductor: Evan Christ
23. September 2017, 20h, Ackerstadtpalast Berlin
22. September 2017, 20h
WP dream of a cab (2017) for amplified voice, saxofone, accordion and tape – Claudia van Hasselt and ensemble Lux:NM – Project “Taximusic” by FrauVonDa
17. September 2017, 11h30, Berliner Dom
Interludium (2007) for oboe solo with electronics (tape) – Antje Thierbach
15. September 2017, 19h, Kunsthaus Dahlem Berlin
inzwischen (2005) for piano solo – Martin Edin (TrioKubiK)
12. September 2017, 23:03, radio ORF Ö1 [AT]
Broadcast: Scattered Ways (2015) for Orchestra – Tirolean Symphony Orchestra Innsbruck, conductor: Jonathan Stockhammer
10. September 2017, 20h, Heimathafen Neukölln, Berlin, Konzertreihe Kontraklang
JOURNAL (2015) for 5 instruments with electronics – ensemble Lux:NM
10. September 2017, 11h, Klangspuren Schwaz, Innsbruck [AT]
communication – lost – found (2006) for Ensemble – Klangspuren Academy Ensemble, Ltg: Franck Ollu
7. September 2017, Klangspuren Schwaz [AT]
Scattered Ways (2015) for Orchestra – Tirolean Symphony Orchestra Innsbruck, conductor: Jonathan Stockhammer
19. August 2017, Musik 21 Festival Hannover
WP Fanfaaare (2017) for 2 trumpets, 2 fans and amplification – Ensemble Schwerpunkt
15. August 2017, 20h30, Davos Festival [CH]
Poker, Roulette (2012) for percussion solo – Fabian Ziegler
8. August 2017, 20h, Saarbrücken
Cache (2016) for piano – Martin Tchiba (wireless Projekt)
22. July 2017, Sirga Festival [ES]
Briefe.Puppen (2012/2014) for e guitar and percussion – Primoz Sukic and Ruben Orio Martinez
21. July 2017, 21:15, Auditorium Goethe-Institut Rom [IT]
white eyes erased (2014/2015) for Keyboard and drumset – ensemble mosaik
16. July 2017, Landesakademie Wolfenbüttel
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola con sordino and percussion
13. July 2017, Tzlil me’udcan festival, Tel Aviv [IL]
13. July 2017 20h concert : drummed variation (2014) for no drumset and kaoss pad – Plus Minus ensemble
13. July 2017 16h30 round table hear & now : “When politicly correct meets art: On sectorial (National, Race & Gender) considerations & their influence on the current contemporary music scene” with Bastian Zimmermann, Christoph Haffter, Oren Boneh, Sarah Nemtsov & Elena Schwarz
12. July 2017 16h30 round table hear & now : “What can music be about? New Music and discourse – about the personal experience in creating or writing about topics people are not interested in” with Bastian Zimmermann, Marco Momi, Dganit Elyakim, Hunjoo Jung & Sarah Nemtsov
12. July 2017 14h30 presentation (Sarah Nemtsov)
10. July 2017, 21:04, Kulturradio vom RBB – Musik der Gegenwart
Feature Die Komponistin Sarah Nemtsov by Andreas Göbel
10. July 2017, 18h, Hochschule für Musik Hanns Eisler, Charlottenstr., Berlin
discussion Musikalischer Transfer und Kulturelle Identität with Prof. Stefan Drees
24. June 2017, 15h, Carl-Maria-von-Weber Museum Dresden
Tunes.Suite (2013) for two viola da gambas – Alice and Alma Stoye
23. June 2017, 19:30, Oper Halle
22. June 2017, 19:30
18. June 2017, 21:00
SACRIFICE (2016) Opera in 4 Acts – for 5 singers, 3 actors, 5 instrumental soloists, orchestra, electronics, tape, video and a silent choir
11. June 2017, 16h, Schloss Hoyerswerda
9. June 2017, 19h30, Stadtbibliothek Leipzig
Tunes.Suite (2013) for two viola da gambas – Alice and Alma Stoye
1. June 2017, Barcelona [ES]
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic
12. May 2017, 20h, KunstKulturKirche Frankfurt
Lobgesang (2009) for soprano recorder solo – Sabine Ambos
11. May 2017, 00h05, dradio Kultur
Broadcast Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok – Festival ECLAT 2017
28. April 2017, 19h30, Kantonsbibliothek Baselland, ZeitRäume Basel [CH]
WP ThreeApproaches4Four (2017) for 2 horns and 2 trombones – Samuel Stoll, Adrian Städeli, Stephen Menotti, Jon Roskilly
27. April 2017, 00h05-1:00, dradio Kultur
new production Zimmer I-III (2013) for 8 musicians with electronics and 3 solo pieces (2014) – Ensemble Adapter, Sonar Quartett – Feature by Rainer Pöllmann
15. April 2017, 19h30, Köln
JOURNAL (2015) for 5 imstruments and electronics – Ensemble electronic ID
13. April 2017, 21h30, Chapman University, Los Angeles, CA [USA]
drummed variation (2014) for No Drumset and Kaoss Pad – Concert Series New Horizons – Ensemble Inverspace
12. April 2017, 20h, Radio SRF 2 Kultur
Feature about festival ECLAT 2017 – Or. Towards (2016) – Neue Vocalsolisten Stuttgart, Ensemble Ascolta
10. April 2017, 19h30, Mills Music Now, Concert Hall, Oakland, CA [USA]
drummed variation (2014) for No Drumset and Kaoss Pad – Ensemble Inverspace
6. April 2017, 71. Frühjahrstagung des INMM, Darmstadt
14h SOL (2010) for flute solo and à deux (2009) for prepared harp solo
15:30 Lecture (Sarah Nemtsov): Fluent Identities. Wurzeln, Be-/Ab-/Entgrenzung und (Dif-)Fusion in der Neuen Musik
19:30 Concert – Works by Sergej Newski, Joanna Bailie, Johannes Kreidler, Sarah Nemtsov – white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik
1. April 2017, 18:00, Theater an der Parkaue, Berlin
2. April 2017, 11:00
2. April 2017, 16:00
3. March 2017, 10:00
Helm auf (2015) – live radio play – Finn-Ole Heinrich (text), Ensemble Adapter
19. March 2017, Bielefeld
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic
14. March 2017, 00h05, Deutschlandradio Kultur
Broadcast white wide eyes (2014) for 23 instruments in 4 groups and electronics – Ensemblekollektiv Berlin
14. March 2017, Akademie der Künste, Berlin
Briefe – Heloisa (2012) for Baroque oboe and accordion with paper – Antje Thierbach and Susanne Stock
8. March 2017, 19h30, Immanuelkirche Königstein im Taunus
Lobgesang (2009) for soprano recorder solo – Sabine Ambos
11. March 2017, 19:30, Oper Halle
8. March 2017, 19:30
7. March 2017, 19:30
5. March 2017, 19:30 – Premiere
WP SACRIFICE (2016) Opera in 4 Acts – for 5 singers, 3 actors, 5 instrumental soloists, orchestra, electronics, tape, video and a silent choir
libretto: Dirk Laucke, stage direction: Florian Lutz, stage: Sebastian Hannak, costumes: Mechthild Feuerstein, dramaturgy: Michael von zur Mühlen, conductor: Michael Wendeberg;
with: Marie Friederike Schöder, Tehila Nini Goldstein (sopranos), singers and actors of the Opera Halle, Staatskapelle Halle, Ernst Surberg (keyboard and electronic devices), Seth Josel (e guitar), Matthias Erb (sound design) etc.
15. February 2017, 23:03, SWR2, ECLAT 2017
Broadcast Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok
4. February 2017, Schönes Wochenende Festival, Tonhalle Düsseldorf
WP Cache (2016) for piano – Martin Tchiba (wireless Project)
drummed variation (2014) for no drum set and kaoss pad – Ensemble Decoder
2. February 2017, 19:30, Festival ECLAT, Theaterhaus Stuttgart
Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok (conductor)
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