2023
May, Theatre Saarbrücken
WP OPHELIA (2020-2021) opera for 12 voices, choir, orchestra and electronics – libretto by Mirko Bonné
2022
18. – 20. November 2022, w e i t ! neue Musik Weingarten
Portrait festival Sarah Nemtsov – with Ensemble Musikfabrik, Arditti Quartett, Ensemble Adapter, Christoph Grund, Münchener Kammerorchester
22. September 2022, Klangspuren Schwaz [AT]
Sh’virah (2020) for soprano saxophone, e guitar, keyboard and drumset – Nikel ensemble
19. September 2022, Festival Warsaw Autumn [PL]
MOOS (2020) for ensemble – Rüdiger Bohn (conductor)
31. August – 7. September 2022, Ruhrtriennale, Turbinenhalle Bochum
HAUS (2013-2022) from the cycle for ensemble – scenic version world premiere – project with Heinrich Horwitz (directing, choreography, stage), Rosa Wernecke (stage, video, light), Johanna Danhauser (dramaturgy) and many others
14. August 2022, Ruhrtriennale
MOOS (2020) for 13 musicians and electronics – Klangforum Wien
7. July 2022, Heroines of Sound, Berlin
En Face: Solitude (2018/2020) version for percussion solo with amplification – Aleksander Wnuk
26. June 2022, Alte Feuerwache, Cologne
Seven Colours (2018) for amplified cello, e bass, prepared piano with sampler and drum set – Ensemble Garage
8. June 2022, Xornadas da Música Contemporánea, Santiago de Compostela [ESP]
Seven Thoughts (2018) for keyboard solo – Maria Dominguez Perez
3. June 2022, 20h30, Dampfzentrale, Bern [CH]
Sh’virah (2020) for soprano sax, e guitar, keyboard and drum set – Nikel ensemble
3. June 2022, 20h, blurred edges Festival, Hamburg
d’une femme, of a woman (2015) version for soprano and sampler with toy piano – Frauke Aulbert und Michiko Saiki
30. May 2022, Kleiner Saal, Elbphilharmonie
Wolfsgesänge (2019) for cello solo with tape and video (H. Horwitz, R. Wernecke) – Sonja Lena Schmid, cello
28. May 2022, 20h, Ackerstadtpalast, Berlin
d’une femme, of a woman (2015) version for soprano and sampler with toy piano – Frauke Aulbert und Michiko Saiki
19. May 2022, 20h30, KM28 Berlin
NUN IV (2021) for bass flute, synthesizer and electronics – Bettina Junge and Ernst Surberg (ensemble mosaik)
16. May 2022, Studio Musikfabrik Köln
deconstructions (2003) for violin and piano – Hannah Weirich and Ulrich Löffler (Ensemble Musikfabrik)
12. May 2022, Mareterra Festival, Puglia [IT]
Kadosh (2021) for violin solo with effect pedals – Mayah Kadish
11. + 12. May 2022, 19h30, Philharmonic Concert, Konzertsaal Gera
WP black trees (2020) for orchestra; Philharmonic Orchestra Gera-Altenburg, Johannes Kalitzke (conductor)
11. May 2022, Festival Milano Musica [IT]
Orpheus falling (2014) for 8 instruments and objects – ensemble recherche
4. – 8. May 2022, Festival Les Amplitudes, La-Chaux-de-Fonds [CH]
Composer in Residence Sarah Nemtsov – portrait festival with 7 portrait concerts, installation, film screening, discussion and party – including several world premieres – with Ensemble Le Nec, Nikel ensemble, ensemble Adapter, Peter Rundel, Tehila Nini Goldstein, Jascha Nemtsov, Mahan Esfahani, Decoder ensemble, Heinrich Horwitz, Rosa Wernecke, Maia Brami, Finn-Ole Heinrich, Hyper Duo, Camerata Ataremac, Ensemble HKB Vertigo and many more
7. May 2022, Wittener Tage für Neue Kammermusik
WP starlings, sparrows (2022) for clarinet, cello and piano with synthesizer – Trio Catch
6. May 2022, Hygiene Museum Dresden
Seven Colours (2018) – Ensemble El Perro Andaluz
4. May 2022, 20h, Kleiner Sendesaal, NDR Hannover
Laterna magica / Combray (2011) for prepared harp, piano percussion and assistant (humming tops) – Ensemble Ur.werk, Sascha Davidovic
30. April 2022, Annet Hall, Tel Aviv [IL]
Mountain & Maiden (2019) A Film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov for keyboard solo with amplified piano and voice – Amit Dolberg
26. April 2022, 20h, Gare du Nord, Basel [CH]
Orbits (2018) for 4 e guitars, e bass and objects – “Interstring Project”
21. April 2022, 19h, Paris [F]
Orbits (2018) for 4 e guitars, e bass and objects – “Interstring Project”
8. April 2022, 20h, Musik der Zeit, WDR Köln
WP Reshimot (2020) for Ensemble Nikel and WDR orchestra, Titus Engel (conductor)
March 2022, Konzerthaus Wien [AT]
Seven Colours (2018) for amplified cello, e bass, prepared piano and sample keyboard, drum set – ensemble PHACE
6. March 2022, RBB Funkhaus, Berlin
5. March 2022, Halle 424, Hamburg
4. March 2022, Lüneburg
dismissed thoughts (2009) woodwind quintet – ensemble reflektor
4. March 2022, Onassis Stegi, Athen [GR]
implicated amplification (2014) for bass clarinet solo with electronics – Spyros Tzekos
23. February 2022, Cologne
pulsation (2019) for three performers on a Bass Drum and electronics – ensemble hand werk
13. February 2022, Hgnm, Sprengelmuseum, Hanover
portrait concert – NUN II (2020) for piano solo with electronics and NUN IV (2021) for bass flute, synthesizer, electronics and video WP with Ernst Surberg and Bettina Junge (ensemble mosaik)
4. February 2022, 19h30, oenm Atelier Salburg [AT]
à deux (2009) for prepared harp solo – Katharina Teufel-Lieli
31. January 2022, 20h, Werner-Otto-Saal, Konzerthaus Berlin
beredtes Schweigen (2005) for ensemble – modern art ensemble
30. + 31. January 2022, Staatstheater Hannover
En face (2018) for large orchestra with percussion solo and actor; Staatsorchester Hanover, Alexander Wnuk, percussion solo, Felix Briegel, actor, Titus Engel, conductor
21. January 2022, Klub Katarakt Hamburg
Orbits (2018) for 4 electric guitars, e bass and objects – “Interstring Project”
21. January 2022, 19h30, Ultraschall Berlin Festival, Heimathafen Neukölln Berlin
[love] (2018) piano trio – Boulanger Trio
12. January 2022, 19h30, Elbphilharmonie, Hamburg
WP Tikkun (2021) for soloists, string orchestra and percussion – Nikel Ensemble (soloists), Ensemble Resonanz, Emilio Pomarico
12. January 2022, 19h, Katovice [PL]
Mountain & Maiden (2019) A Film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov for keyboard solo with amplified piano and voice – Malgorzata Walentynowicz
11. January 2022, 21h05, SWR2 JetztMusik
Broadcast Hoqueti (2011) for 6 voices with additional instruments – Neue Vocalsolisten Stuttgart
2021
22. December 2021, Tel Aviv [IL]
legend of a stream (2021) for amplified quintet and assistant (slide show), text by Saar Yachin – Ensemble Meitar and Ensemble Handwerk
3. December 2021, Zurich [CH]
dropped.drowned (2017) for large orchestra – Tonhalle Orchester Zürich, Pierre-André Valade
26. November 2021, 21h, Konzerthaus Berlin
scattered ways (2015) for orchestra – Konzerthausorchester Berlin, Emilio Pomárico
21. November 2021, 21h05-23h, Deutschlandfunk, Forum neuer Musik
Radio premiere Roses for my funeral (2018-2020) an evening with Decoder Ensemble, Heinrich Horwitz and Noam Brusilovsky
17. November 2021, 14:15-16h, E15, Hochschule für Musik, Theater und Medien Hannover
Presentation Sarah Nemtsov
9. November 2021, unerhörte Musik, BKA Theater, Berlin
SKOP (2016) for accordion solo with mouth organ – Eva Zöllner
7. November 2021, 20h, Gr. Sendestudio, ORF Vorarlberg, Dornbirn
Treppen im Meer (2006-2008/2012) for orchestra – Symphonieorchester Vorarlberg, Leonhard Garms
2. November 2021, 20h, Schwerer Reiter, München
Passacaglia (2015) for prepared piano solo – Brigitte Helbig
30. October 2021, Philharmony Cologne
WP Tikkun (2021) version for string orchestra and percussion – WDR Sinfonieorchester, Cristian Macelaru (series: Miniaturen der Zeit WDR)
30. October 2021, 20h, Tonhalle Zurich [CH]
Orpheus falling (2014) for 8 instruments with objects – Collegium Novum Zürich, Emilio Pomárico
30. Oktober 2021, Contempuls Festiva, Prague [CZ]
[as] (2018) and [you] (2018) from the cycle PHONEME for ensemble – Meitar Ensemble, Yuval Zorn
28. Oktober 2021, Annet Hall, Tel Aviv [IL]
[as] (2018) and [you] (2018) from the cycle PHONEME for ensemble – Meitar Ensemble, Yuval Zorn
27. October 2021, Medellin [COL]
SKOP (2016) for accordion solo with mouth organ – Eva Zöllner
21. October 2021, Musikverein Wien [AT]
skotom.orchesterstueck (2019) for ensemble with electronics – black page orchestra
13. October 2021, 20h, Philharmonie Köln
Scherzo (2020) for ensemble – Stargaze ensemble
2. October, 19h30, Hangar 21, Detmold
deconstructions II (2003) for English Horn and piano – Peter Veale and Benjamin Kobler (Ensemble Musikfabrik)
30. September 2021, Musikhuset Copenhagen [DK]
Soutine: Paysage de Céret (2007) for cello solo with sporadic accordion – Ekki Minna Duo
23. September 2021, Münster
An evening with the Decoder Ensemble, Heinrich Horwitz (stage, choreography), Rosa Wernecke (light) and Maximiliano Estudies (sound)
16. September 2021, 20h, Alte Feuerwache, Cologne
WP legend of a stream (2021) for amplified quintet and assistant (slide show), text by Saar Yachin – ensemble Meitar and ensemble Handwerk
16. September 2021, 19h30, Frankfurt
Seven Colours (2018) for amplified Cello, e bass, prepared piano with sample keyboard and drum set – Internationale Ensemble Modern Akademie IEMA
16. September 2021, 19h, Futurogical Congress, Transart Festival, Bozen [IT]
Mountain & Maiden (2019) A film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov for Keyboard solo with prepared piano and voice – Christoph Grund
12. September 2021, 11h, Innsbruck, Klangspuren Schwaz [AT]
weggeschliffen (2018) string quartet (with amplification and effects) – Quatuor Diotima
10. September 2021, 19h, The arts house, Singapore [SGP]
Seven Thoughts (2018) for keyboard solo – Lynette Yeo
31. August 2021, “Experimental Tuesdays”, Sinfonia Varsovia, Warschau [PL]
weggeschliffen (2018) Streichquartett – Quartet from Sinfonia Varsovia Orchestra
18. August 2021, 20h, Impuls Festival, Graz [AT]
white eyes erased (2014/2015) for keyboard and Drumset – black page orchestra
23. August 2021, 20h, Studio des Ensemble Musikfabrik, Köln
white wide erased (2014) for keyboard and drumset, WOLVES (2012) for oboe and prepared piano, deconstructions II (2003) for English Horn and piano – ensemble Musikfabrik (Dirk Rothbrust, Peter Veale, Benjamin Kobler)
31. July – 11. August 2021, Darmstadt Summer Course
Tutor for Composition – and additionally a workshop with Gunnhildur Einarsdóttir (“à deux” – composing for harp)
4. August 2021, 18h30, Hartmann-Gesellschaft, Munich
Fenster.Shloshim (2018) for flute, clarinet, harp and percussion – Ensemble Hartmann21
16. July 2021, 21h, Biennale Zagreb
Seven Thoughts (2018) for keyboard solo – Sebastian Berweck (Decoder Ensemble)
10. July 2021, tba
Transit (2013) for prepared piano – Syntagma Piano Duo
8. July 2021, 16h, Opera Halle and online
WP ARIA (2016/2021) for soprano and electroics as an AR experience – collaborative work with Sebastian Hannak (scenography) – Tehila Nini Goldstein, voice and mimics – Prefrontal Cortex Halle (AR)
4. July 2021, Bremen
Seven Colours (2018) for amplified cello, e bass, prepared piano with sample keyboard and drum set – Ensemble New Babylon
3. July 2021, Konzerthaus Berlin
Helm auf (2015) LiveMusikHörBuch for kids with Finn-Ole Heinrich and Ensemble Adapter
1. July 2021, 20:30, Fabrica del Vapore, Mailand [IT]
white eyes erased (2014/2015) for keyboard and drumset with projections – black page orchestra
1. July 2021, Heroines of Sound Festival, Berlin
Seven Colours (2018) for amplified cello, e bass, prepared piano with sample keyboard and drum set – Ensemble Garage
28. Juni 2021, online Premiere
white eyes erased (2014/15) for keyboard and drumset with projections – Benjamin Kobler and Dirk Rothbrust (ensemble musikfabrik)
14. Juni 2021, online Premiere
deconstructions II (2003) for English Horn and piano – Peter Veale und Benjamin Kobler (ensemble musikfabrik)
11. June 2021, 20h, Volksbühne Berlin (Stream)
WP Scherzo (2020) für Ensemble – Stargaze ensemble
30. May 2021, Musica electronika nova Festival, Wroclaw [PL]
WP En Face: Solitude (2018/2020) version for percussion solo with amplification – Aleksander Wnuk
21. May – 2. June 2021, ReMusik Composition Course, St Petersbourg [RU]
tutor composition
21. May 2021, 19h, Mariinsky Theatre Concert Hall, St Petersburg [RU]
weggeschliffen (2018) string quartet (with amplification and effects) – Quatuor Diotima – opening concert ReMusik Composition Course
21. May 2021, 18h + 20h, ZIMMT, Leipzig
d’une femme, of a woman (2015) version for soprano and sampler with toypiano – text by Maia Brami; Frauke Aulbert and Michiko Saiki
18. May 2021, 19h30, Kleine Aula, Musikhochschule Trossingen
ORBITS (2018) cycle for 5 e guitars and e bass; The Interstring Project
15. May 2021, 20h, Resis Festival, A Coruna [ES]
Seven Thoughts (2018) for speaking keyboardist solo – María Domínguez Perez (Pulso Ensemble)
8. May 2021, 21h, Tel Aviv [IL]
as (2018) from the cycle Phoneme for chamber ensemble; Meitar Ensemble
2. May 2021, 19h, Salle de musique de chambre, Philharmonie Luxembourg [LU]
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola and percussion – Ensemble United Instruments of Lucilin
29. April 2021, 19h30, Live Stream Kilbourn Hall, Eastman School of Music, Rochester [US]
Seven Colours (2018) for amplified cello, e bass, prepared piano with sample keyboard and drum set – OSSIA Ensemble
28. April 2021, 19h30, Live Stream Kodak Hall, Eastman Theater, Rochester [US]
beredtes Schweigen (2005) for ensemble – Eastman Musica Nova Ensemble, Brad Lubman (conductor)
27. April 2021, Salzburg [AT] – canceled due to Corona
Portrait concert – Klangnetz Dresden in cooperation with Salzburg
24. April 2021, Konzertsaal, Hochschule für Musik, Dresden
Portrait concert and Workshop – Klangnetz Dresden in cooperation with Salzburg
19. April 2021, Festival Archipel, Genève [CH]
beyond its simple space (2018) for harpsichord solo and chamber orchestra with electronics and objects – Antoine Francoise (harpsichord), Lennart Dohms (conductor), Moment baroque, Nouvel ensemble contemporain
15. March 2021, 19h, Royal Danish Academy of Music, Stream, Copenhagen [DK]
Seven Colours (2018) for amplified cello, e bass, prepared piano with keyboard and drum set – K!art ensemble
7. March 2021, 19h, Conservatori de Felanitx [ES]
Passacaglia (2015) – Neus Estarellas Calderon, piano solo
3. March 2021, 20h, Werner-Otto-Saal, Konzerthaus Berlin – canceled due to Corona
Beredtes Schweigen… (2005) for ensemble – modern art ensemble
23. February 2021, Roulette, Brooklyn, New York [US] – canceled
Seven Thoughts (2018) for keyboard solo – Julia den Boer
19. February 2021, 20h, Klanghaus, Ulm
Seven Thoughts (2018) for keyboard solo
13. February 2021, 19h, Pierre Boulez Saal Berlin – canceled due to Corona
WP KETER (2020) for bass clarinet, viola, cello, harp and piano with electronics – Ensemble Intercontemporain
7. February 2021, Musica nova Festival, Helsinki [US]
running. out of tune (2013) for 2 harpsichords (meantone and well-tempered), amplification and tape – Marianna Henriksson and Petteri Pitko
19. January 2021, 21h05, DLF
broadcast SKOP (2016) for accordion solo with harmonica – Eva Zöllner
17. January and 18. January 2021, 19h30, 3rd Philharmonic Concert, Liederhalle, Stuttgart – canceled due to COVID-19
scattered ways (2015) for orchestra – Staatsorchester Stuttgart, Ltg: Ainars Rubikis
14. January 2021, 19h, Villa Seligmann Hannover [Stream]
WP heimwehgefiedert (2020) 8 songs with poems by Hilde Domin for soprano, viola and piano – Tehila Nini Goldstein, Julia Rebekka Adler and Jascha Nemtsov
2020
17. December 2020, online premiere [ES]
Seven Thoughts (2018) for keyboard solo – María Domínguez Perez
4. December 2020, 20h, Druckereihalle, Basel [CH]
Wolfsgesänge (2019) for cello solo and electronics – Ensemble Lemniscate
3. December 2020, 20h, Forum St. Peter Oldenburg
Zwanzig Skizzen (2005) – Jascha Nemtsov
29. November 2020, 19h30, Kammermusiksaal DLF, Cologne
Brief.Kasten (2014) – for viola and trombone – Ensemble Garage
16. November 2020, 23h05, Sveriges Radio [SE]
Sendung Scattered Ways (2015) – für Orchester – Basel Sinfonietta & Baldur Brönnimann
13. November 2020, 18h, Komponistenkolloquium (online), Carl-von-Ossietzky-Universität Oldenburg
Sarah Nemtsov on “music and colours”
9. November 2020, 16h, Halle 424, Hamburg – canceled due to COVID-19
dismissed thoughts (2009) – ensemble reflektor
7. November 2020, 17h, Göteborg [SE]
Passacaglia (2015) – Moritz Ernst, piano solo
6. November 2020, Malmö [SE]
Passacaglia (2015) – Moritz Ernst, piano solo
29. October 2020, 19h, Villa Seligmann Hannover – postponed to 2021 due to COVID-19
WP New Work (2020) with poems by Hilde Domin for soprano, viola and piano – Tehila Nini Goldstein, Julia Rebekka Adler and Jascha Nemtsov
28. October 2020, 19h30, Cabaret Voltaire, Zürich [CH]
Central Park / Manhattan (2011), a long way away (2011) and Luftmacumba / Rio (2011) for ensemble – Collegium novum Zürich and Johanna Malangré
28. October 2020, 20h, blurred edges, Hamburg – canceled due to COVID-19
SKOP (2016) for accordion with mouth organ – Eva Zöllner
23. October 2020, 20h, Open Music, Graz [AT] – canceled due to COVID-19
drummed variation (2014) for no drum set and kaoss pad – Serge Vuille (Ensemble Plus Minus)
17. October 2020, 19h – Centre d’Art Tecla Sala, Barcelona [ESP]
Seven Thoughts (2018) for keyboard solo – Haize Lizarazu
14.-15. October 2020, 18h, Frequenz Festival Kiel
RED (2018-2019 coll. Horwitz/Schaal/Campesino/Sobremazas) music video – as part of the evening »Bonny Crudes Dance with an Amazone« by Carola Schaal and Heinrich Horwitz
12. October 2020, 23h05, SWR2
Broadcast Mountain & Maiden (2019) – “Extinction Events” Feature by Dirk Wieschollek
7. October 2020, 20h, Philharmonie Cologne – postponed due to COVID-19
WP Scherzo (2020) for ensemble – Stargaze ensemble
6. October 2020, 20h, Schwerer Reiter, Munich
Transit (2013) – Brigitte Helbig, piano solo
6. October 2020, 22h05, Horizonte, BR Klassik
Radio-portrait about Sarah Nemtsov and Eres Holz by Nora Bauer
4. October 2020, 17h, Hörfest Neue Musik, Hangar 21, Detmold
Orpheus falling (2014) – Ensemble Horizonte
2. October 2020, Lübeck
WP Tür (2020) for pseudo drumset solo – Jonathan Shapiro
2. October 2020, 21h, Abendkonzert, SWR2
Broadcast dropped.drowned (2017) for orchestra and string quartet weggeschlifen (2018) – Ultraschall Festival Berlin 2020
30. September and 1. October 2020, 19h30, 1st Philharmonisches Konzert, Konzertsaal Gera – postponed due to COVID-19
WP black trees (2020) for orchestra – Philharmonic Orchestra Gera Altenburg – BTHVN 2020
27. September 2020, 17h, Theater im Pumpenhaus, Münster
white eyes erased (2014/2015) for keyboard and drum set with projections – Hyper Duo
25. September 2020, 19h30, Hörfest Neue Musik, Detmold
white eyes erased (2014/2015) for keyboard and drum set with projections – Hyper Duo
24. September 2020, 19h, Pyramidale, Berlin
white eyes erased (2014/2015) for keyboard and drum set with projections – Hyper Duo
20. September 2020, 20h, Frankfurt
RED (2018-2019 coll. Horwitz/Schaal/Campesino/Sobremazas) music video with live cello – ensemble lovemusic – Lola Malique (cello)
20. September 2020, 20h, Gelsenkirchen
Ver-Suche II (2007) for flute cello and accordion – Trio Klangwerk am Bauhaus
11. September 2020, Kammermusiksaal Beethovenhaus, Bonn
hundertelf (2020) for piano solo – Susanne Kessel
11. September 2020, Tel Aviv [IL]
[you] (2018) for prepared piano solo – Amit Dolberg
11. September 2020, Hörsturmfestival, Ried [AT]
Sechs Zeichen (2010) for and prepared piano – Myriam Garcia Fidalgo and Frederick Neyrinck
9. September 2020, opening Berlin Art Week, Berlin
excerpts from NUN II (2019) for piano and electronics – Ernst Surberg and Bettina Junge (ensemble mosaik)
4. September 2020, 18h30, concepts of doing, Börnestr. 45, Berlin
NUN II (2019) for piano and electronics and Seven Thoughts (2018) for keyboard solo – Ernst Surberg (keyboard/piano)
30. August 2020, 19h, Musiksaal, Stadtcasino Basel [CH]
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola and percussion – Basel Sinfonietta (Baldur Brönnimann)
30. August 2020, 18h30, Randspiele Zepernick
Träne (2016) for soprano with 4 gongs
28. August 2020, 18h und 20h30,Opening concert of the Month of Contemporary Music, Musikbrauerei Berlin
Seven Colours (2018) for amplified cello, e bass, prepared piano with keyboard and drum set – Ensemble Zafraan
24. July – 2. August 2020, Darmstadt Summer Course – postponed to summer 2021 due to COVID-19
tutor composition + workshop with Gunnhildur Einarsdóttir (“à deux” – composing for harp)
21. June 2020, 18h, Stadthalle Kleve
WP hundertelf (2020) for piano solo – Susanne Kessel (project “250 piano pieces for Beethoven”)
8. June 2020, 12h-14h, UdK Berlin (virtual)
Guest lecture on electronic, live electronic and visual aspects in her compositions
4. June 2020 (- 4. July), 20h, online Eventfrog [CH]
white eyes erased (2014/2015) for keyboard and drum set – Hyper Duo
28. May 2020, 20h, WDR Cologne
WP Reshimot (2020) for the WDR Orchestra, Enno Poppe and Ensemble Nikel
19. May 2020, 20h, unerhörte Musik, BKA Berlin
Wolfsgesänge (2019) and RED (2018/2019) for cello solo with electronics and video – Sonja Lena Schmid (Decoder Ensemble)
13. May 2020, 19h30, Konzertsaal, Hochschule für Musik, Dresden – postponed due to COVID-19
Portrait concert and workshop
9. May 2020, 20h, Philharmonie Luxembourg [LU] – canceled due to COVID-19
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola and percussion – ensemble United Instruments of Lucilin
8. May 2020, 20h, Kunst Kultur Kirche, Frankfurt – canceled due to COVID-19
Nigun (1999) for oboe solo – Nora-Gudrun Spitz-Zipper
7. May 2020, 19h, Auditorium Bnu, Strasbourg [FR] – canceled due to COVID-19
RED (2018-2019 coll. Horwitz/Schaal/Campesino/Sobremazas) Musikvideo mit live Cello) music video with live cello – ensemble lovemusic
23. April 2020, 18h… – Oper Halle digital
Stream SACRIFICE (2016) Opera in 4 Acts with a libretto by Dirk Laucke – Premiere 2017, Opera Halle – stage direction: Florian Lutz, stage “Heterotopia”: Sebastian Hannak, singers from opera Halle and guests, Staatskapelle Halle, conductor: Michael Wendeberg
19. April 2020, 21h… – In.Side
Online-publishing Seven Thouhts (2018) for keyboard solo – Haize Lizarazu
3. April 2020, Forum neuer Musik, Deutschlandfunk, Cologne – postponed to fall 2021 – due to COVID-19
WP roses for my funeral (2018-2020) an evening with the Decoder ensemble, Jakob Diehl (actor), Heinrich Horwitz (stage/choreography), Rosa Wernecke (light design) and Maximilano Estudies (sound design)
28. March 2020, Knoxville Museum of Art, Big Ears Festival, Chicago [US] – canceled due to COVID-19
Zimmer IV (2019) – Dal Niente Ensemble
26. March 2020, 19h30, Niddastr., Frankfurt –canceled due to COVID-19
RED (2018-2019 coll. Horwitz/Schaal/Campesino/Sobremazas) Musikvideo mit live Cello) music video with live cello – ensemble lovemusic
17. March 2020, 20h, Schwerer Reiter, Munich – canceled due to COVID-19
Transit (2013) – Brigitte Helbig, piano solo
11. March 2020, 21h04, RBB Kultur – Musik der Gegenwart
Broadcast Mountain & Maiden (2019) A Film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov
9.-13. March 2018, 13h55, Radio France
Broadcast Seven Colours (2018) 5 movements for 4 instruments and electronics – ensemble soundinitiative – “alla breve” with Anne Montaron
4. March 2020, 21h04, RBB Kultur – Musik der Gegenwart
Broadcast IRA (2013) and weggeschliffen (2018) string quartet – Jeremias Schwarzer and Minguet Quartett
1. March 2020, 20h, Ackermannshof, Basel [CH]
void-imaginings (2018) for 4 performers and amplification – Ensemble Inverspace
25. February 2020, 20h30, unerhörte Musik, BKA Berlin
Seven thoughts (2018) for keyboard solo (with voice) – Gabriella Smart and Johannes Sistermanns (duo version, external voice)
21. February 2020, 19h30, Richard-Jacoby-Saal, Hannover
Seven thoughts (2018) for keyboard solo (with voice) – Raquel Marcos
16. February 2020, 20h, Musikfabrik im WDR, Haus des Rundfunks, Köln
NUN (2019) for 10 musicians with electronics – Ensemble Musikfabrik and Peter Rundel
16. February 2020, 19h, Sendesaal Bremen
Poker, Roulette (2012) cycle for 1-5 percussionists – Ensemble New Babylon
11. February 2020, Lausanne [CH]
Seven thoughts (2018) for keyboard solo (with voice) – Gwen Rouger
10. February 2020, Mozart-Saal, Wien [AT]
WP MOOS (2019/20) for ensemble, and white wide eyes (2014) for 23 musicians – with Klangforum Wien
8. February 2020, OPENING Festival, Trier
implicated amplification (2015) for amplified bass clarinet with effect pedals – Heni Hyunjung Kim
6. February 2020, 20h, Haus des Rundfunks, Berlin
…beredtes Schweigen (2005) for ensemble – Landesjugendensemble Neue Musik Berlin and Jobst Liebrecht
4. February 2020, 20h30, unerhörte Musik, BKA Berlin
NUN II (2019) for piano and electronics – ensemble mosaik
1. February 2020, 20h04, RBB Kultur (Festival Ultraschall Berlin)
Broadcast dropped.drowned (2017) for large orchestra – Deutsches Symphonie-Orchester Berlin, Marc Albrecht
27. January 2020, 01h, Deutschlandfunk Kultur – Tonart Klassik
from Ultraschall Berlin Festival’s concerts
20. January 2020, 19h, Haute École de musique, Lausanne [CH]
void-imaginings (2018) for 4 performers and amplification – Ensemble Inverspace
19. January 2020, 15h30, Akademie der Künste, Hanseatenweg, Berlin
Perspektivwechsel – Discussion with Sarah Nemtsov, Rimini Protokoll/Helgard Haug and Leonie Reinecke
18. January 2020, 17h, Radialsystem, Ultraschall Festival Berlin
WP Mountain & Maiden (2019) A film by Shmuel Hoffman & Anton von Heiseler – with a composition by Sarah Nemtsov (for keyboard solo with amplified piano and voice) – Christoph Grund
18. January 2020, 14h, Radialsystem, Ultraschall Festival Berlin
weggeschliffen (2018) string quartet with amplification and effects – Minguet Quartet and IRA (2013) for Paetzold bass recorder with Jeremias Schwarzer
15. January 2020, 20h, Haus des Rundfunks, opening concert Ultraschall Festival Berlin
dropped.drowned (2017) for large orchestra – DSO Deutsches Symphonie-Orchester Berlin, Marc Albrecht
2019
13. December 2019, 19h, Kunsthalle Erfurt
white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik
12. December 2019, Verband für aktuelle Musik Hamburg
lecture Sarah Nemtsov
10. December 2018, Paris
9. December 2018, Hamburg
8. December 2018, Berlin
…beredtes Schweigen (2005) for 7 instruments – Ensemble Zafraan and Pierre-André Valade
28. November 2019, composer’s forum, Osnabrück
portrait concert with Ensemble Adapter
22. November 2019, 19h, “In Front Festival” Aachen
Wolves (2012) for oboe and prepared piano – Antje Thierbach and Amit Dolberg
19. November 2019, Trossingen
WP Wolfsgesänge (2019) (complete) for cello solo and electronics und RED (2018-2019 coll. Horwitz/Schaal/Campesino/Sobremazas) music video with optional live cello – Sonja Lena Schmid
19. November 2019, 20h, Electrosounds, Barcelona [ESP]
Interludium (2007) version for soprano saxofone and tape – Xelo Giner
16. November 2019, 20h, Speyer Hall, New York [US]
[love] (2018) piano trio – Wavefield Ensemble
15. November 2019, 14h30, Deutsche Oper Berlin
Symposium Neues Musiktheater Lecture and discussion with Chaya Czernowin, Sarah Nemtsov, Sydney Corbett, Daniel Ott and Andreas Göbel (Moderation)
9. November 2019, Meridian Festival, Bukarest [ROU]
RED (2018/2019) music video – sollaboration with Carola Schaal, Heinrich Horwitz, David Campesino and Javier Sobremazas
4. November 2019, 23h05, ORF (radio feature about Wien modern)
broadcast skotom.orchesterstueck (2019) – Black Page Orchestra
3. November 2019, 18h, Göteborg Konserthus [SE]
Seven Colours (2018) for ensemble – Gageego
2. November 2019, Festival Wien modern, Vienna [AT]
WP skotom.orchesterstueck (2019) – Black Page Orchestra
1.11.-13.12.2019, Center for Computer Research in Music and Acoustics CCRMA, Stanford [US]
Installation RED (2018/2019) music video – collaboration with Carola Schaal, Heinrich Horwitz, David Campesino and Javier Sobremazas
28. October 2019, 23h05, RBB “Musik der Gegenwart”
broadcast Laterna magica / Combray (2011) – Ensemble Adapter
15. October 2019, Studio Ernest Ansermet, Geneva [CH]
implicated amplification (2015) for amplified bass clarinet with effect pedals – Ensemble Contrechamps
7. October 2019, Tonkünstler, Munich
SKOP (2016) for accordion solo – Mateja Zenzerovic
2. October 2019, Oldenburg
Passacaglia (2015) for prepared piano and WP NUN II (2019) – Ernst Surberg
29. September 2019, Parkhaus, Hamburg
excerpts from Wolfsgesänge (2019) for cello solo and electronics – Sonja Lena Schmid
24., 26., 27. + 28. September 2019, Taschenopernfestival Salzburg [AT]
WP verflucht (2019) miniature opera – with the Oenm ensemble, Tehila Nini Goldstein (soprano), Peter Rundel (conductor), Gerhild Steinbuch (text) and Thierry Brühl (stage direction)
20. September 2019, Festival Musica, Strasbourg [FR]
Seven thoughts – her kind (2018) for keyboard solo (with voice) – Jean-Luc Plouvier (ensemble Ictus)
13. September 2019, 21h, Vostell Museum Cáceres [ESP]
Interludium (2007) version for soprano saxophone – Xelo Giner
6. September 2019, 21h, Biel [CH]
white eyes erased (2014/2015) for keyboard and drum set – Hyper Duo
1. September 2019, 20h, Radialsystem, Berlin
Zimmer I-III (2013) for ensemble and WP Zimmer IV (2019) – Ensemble Adapter, Offspring and International Contemporary Ensemble (ICE) – concert “global adapter”
12. August 2019, Medellin [CO]
SKOP (2016) for accordion solo – Eva Zöllner
15. July 2019, festival le bruit de la musique, St-Sylvain-sous-Toulx [FR]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo
1. July 2019, Tzlil Me’udcan, Tel Aviv [IL]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo
28. June 2019, Mainz
27. June 2019, Westerburg
23. June 2019, Kulturwerkstatt Kircheib
20. June 2019, Grenzau
SKOP (2016) for accordion solo with mouth organ and mirrors ad libitum – Eva Zöllner
14. June 2019, “Weltklang – Poesie der Nacht”, Poesiefestival, Akademie der Künste Berlin
Part V from Cards with Cummings (2014) for speaking percussionist – Michael Weilacher
8. June 2019, Kunstverein Marburg
SKOP (2016) for accordion solo with mouth organ and mirrors ad libitum – Eva Zöllner
8. June 2019, Festival “blurred edges”, Hamburg
WP RED (2018/2019) for music video and cello solo, as well as excerpts from Wolfsgesänge (2019) for cello solo and electronics- Sonja Lena Schmid – RED video collaboration with Heinrich Horwitz, Carola Schaal, David Campesino and Javier Sobremazas
6. June 2019, Festival “Schönes Wochenende”, Düsseldorf
WP RED (2018/2019) for music video and clarinet solo, Carola Schaal, performance (video) and clarinet – RED video collaboration with Heinrich Horwitz, David Campesino and Javier Sobremazas
5. June 2019, Wortklangraum Bonn
SKOP (2016) for accordion solo with mouth organ and mirrors ad libitum – Eva Zöllner
1. June 2019, Spectrum, New York [USA]
Seven thoughts – her kind (2018) for (speaking) keyboardist solo – Gwen Rouger
22. May 2019, 20h, Kesselhaus Kulturbrauerei, Berlin
WP NUN (2019) for ensemble mosaik
15. May 2019, 20h, Španski Borci Cultural Centre, Ljubljana [SVN]
white eyes erased (2014/2015) for keyboard and drumset – Black page orchestra
10. May 2019, 20h, Orpheo Berlin
Wolves (2012) for oboe and prepared piano – Antje Thierbach and Amit Dolberg
2. May 2019, 19h30, Aetheneum Library, La Jolla [CA]
Träne (2016) for soprano with 4 gongs – Kirsten Ashley Wiest
3. May 2019, Basel [CH]
30. April 2019, Forum für neue Musik, Lucerne [CH]
27. April 2019, Espace Noir, St Imiers [CH]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo
18. April 2019, Moscow [RUS]
…beredtes Schweigen (2005) for ensemble
16. April 2019, 20h30, unerhörte Musik, Berlin
Passacaglia (2015) for prepared piano solo – Fidan Aghayeva-Edler
11. April 2019, 20h, Kontraklang, Heimathafen Berlin
WP Wolke (2019) for flute, clarinet, harp, percussion and light
HAUS (2017) for bass flute, bass clarinet, prepared harp, percussion and live video – Ensemble Adapter
5. + 7. April 2019, 20h/19h, Staatstheater Cottbus
WP En face (2018) for percussion solo, actor and large orchestra – Philharmonic Orchestra Cottbus, Alexander Wnuk, Jakob Diehl, conductor Felix Bender
31. March 2019, 20h, Alte Feuerwache, Cologne
void-imaginings (2018) for 4 performers, objects and electronics – ensemble Inverspace
31. March 2019, 14:30, Festival Archipel, Genève [CH]
Lobgesang (2009) for soprano recorder solo – Susanne Fröhlich
23. March 2019, 22h05, Deutschlandfunk – Atelier neuer Musik
“Reflexion des Todes – Light by Light” – Feature about Sarah Nemtsov’s new project with the Decoder Ensemble – by Leonie Reineke
12. March 2019, 20:30h, unerhörte Musik, Berlin
Shadow drums (2017) for solo percussionist – Jonathan Shapiro
8. March 2019, Baden [CH]
void-imaginings (2018) for 4 performers, objects and electronics – ensemble Inverspace
5. March 2019, Basel [CH]
…beredtes Schweigen (2005) for 7 instruments – Ensemble Lemniscate
1. March 2019, 21h, Figura Festspiele, Fredriksberg [DK]
Lobgesang (2009) for soprano recorder solo – Susanne Fröhlich
19. February 2019, 20h, Centrala, Birmingham [UK]
drummed variation (2014) for no drum set and kaoss pad – Serge Vuille (ensemble Contrechamps)
15. February 2019, 20:30h, Elbphilharmonie, Unterdeck, Hamburg
light by light (2018/2019) an evening with the Decoder ensemble
14. February 2019, Basel [CH]
WP void-imaginings (2018) for 4 performers, objects and electronics – ensemble Inverspace
5. February 2019, Festival “Musica Nova”, Helsinki [FIN]
beyond its simple space (2018) for harpsichord solo and Baroque orchestra and electronics – Petteri Pitko, Finnish Baroque Orchestra
31. January 2019, 20h, Schwere Reiter Munich
Passacaglia (2015) for prepared piano solo – Brigitte Helbig
23. January 2019, 19h, Reaktorhalle Munich
WP Briefe. Briefe (2012/2016) for two amplified accordions and electronics – Ensemble Oktopus – Ltg: Konstantia Gourzi
19. January 2019, Hamburg
WP Shadow drums (2017) for solo percussionist – Jonathan Shapiro
17. January 2019, Museum of Contemporary Art, San Diego [CA]
Träne (2016) for soprano with 4 gongs – Kirsten Ashley Wiest
15. January 2019, 20:30h, unerhörte Musik, Berlin
SKOP (2016) for accordion solo with mouth organ and mirrors ad lib – Roman Yusipey
2018
11. December 2018, Stuttgart
PHONEME (2018) for 5 solo voices and ensemble – Neue Vocalsolisten Stuttgart and Ensemble Meitar – Project “Crossing Borders”
10. December 2018, 20h, Alte Oper Frankfurt
a long way away (2011) for ensemble – ensemble modern and Ilan Volkov
2. December 2018, Potsdam
Nigun (2003) for viola solo – Itamar Ringel
29. November 2018, Havanna [CUB]
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Ernst Surberg
14. November 2018, Bayerische Akademie der schönen Künste, Munich
WP Shadow drums (2017) for solo percussionist – Jonathan Shapiro
12. November 2018, 19h30, Wien modern, Wiener Konzerthaus, Beriosaal, Wien [AT]
JOURNAL (2015) for five instruments with electronics – Ensemble PHACE
10. November 2018, Oldenburg
WP Osse (2018) – Orchestra Liebfrauenschule, conductor: Mathias Kroll
9. November 2018, Festival de música contemporânea, Santiago, Chile [CHL]
JOURNAL (2015) for five instruments with electronics – Ensemble Lux:NM
7. November 2018, Odeon Kino, Cologne
white eyes erased (2014/2015) for keyboard and drum set – HandWerk
5. November 2018, 17h, UC San Diego [CA]
Träne (2016) for soprano with 4 gongs – Kirsten Ashley Wiest
5. November 2018, 19h, Centrum Judaicum, Berlin
Ashrei (2015) for voice and 6 instruments – opening of the “Jüdischer Zukunftskongress”
3. November 2018, Klangwerkstatt, Berlin
…beredtes Schweigen (2005) for 7 instruments– Ensemble Lemniscate
28. October 2018, Tel Aviv [IL]
WP PHONEME (2018) for 5 solo voices and ensemble – Neue Vocalsolisten Stuttgart and Ensemble Meitar – Project “Crossing Borders”
24. October 2018, 20h, Mozarteum Salzburg [AT]
Orbits (2018) for 4 electric guitars, e bass and objects – “Open Source Guitars”
22. October 2018, 19h30, Kesselhaus Trossingen
Orbits (2018) for 4 electric guitars, e bass and objects – “Open Source Guitars”
21. October 2018, Donaueschingen Music Days
WP (whole cycle) Orbits (2018) for 4 electric guitars, e bass and objects – “Open Source Guitars”
19. October 2018, 20h, Paris [FR]
Seven Colours (2018) for 4 instruments and electronics – ensemble Soundinitiative
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Gwen Rouger
18. October 2018, Tchaikovsky Concervatory, Great Hall, Moskow [RU]
Luftmacumba / Rio (2011) for percussion solo and ensemble – Studio for New Music Ensemble
16. October 2018, 20h, Porgy and Bess, Wien [AT]
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Alfredo Ovalles
17. October 2018, 20h, open music, Forum Stadtpark, Graz [AT]
Seven Thoughts – her kind (2018) for (speaking) keyboardist solo – Alfredo Ovalles
16. October 2018, Basel [CH]
white eyes erased (2014/2015) for keyboard and drumset – HandWerk
5.-21. October 2018, Lviv, Ukraine [UKR]
VII COURSE. International master classes of New Music 2018 (2014/2015) composition teacher
concerts 20. October Lviv Philharmonic Society: Nigun (2000) for oboe solo and Briefe – Heloisa (2012) for shawms and accordion – ensemble nostri temporis
and SKOP (2016) for accordion solo with mouth organ and mirrors – Roman Yusipey
18. October: open lecture Sarah Nemtsov “empathy. 21st century. new music in context.”
4. October 2018, Ostrava, Tschechien [CZE]
white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik
2. October 2018, Unsafe+Sounds Festival, Wien [AT]
JOURNAL (2015) for five instruments with electronics – Black Page Orchestra
2. October 2018, Weißenfels
Nigun (2003) for viola solo – Ulrich von Wrochem
2. October 2018, 20h30, unerhörte Musik, BKA Theater, Berlin
deconstructions (2003) for violin and piano – duo ubu: Anne Schinz and Gilles Grimaître
29. September 2018, 19h30, Berlin
Lobgesang (2009) for soprano recorder solo – Sylvia Hinz
23. September 2018, 17h, Worpswede
weggeschliffen (2018) for string quartet – Nomos Quartett
17. September 2018, London [GB]
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola and percussion – riot ensemble
3. September 2018, ORF Zeitton, 23h03 and 13. September, 20h04, Hr2 Kultur
Broadcast of the opening concert of the Darmstadt Summer Course – dropped.drowned (2017) für großes Orchester – HR Sinfonieorchester, Ltg: Baldur Brönnimann
16. August 2018, Gaâs [FR]
Zwanzig Skizzen (2005) for piano solo – Jascha Nemtsov
20. July 2018, 16-19h, Bundesallee, Raum 310, University of the Arts Berlin
lecture Sarah Nemtsov – “Immersion und Konzeptualisierung”
14. July 2018, 20h, Opening concert Darmstadt Summer Course
dropped.drowned (2017) for large orchestra – HR Sinfonieorchester, conductor: Baldur Brönnimann
8. July 2018, Festival “Time of Music”, Viitasaari [FIN]
WP beyond its simple space (2018) for harpsichord solo and baroque orchestra – Petteri Pitko, Finnish Baroque Orchestra (FIBO)
30. June 2018, Passau
Lobgesang (2009) for soprano recorder solo – Susanne Fröhlich
30. June 2018, Ihlow (Berlin)
Briefe – Heloisa (2012) for oboe d’amore and accordion – with paper – Antje Thierbach and Susanne Stock
26. June 2018, 20h30, unerhörte Musik, BKA Theater, Berlin
Passacaglia (2015) for prepared piano solo – Hayk Melykyan
26. June 2018, 20h30, Alte Feuerwache, Cologne
drummed variation (2014) for No Drum set and Kaoss pad –Ensemble Inverspace
25. June 2018, 20h, Freiburg
drummed variation (2014) for No Drum set and Kaoss pad –Ensemble Inverspace
24. June 2018, 19h, Wabe, Berlin
drummed variation (2014) for No Drum set and Kaoss pad –Ensemble Inverspace
19. June 2018, Musikhochschule Trossingen
Phaethon.Asteroid (2018) from the cycle Orbits for 4 electric guitars and e bass with objects – ensemble – Ensemble “Open Source Guitars”
10. June 2018, Reykjavik [IS]
Helm auf (2015) for 5 instruments, narrator and objeccts and electronics – Finn-Ole Heinrich and Ensemble Adapter
8. June 2018, 20h, BNU, Strasbourg [FR]
Zimmer II (2013) for amplified bass flute and amplified bass clarinet with laptops
29. May 2018, 20h, Dronningesalen, Kopenhagen, KLANG Festival [DNK]
Luftmacumba / Rio (2011) for percussion solo and ensemble – Athelas Sinfonietta Copenhagen, conductor: Pierre-André Valade
27. May 2018, 18h, Theater im ehemaligen IWF, Göttingen
weggeschliffen (2018) string quartet with electronics – Nomos Quartett
18. May 2018
WP Phaethon.Asteroid (2018) from the cycle Orbits (2018) for 4 electric guitars and e bass with objects – ensemble “Open Source Guitars”
16. May 2018, 12h, Festival ContComp, Haifa [IL]
Sarah Nemtsov – lecture on “Colours and New Music”
15. May 2018, Festival ContComp, Haifa [IL]
drummed variation (2014) for No Drum set and Kaoss pad – Oded Geizhals (No Drum set) and Sarah Nemtsov (Kaoss pad)
15. May 2018, 14h, Festival ContComp, Haifa [IL]
Sarah Nemtsov – lecture on her opera “Sacrifice”
13. May 2018, 17h, Festival ContComp, Haifa [IL]
Zwanzig Skizzen (2005) for piano solo – Jascha Nemtsov
15. May 2018, 20h, Fleetstreet Theater, Hamburg
Seven Thoughts – her kind (2018) for keyboard solo with voice – Gwen Rouger
6. May 2018, 20h, Deutschlandfunk – Die neue Platte
“Neue Musik von Sarah Nemtsov – Geschichtete Klänge” – Feature by Yvonne Petitpierre
4. May 2018, Oldenburg Composition Prize, Awards Ceremony, Oldenburg
WP Fenster. Shloshim (2018) for 4 instruments – ensemble Adapter
30. April 2018, 18h, WDR-Funkhaus Köln, Festival “Acht Brücken”
Journal (2015) for five instruments with electronics – Ensemble Electronic:ID
28. April 2018, 19h, Hochschule, Luzern [CH]
Prospekt (2014) for singer and 10 instruments – Graham Valentine, Ensemble Helix
27. April 2018, Hanover
WP weggeschliffen (2018) for string quartet – Nomos String Quartet
26. April 2018, Freiburg
white eyes erased (2014/2015) for keyboard and drumset – ensemble Aventure
25. April 2018, Teheran [IRN]
Lobgesang (2009) for soprano recorder solo – Sylvia Hinz (XelmYa)
21. April 2018, 20h, Goethe Institute, Cairo, Egypt [EGY]
white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik
19. April 2018, Oldenburg
white eyes erased (2014/2015) for keyboard and drumset – ensemble Aventure
19. April 2018, ExRotaprint, Berlin
HAUS (2017) for 4 instruments with amplification and live video – Ensemble Adapter
14. April 2018, BBC Radio 3 Open Ear at LSO St Luke’s, London [GB]
WP Seven Thoughts – her kind (2018) for keyboard solo with voice – Gwen Rouger
4. April 2018, 21h, Radio SRF 2 Kultur [CH]
Broadcast Scattered Ways (2015) for orchestra – Basel Sinfonietta, Leitung: Baldur Brönnimann
20. March 2018, University of Notre Dame, South Bend [USA]
Transit (2013) for prepared piano solo – Ricardo Descalzo
17. March 2018, Lübeck
white eyes erased (2014/2015) for keyboard and drumset – Ninon Gloger and Jonathan Shapiro
17. March 2018, 23h30, Radio France “création mondiale”
full broadcast Seven Colours (2018) for 4 instruments with electronics – ensemble soundinitiative – feature by Anne Montaron
14. March 2018, Le Bourg, Lausanne [CH]
white eyes erased (2014/2015) for keyboard and drumset – Hyper Duo
15. March 2018, Roosevelt University, Chicago [USA]
Transit (2013) for prepared piano solo – Ricardo Descalzo
12.-16. March 2018, 13h55, Radio France “alla breve”
WP broadcast Seven Colours (2018) 5 movements for 4 instruments with electronics – ensemble soundinitiative – “alla breve” with Anne Montaron
10. March 2018, 19h, Depot.K, Freiburg
deconstructions (2003) for violin and piano – Duo Ubu
March-end of June (spring semester) 2018 DAAD guest lecturer at the University of Haifa, Music Department, Composition [IL]
27. February 2018, 20h30, unerhörte Musik, BKA Theater, Berlin
FAN (2017) for Double Bell Trompete, 3 fans, 2 effect pedals and amplification – Callum G’Froerer
21. February 2018, 19h, Bundeskunsthalle Bonn
Central Park/Manhattan (2011) for piano with melodica, piccolo, viola and percussion – Ensemble Electronic:ID
12. February 2018, 19h, Staatliche Hochschule für Musik Stuttgart
Träne (2016) for soprano with four gongs – Angelika Luz
28. January 2018, 19h, Musical Theater, Basel [CH]
Scattered Ways (2015) for orchestra – Basel Sinfonietta, conductor: Baldur Brönnimann
26. January 2018, Jahreskonferenz der Dramaturgischen Gesellschaft, Greifswald
“Die Zerklüftung der Welt – Terror in der Oper / „Sacrifice“ – open discussion – Sarah Nemtsov with Daniela Brendel and Dirk Laucke
16. January 2018, 23:03, Zeit-Ton, Radio ORF Ö1 [AT]
broadcast: Scattered Ways (2015) for orchestra – Tirolean Symphony Orchestra Innsbruck, Jonathan Stockhammer
12. January 2018, Fundació Miró, Barcelona [ES]
Transit (2013) for prepared piano solo – Ricardo Descalzo
2017
28. November 2017, Goethe-Institut, Madrid [ES]
26. November 2017, Ciclo de Música Actual, Badajoz [ES]
20. November 2017, Huddersfield Contemporary Music Festival [GB]
JOURNAL (2015) for 5 instruments with electronics – ensemble Lux:NM
19. November 2017, 20h, Musikbrauerei, IMPULS Festival für neue Musik Berlin
Ver-Suche (2006) for flute, cello, vibraphone and harp – Zafraan ensemble
27. October 2017, 20h, Art Share LA, Los Angeles [US]
IRA (2013) for paetzold bass recorder – Sylvia Hinz
25. October 2017, 20h30, Constellation Chicago, Chicago [US]
drummed variation (2014) for no drumset and kaoss pad – Matthias Engler and Gunnhildur Einarsdóttir: Ensemble Adapter
22. October 2017, 17h30, Festival Transit, Leuven [BE]
WP HAUS (2017) for 4 instruments, electronics, video – Ensemble Adapter
17. October 2017, 20h30, unerhörte Musik, BKA-Theater, Berlin
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic
17. October 2017, 19h, Kulturforum St. Matthäus Berlin
inzwischen (2005) for piano solo – Martin Edin (TrioKubiK)
14. October 2017, 20h, Flutgraben Berlin
WP FAN (2017) for double bell trumpet, 3 fans, 2 effect pedals and amplification – Callum G’Froerer
30. September 2017, BBC Radio 3 Open Ear at LSO St Luke’s, London [GB]
drummed variation (2014) for no drumset and kaoss pad – Serge Vuille and Joe Richards (Plus Minus ensemble)
24. September 2017, 19h, Staatstheater Cottbus
22. September 2017, 20h
WP dropped.drowned (2017) for large Orchestra – Philharmonic Orchestra Cottbus, conductor: Evan Christ
23. September 2017, 20h, Ackerstadtpalast Berlin
22. September 2017, 20h
WP dream of a cab (2017) for amplified voice, saxofone, accordion and tape – Claudia van Hasselt and ensemble Lux:NM – Project “Taximusic” by FrauVonDa
17. September 2017, 11h30, Berliner Dom
Interludium (2007) for oboe solo with electronics (tape) – Antje Thierbach
15. September 2017, 19h, Kunsthaus Dahlem Berlin
inzwischen (2005) for piano solo – Martin Edin (TrioKubiK)
12. September 2017, 23:03, radio ORF Ö1 [AT]
Broadcast: Scattered Ways (2015) for Orchestra – Tirolean Symphony Orchestra Innsbruck, conductor: Jonathan Stockhammer
10. September 2017, 20h, Heimathafen Neukölln, Berlin, Konzertreihe Kontraklang
JOURNAL (2015) for 5 instruments with electronics – ensemble Lux:NM
10. September 2017, 11h, Klangspuren Schwaz, Innsbruck [AT]
communication – lost – found (2006) for Ensemble – Klangspuren Academy Ensemble, Ltg: Franck Ollu
7. September 2017, Klangspuren Schwaz [AT]
Scattered Ways (2015) for Orchestra – Tirolean Symphony Orchestra Innsbruck, conductor: Jonathan Stockhammer
19. August 2017, Musik 21 Festival Hannover
WP Fanfaaare (2017) for 2 trumpets, 2 fans and amplification – Ensemble Schwerpunkt
15. August 2017, 20h30, Davos Festival [CH]
Poker, Roulette (2012) for percussion solo – Fabian Ziegler
8. August 2017, 20h, Saarbrücken
Cache (2016) for piano – Martin Tchiba (wireless Projekt)
22. July 2017, Sirga Festival [ES]
Briefe.Puppen (2012/2014) for e guitar and percussion – Primoz Sukic and Ruben Orio Martinez
21. July 2017, 21:15, Auditorium Goethe-Institut Rom [IT]
white eyes erased (2014/2015) for Keyboard and drumset – ensemble mosaik
16. July 2017, Landesakademie Wolfenbüttel
Central Park / Manhattan (2011) for piano with melodica, piccolo, viola con sordino and percussion
13. July 2017, Tzlil me’udcan festival, Tel Aviv [IL]
13. July 2017 20h concert : drummed variation (2014) for no drumset and kaoss pad – Plus Minus ensemble
13. July 2017 16h30 round table hear & now : “When politicly correct meets art: On sectorial (National, Race & Gender) considerations & their influence on the current contemporary music scene” with Bastian Zimmermann, Christoph Haffter, Oren Boneh, Sarah Nemtsov & Elena Schwarz
12. July 2017 16h30 round table hear & now : “What can music be about? New Music and discourse – about the personal experience in creating or writing about topics people are not interested in” with Bastian Zimmermann, Marco Momi, Dganit Elyakim, Hunjoo Jung & Sarah Nemtsov
12. July 2017 14h30 presentation (Sarah Nemtsov)
10. July 2017, 21:04, Kulturradio vom RBB – Musik der Gegenwart
Feature Die Komponistin Sarah Nemtsov by Andreas Göbel
10. July 2017, 18h, Hochschule für Musik Hanns Eisler, Charlottenstr., Berlin
discussion Musikalischer Transfer und Kulturelle Identität with Prof. Stefan Drees
24. June 2017, 15h, Carl-Maria-von-Weber Museum Dresden
Tunes.Suite (2013) for two viola da gambas – Alice and Alma Stoye
23. June 2017, 19:30, Oper Halle
22. June 2017, 19:30
18. June 2017, 21:00
SACRIFICE (2016) Opera in 4 Acts – for 5 singers, 3 actors, 5 instrumental soloists, orchestra, electronics, tape, video and a silent choir
11. June 2017, 16h, Schloss Hoyerswerda
9. June 2017, 19h30, Stadtbibliothek Leipzig
Tunes.Suite (2013) for two viola da gambas – Alice and Alma Stoye
1. June 2017, Barcelona [ES]
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic
12. May 2017, 20h, KunstKulturKirche Frankfurt
Lobgesang (2009) for soprano recorder solo – Sabine Ambos
11. May 2017, 00h05, dradio Kultur
Broadcast Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok – Festival ECLAT 2017
28. April 2017, 19h30, Kantonsbibliothek Baselland, ZeitRäume Basel [CH]
WP ThreeApproaches4Four (2017) for 2 horns and 2 trombones – Samuel Stoll, Adrian Städeli, Stephen Menotti, Jon Roskilly
27. April 2017, 00h05-1:00, dradio Kultur
new production Zimmer I-III (2013) for 8 musicians with electronics and 3 solo pieces (2014) – Ensemble Adapter, Sonar Quartett – Feature by Rainer Pöllmann
15. April 2017, 19h30, Köln
JOURNAL (2015) for 5 imstruments and electronics – Ensemble electronic ID
13. April 2017, 21h30, Chapman University, Los Angeles, CA [USA]
drummed variation (2014) for No Drumset and Kaoss Pad – Concert Series New Horizons – Ensemble Inverspace
12. April 2017, 20h, Radio SRF 2 Kultur
Feature about festival ECLAT 2017 – Or. Towards (2016) – Neue Vocalsolisten Stuttgart, Ensemble Ascolta
10. April 2017, 19h30, Mills Music Now, Concert Hall, Oakland, CA [USA]
drummed variation (2014) for No Drumset and Kaoss Pad – Ensemble Inverspace
6. April 2017, 71. Frühjahrstagung des INMM, Darmstadt
14h SOL (2010) for flute solo and à deux (2009) for prepared harp solo
15:30 Lecture (Sarah Nemtsov): Fluent Identities. Wurzeln, Be-/Ab-/Entgrenzung und (Dif-)Fusion in der Neuen Musik
19:30 Concert – Works by Sergej Newski, Joanna Bailie, Johannes Kreidler, Sarah Nemtsov – white eyes erased (2014/2015) for keyboard and drumset – ensemble mosaik
1. April 2017, 18:00, Theater an der Parkaue, Berlin
2. April 2017, 11:00
2. April 2017, 16:00
3. March 2017, 10:00
Helm auf (2015) – live radio play – Finn-Ole Heinrich (text), Ensemble Adapter
19. March 2017, Bielefeld
SKOP (2016) for amplified accordion with mouth organ and mirrors – Mateja Zenzerovic
14. March 2017, 00h05, Deutschlandradio Kultur
Broadcast white wide eyes (2014) for 23 instruments in 4 groups and electronics – Ensemblekollektiv Berlin
14. March 2017, Akademie der Künste, Berlin
Briefe – Heloisa (2012) for Baroque oboe and accordion with paper – Antje Thierbach and Susanne Stock
8. March 2017, 19h30, Immanuelkirche Königstein im Taunus
Lobgesang (2009) for soprano recorder solo – Sabine Ambos
11. March 2017, 19:30, Oper Halle
8. March 2017, 19:30
7. March 2017, 19:30
5. March 2017, 19:30 – Premiere
WP SACRIFICE (2016) Opera in 4 Acts – for 5 singers, 3 actors, 5 instrumental soloists, orchestra, electronics, tape, video and a silent choir
libretto: Dirk Laucke, stage direction: Florian Lutz, stage: Sebastian Hannak, costumes: Mechthild Feuerstein, dramaturgy: Michael von zur Mühlen, conductor: Michael Wendeberg;
with: Marie Friederike Schöder, Tehila Nini Goldstein (sopranos), singers and actors of the Opera Halle, Staatskapelle Halle, Ernst Surberg (keyboard and electronic devices), Seth Josel (e guitar), Matthias Erb (sound design) etc.
15. February 2017, 23:03, SWR2, ECLAT 2017
Broadcast Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok
4. February 2017, Schönes Wochenende Festival, Tonhalle Düsseldorf
WP Cache (2016) for piano – Martin Tchiba (wireless Project)
drummed variation (2014) for no drum set and kaoss pad – Ensemble Decoder
2. February 2017, 19:30, Festival ECLAT, Theaterhaus Stuttgart
Or. Towards (2016) for 6 voices, 6 instrumentalists, objects and light – Neue Vocalsolisten Stuttgart, Ensemble Ascolta, Nicholas Kok (conductor)
*