Works Sarah Nemtsov
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Works Sarah Nemtsov
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OPERA
„L'ABSENCE“ (2006-2008) opera in five acts (with prologue and epilogue) after „Le Livre des Questions“ [Book of Questions] by Edmond Jabès
for 12 singers, speaker, a female dancer and orchestra [ca. 110']
„Herzland“ (2005) chamber opera in five acts with excerpts from the correspondence Paul Celan –
Gisèle Celan-Lestrange for 2 voices (mezzosoprano and baritone) and four instruments (flute, clarinet, viola and accordion) [ca. 30']
New Version „Herzland“ (2005/2009) chamber opera in five acts with excerpts from the correspondence Paul Celan –
Gisèle Celan-Lestrange for 2 voices (mezzosoprano and baritone) and chamber orchestra [ca. 30']
„Kaleidoskop“ [kaleidoscope] (2004) for solo oboe, string orchestra (or string quintet) and
harpsichord [ca. 12']
„Helix“ (2004) for large orchestra [ca. 20']
„Luftmacumba / Rio“ (2011) for percussion solo, bass flute, violine, cello, contrabass, harp, prepared piano and 2 assistents (ad lib.) [ca. 10']
„a long way away“ (2011) for ensemble (flute, clarinet,
violin, cello, contrabass, amplified harpsichord, prepared piano, percussion and assistent) [ca. 15']
„ECHOS“ (2011) for 5 Soloists (clarinet, violin, cello, bass, piano with harmonium), string quartet and soprano - with 12 poems by Mirko Bonné [ca. 27']
„landscapes/desert“ (2010) for clarinet, cello, harp, harpsichord and percussion [ca. 16']
„Verlassene Orte / Berlin“ [Left places] (2010) for ensemble (alto flute, bass clarinet,
harp, prepared piano and percussion) [ca. 11']
„Interludien“ [interludes] (2006) for ensemble (clarinet, trumpet,
horn, viola, cello, contrabass, percussion, piano and electric guitar) with obligatory oboe and electronics [ca. 15']
„communication – lost – found“ (2006) for ensemble (flute, clarinet, trumpet,
2 violins, 2 celli, harp, guitar, accordion, piano and percussion) [ca. 27']
„...beredtes Schweigen“ [...eloquent silence] (2005)
for ensemble (flute, clarinet, violin, viola, cello, percussion and piano) [ca. 15']
„leer - empty“(2011) for 8 solo voices (SSAATTBB) with a poem by Emily Dickinson and a translation by Mirko Bonné [ca. 9']
„Hoqueti“(2011) for six solo voices with additional instruments [ca. 20']
„TOV“(2010) for soprano, (soprano-)saxophone, prepared piano and percussion (based on the Israeli song „Hine ma tov“) [ca. 7']
„startled grass“(2010) for soprano and piano with lyrics by Emily Dickinson [ca. 4']
„...pour qu'il advienne“(2009) for mezzo soprano and prepared piano with lyrics by Maïa Brami [ca. 10']
„Moon at Noon“ (2009) for soprano and ensemble (flute, clarinet, violin, cello, harp and percussion) with lyrics by Emily Dickinson [ca. 21']
„cherchée-cherchais“(2008) for baritone
and prepared piano [ca. 11']
„For a Frontier“ (2007) 2 Songs for mezzo soprano (alto)
and piano with lyrics by Emily Dickinson [ca. 11']
„de Yukel à Sarah“ (2006) for voice and ensemble (soprano, musical glasses, flute, violin, cello,
contrabass, percussion, accordion and cymbalum) [ca. 11']
„Theoretischer Text von
Till Nikolaus von Heiseler“ [Theoretical Text by Till N. von Heiseler] (2004) for one or
more (not-)singers [any duration]
„Johanna Sebus“ (2002) for soprano and piano (fragment by Franz Schubert) [ca. 6']
„Laterna magica / Combray“ (2011) for prepared harp solo, piano, percussion and humming tops [ca. 8']
„Central Park / Manhattan or Landzunge / New Jersey“ (2011) for piano with melodica, piccolo flute, alto (con sordino) and percussion [ca. 5']
„Unscheinbare Pforten / Paris“ (2011) for violin, harpsichord and percussion [ca. 3']
„+ Drei Zeichen“ (2010) [+ Three signs] für cello and (prepared) piano - epilogue for „Sechs Zeichen“ [ca. 4']
„Sechs Zeichen“ [Six signs] (2010) for cello and (prepared) piano [ca. 10']
„dismissed thoughts“ (2009) for woodwind quintet [ca. 7']
„Erinnerungen - Splitter“ [Remembrances - fragments] (2009) for string trio [ca. 13']
„Le chiffre 4“ [the number 4] (2008) for string trio, clarinet and accordion [ca. 12']
„Ver–Suche II“ [at–tempts II] (2007)
for alto flute, cello and accordion (pupils) [ca. 12']
„Kreise“ [circles] (2007) for two pianos and percussion [ca. 11']
„Im Andenken“ [in memory] (2007) for string quartet [ca. 14']
„Ver–Suche“ [at–tempt] (2006)
for flute, cello, vibraphone and harp [ca. 10']
„exercice“ [exercise] (2005) for two flutes [ca. 6']
„Smena karaula“ (2004) trio for percussionists [ca. 13']
„deconstructions II“ (2003) for corno anglaise and piano [ca. 13']
„deconstructions“ (2003) two pieces for violin and piano [ca. 9']
„Streichquartett in fünf Veränderungen“ [string quartet in five changes] (2003) [ca. 17']
„...ins Unland...“ (2001/ 2002) five pieces with lyrics by Paul Celan from the cycle
„Niemandsrose“ for oboe, violin, cello, piano and speaker (ad libitum) [ca. 25']
„Studies I-III“ (2011) for percussion soloolo [ca. 13'] - I: tambourine, II: Tam-Tam, III: drumset
„SOL“ (2010) for flute (or bass flute) solo [ca. 5']
„Lobgesang“ (2009) after „De Lof-Zangh Marie“ by Jacob van Eyck for soprano recorder [ca. 7']
„à deux“ [for/with two] (2009) for prepared harp solo [ca. 16']
„For Walter Zimmermann“ (2009) fo piano solo [ca. 3']
„Soutine:
Paysage de Céret“ [Landscape of Céret] (2007) for cello solo (with sporadically
accordion ad libitum) [ca. 10']
„Interludium“ (2007) for oboe solo and electronics [ca. 10']
„inzwischen“ [in the meantime] (2002/2005) for piano solo [ca. 5']
„Zwanzig Skizzen“ [Twenty Sketches] (2005) for piano solo [ca. 20']
„déliberation“ (2003) for trumpet solo [ca. 5']
„Nigun II“ (2003) for viola solo [ca. 8']
„Nigun“ (2000) for oboe solo [ca. 6']
„How slow“ (2008) 2 Songs and epilogue for soprano,
harp, double bass, percussion and a female dancer - lyrics by Emily Dickinson [ca. 12']
Earlier Version of the first two songs: „Not knowing“ (2007) 3 Songs for mezzosoprano,
guitar, cello, percussion and a female dancer with lyrics by Emily Dickinson [ca. 16']
COLLECTIVE
„3+x“ (2007) collective composition together with Snezana Nesic and Yaeko Asano
for tenor saxophone, contrabass, piano and percussion [ca. 12']
„Mondaphorismen“ [moon aphorisms] (2001) for flute (piccolo) and piano [ca. 12']
„Gegenwege“ [anti-ways] (2000) for saxophone, cello, piano and percussion [ca. 10']
„Konflikte“ [conflicts] (1999) for horn and piano [ca. 5']
„Drei Märchenbilder“ [three pictures of fairy tales] (1999) for clarinet, violin, cello, vibraphone and piano [ca. 15']
„Aspekte II“ [aspects II] (1999) for clarinet, viola and piano [ca. 8']
„Aspekte“ [aspects] (1998) for clarinet, violin, cello and piano [ca. 5']
„Le petit but“ [little aim] (1998) for orchestra [ca. 13']
„Fünf Stücke“ [Five Pieces] (1997) for wind quintet with choreography after lyrics by Paul Celan [ca. 17']
„Drei Fragmente“ [three fragments] (1997) for String Quartet [ca. 5']
„Liebe blaue graue Nacht“ [Dear blue grey night] (1997) for 3 violins, viola, 2 violoncelli after words by
Wolfgang Borchert [ca. 15']
„bells and beats“ (1996) for flute, bassoon, piano and percussion [ca. 5']
„Concerto for violin and orchestra“ (1996) [ca. 25']
„Retrospektiv“ (1996) for recorder,
flute, clarinet, saxophone, cello, piano and percussion [ca. 8']
„Herbstgasse“ [autumn lane] (1995) for recorder, oboe, violin and bassoon [ca. 3']
„Wenn der Morgen...“ [when the morning...] (1995) for violoncello and piano [ca. 4']
„Wendepunkt“ [turning point] (1995) for orchestra [ca. 12']
„Osse schalom“ [He who makes peace...] (1995) for soprano, alto and tenor [ca. 2']
„Laila tow“ [Good night] (1995) for piano solo [ca. 2']
„Der Nachtwald“ [night forest] (1995) for soprano, cello and piano [ca. 2']
„Die Innenwelt der Außenwelt der Innenwelt...“ (1994) for piano solo [ca. 4']
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